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Posted

Yes, if you have the vinyl keep it - Freddie Waits' musical solo was 'edited down' on the CD reissue.  Why?

Bertrand.

I thought I still had the vinyl, but I guess I got rid of it.

Oh, well........I guess I'll never know the beauty of the saw solo. :(

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Posted

jack.jpg

At least he's not playing the banjo.

Looks like there's another level of the musical food chain below trombone.

I wonder if he's playing "The Last Time I Sawed Paris". Or perhaps "I Sawed About You".

Think he gets turned on when he plays Donna Lee?

OK, I'm done. For now. :mellow:

Posted

To go off topic again: there's some Mingus boots around from the seventies with that Brooks guy (sorry, I always mix them up, but I do remember that one's called Billy and the other Roy...) playing some saw.

Posted

It's the Roy that played in Mingus' band. . . .

Yeah, you can hear the saw played on those Mingus dates. It's nice to have a remote in your hand with fast forward though. . . .

Posted

Last Date and Live at the Lighthouse make clear how much of a crying shame it is that Lee died when and how he did...but on the other hand if it's really true that BN was planning to pair him with the Mizell bros., well i won't say it's just as well but I really dislike their stuff and not because I don't like funk/groove (as those of you who got my blindfold test well know) but precisely because I do dig natural funk/groove..to me there's nothing more grotesque than fake funk. End of rant. Back on topic, Last Sessions? Hell yeah!

Guest akanalog
Posted

i love "croquet ballet" though i don't know if this performance is better than on billy harper's debut album. less fiery but more soloists i guess.

Posted

I still have my vinyl double.  Definitely one to keep.

Agreed - especially since Bob Belden removed a solo on singing saw in one track, you can still hear it faintly in the background. Can't understand why he mixed it down for the CD issue, I found it eerie and very fitting ...

Posted

"Lee Morgan" came out when I was an undergraduate at Cal State Northridge and it was a musical staple for me back then.

By the time the CD, "The Last Session", came out, I had been long-parted from the LP. So I didn't notice, at first, the editing of Roy Brooks's spacey solo, but it was a part of the original vibe that I miss. So keep your LP.

I heard Roy Brooks play his saw within Mboom. That was cool too.

Posted (edited)

Roy Brooks is not on this album.

The liner credits Freddie Waits for drums and recorder; Reggie Workman for acoustic bass and percussion. Since Jymie Merritt's electric Ampeg bass is still heard, I always concluded it was Reggie Workman playing the musical saw solo ...

Edited by mikeweil
Posted

i love "croquet ballet" though i don't know if this performance is better than on billy harper's debut album.  less fiery but more soloists i guess.

Speaking of "Croquet Ballet" what the hell is that underwater and emerge thing that Lee does on his solo? It kills me everytime I hear it. Sometimes with the remote I play it over and over. I never tire of it.
Posted

Roy Brooks is not on this album.

Brooks just got into the thread because of the saw solos, not because anyone thought he was on this disc. Freddie Waits is a terrific drummer! I wish he was on more sixties BN releases! Love his playig wherever he pops up! A favourite: Bobby Jones' "Hill Country Suite" album on Enja.

Oh, and: Hi Mike! Long time no see!

Posted

This one is definitely worth having, I only felt that the last track, "Inner Passions Out" was a bit sloppy, the rest is excellent.

I couldn't help but think of Woody Shaw while listening to this, not necessarily from Morgan's playing, just the whole vibe of the session.

So, in summing up, this one is,

Morgan's moody, moving, melancholy, minor masterpiece.

:D:D:D

Posted

Last Date and Live at the Lighthouse make clear how much of a crying shame it is that Lee died when and how he did...but on the other hand if it's really true that BN was planning to pair him with the Mizell bros

That made me feel vaguely ill.

  • 1 year later...
Posted

This CD arrived in the mail yesterday....an amazing session! All the more poignant because it really does feel as though Morgan was finding a way to extend the hard bop idiom in fascinating ways. Like Joe Henderson's Power to the People, this music feels very contemporary (70ish, that is) while at the same deeply rooted. My first impressions, anyway, after spinning this CD all day while driving in the car.

Posted

Spinning this one now (online peer pressure is a great thing) and all I can say is...HELL YEAH!

This might be one of those discs that I got that never made it out of my "to be played pile"...I've lost quite a few into that void over the years. Man, where have I been? It's going to be in my "to be played frequently pile" for awhile! :excited:

  • 10 years later...
Posted

I find myself listening to this one quite a bit.  Lee plays his ass off and the tunes are nice too.  Definitely not "in the solid hard bop camp".  As mentioned earlier, it really is a group date - plenty of solo room for all.  Just makes you wonder what else he could have done.

Posted
On 7/14/2007 at 7:03 AM, mikeweil said:

Every time I pull this CD I get mad that Bob Belden mixed out the saw solo ..... Glad I kept the LP!

I don't think I've ever heard that saw solo before, though it vaguely rings a bell. Is there a version uploaded to YouTube by any chance?  (I can't remember which tune it's in, let alone where in the tune it falls.)

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