Brownian Motion Posted April 3, 2005 Report Posted April 3, 2005 I just picked up a copy of Kenny Burrell Live at the Five Spot Cafe. The out-of-tune piano significantly reduces my pleasure in the music. I invite caveats for similarly afflicted recordings. Quote
sidewinder Posted April 3, 2005 Report Posted April 3, 2005 Of course Mal Waldron had to cope with the same problem at the Five Spot during the Booker Little/Eric Dolphy live recordings. The music trancends the problem, thankfully... Quote
7/4 Posted April 3, 2005 Report Posted April 3, 2005 Of course Mal Waldron had to cope with the same problem at the Five Spot during the Booker Little/Eric Dolphy live recordings. The music trancends the problem, thankfully... beat me to it... Quote
Nate Dorward Posted April 3, 2005 Report Posted April 3, 2005 The Montmartre piano is the pits! Listen to Cecil Taylor contend with it on Nefertitie the Beautiful One has Come & then Tete Montoliu has a crack at it on Roland Kirk's Live in Copenhagen. It doesn't sound it's been tuned in the interim between the two discs, actually......... Quote
Michael Fitzgerald Posted April 3, 2005 Report Posted April 3, 2005 Ron Carter: Piccolo (live at Sweet Basil) Pat Martino: East Mike Quote
jazzbo Posted April 3, 2005 Report Posted April 3, 2005 Lots of Nola Penthouse dates. . .especially Cal Massey's Candid. Quote
Free For All Posted April 3, 2005 Report Posted April 3, 2005 The piano on "Night of the Cookers" was pretty bad, although I think it was also due to the fact that it seemed to be a crappy upright, so tone quality was lame as well. I think it was the Art Farmer recording "The Company I Keep" (1994 or so) that featured a good piano that was out of tune. That's almost more painful to listen to- you'd think that a studio recording done with a reasonably generous budget wouldn't have that problem. That's the big drawback of being a pianist- you never know what you're going to have to play on. I can see why players make specific demands in their contracts. Quote
makpjazz57 Posted April 3, 2005 Report Posted April 3, 2005 A partial exaggeration, but it seems as though every CD Bobby Timmons appears on features a badly out of tune piano. It has become a joke between a musician friend and myself that any piano poorly out of tune is bestowed the honor of being called a "Bobby Timmons piano." Marla Quote
Alexander Hawkins Posted April 3, 2005 Report Posted April 3, 2005 That's the big drawback of being a pianist- you never know what you're going to have to play on. I can see why players make specific demands in their contracts. That said, I would almost invariably play the crappiest, most beaten up piano going on a gig than play a keyboard of any sort...But that's off-topic! Already mentioned in this thread - some of the most egregious examples which sprang to mind were the pianos used on 'Nefertiti...' and 'At the Five Spot'. Quote
Brownian Motion Posted April 3, 2005 Author Report Posted April 3, 2005 I'm surprised that Alfred Lion didn't spring for a tuning. He must have known by the time he recorded Kenny Burrell both that the Five Spot piano was often out-of-tune and that the owner of the Five Spot didn't give a shit. Quote
GA Russell Posted April 3, 2005 Report Posted April 3, 2005 The worst that I can think of was Thelonious Monk's first studio date for Prestige. Not even close! Quote
brownie Posted April 3, 2005 Report Posted April 3, 2005 Horace Silver also had to battle the piano at Cafe Bohemia when the Jazz Messengers recorded their BN albums there! Nearly as bad as the one at the Five Spot! Does not bother me that much. Silver and Waldron managed to make the best of the instruments. I still love those sessions... Quote
J.A.W. Posted April 3, 2005 Report Posted April 3, 2005 Cedar Walton's piano on his two Boomers albums doesn't sound kosher either. Quote
catesta Posted April 3, 2005 Report Posted April 3, 2005 Cedar Walton's piano on his two Boomers albums doesn't sound kosher either. Yep. I love the recordings, but the piano almost sounds like a toy. Quote
sidewinder Posted April 3, 2005 Report Posted April 3, 2005 One of the worst examples I can think of is on that great Prestige session by James Moody and Eddie Jefferson and Dave Burns which includes 'Filthy McNasty'. Barry Harris has to contend with a terrible piano that probably also featured on the Martino 'East'. Funnily enough though, the pitch of the piano probably seems to add to the appeal of the performance. Quote
Jazz Kat Posted April 3, 2005 Report Posted April 3, 2005 This was the case a lot with Ramsey Lewis in the late 50s and early 60s with his trio. But only, he was the reason they would get out of tune. Quote
Michael Fitzgerald Posted April 3, 2005 Report Posted April 3, 2005 Am I right in recalling the Prestige sessions in question were engineered by Richard Alderson? Was that his studio? Did it have a name? Can we look forward to a set of Prestige 4-bit CD remasters in "The RLA Series"?? Mike Quote
BFrank Posted April 4, 2005 Report Posted April 4, 2005 Stanley Cowell's piano on Tolliver's "Live at Slugs". Doesn't bother me, though. Actually adds to the sound, IMHO. Quote
WD45 Posted April 4, 2005 Report Posted April 4, 2005 Stanley Cowell's piano on Tolliver's "Live at Slugs". Doesn't bother me, though. Actually adds to the sound, IMHO. That is kind of how I feel about the Cecil Taylor date as well. Quote
clifford_thornton Posted April 4, 2005 Report Posted April 4, 2005 Amen to that; ditto wrt Waldron on the Five Spot... Quote
Nate Dorward Posted April 4, 2005 Report Posted April 4, 2005 Hm...... the outoftune piano adds to the atmosphere..... but I'm sure the pianists would have preferred a decent instrument. There's a Marilyn Crispell album (the one with Fred Anderson) where if memory serves she's playing an instrument with a broken note. Quote
mikeweil Posted April 4, 2005 Report Posted April 4, 2005 Lots of Nola Penthouse dates. . .especially Cal Massey's Candid. The many Candid dates marred by the piano at Nola's were the first to come to my mind, too Quote
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