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Posted

Whoa... I want to caress her neck...

Easy big fella. You go around saying you want to caress the FATBOY and your gonna find yourself in some STRANGE situations! :D

Posted (edited)

Can I ask an amp question here or should we start an amp thread? :D

Has anyone played the little Peavey Classic 30 amp?

I have a Classic 50 410 and like it alot. Very versatile. good clean sound, nice "growl" as well.

It's too big. I would like to have a smaller, more portable amp but don't want to give up that good sound. How does the Classic 30 compare to the "big boys?"

(I have played through a 212 model as well.)

Edited by scottb
Posted

classic30.jpg

Yep, that's the one. It sounded fine, although I can't compare to the others, not having heard them. But I think it would work well in most situations.

Posted

Joe, I'm sure you've discussed this before and I apologize to you and the others for bringing this up again, BUT, :unsure: what amp(s) do you use now for practice and for gigs?

Posted

No problem. I have a Peavey Delta Blues (a 1-15) that I keep at the rehearsal space at Jim's. I sometimes use that on the more laid back gigs. For the other stuff, I use a Boss GT-6 floor unit as my pre-amp, which goes stereo out to a Carvin dual channel 50 watt tube amp, and into a Butler 2X12 cabinet. I also have a Fender Champ at home, although I almost always play acoustically at home, even if I'm playing my Ibanez.

Posted

What are you, a gearhead or something? ;)

Hofner Jazzica Classic

Ibanez Artist

Wechter Pathmaker (nylon string)

and of course, Epiphone Alleycat, as soon as it arrives.

I still have my foist guitar, an Alverez steel string acoustic, bought new in 1978.

Posted

I still have my foist guitar, an Alverez steel string acoustic, bought new in 1978.

My foist was a cheap Decca nylon string (classical) purchased for my older sister (who never learned to play it) in the late '60's and immediately commandeered by me. :rolleyes: Since it WAS my first guitar, I tried to donate it to the Rock and Roll Hall of Fame in Cleveland but, for some mysterious reason known only to them, they weren't interested. :wacko:

Posted

Joe, here's a REAL gearhead question for you :g (or anyone else who cares to answer)--what kind of strings do you use for your jazz guitars? I was thinking of picking up some D'Addario Chrome 11's for the new Agile Cool Cat.

Posted

I was going to ask the string question as well. I was looking last night at musicians friend at the flatwound strings they had. I can't find flatwound strings where I live so I'll have to order them.

Will probably put 12s in the Broadway and 11s in the Cort.

My standard string are GHS nickle rockers. I like their mellow tone, even the wound stings are smooth right out of the box. D'Addarios always seemed to bright for a while. I used to keep the wound strings and only replace the others to avoid the breakin period.

Posted

Joe, here's a REAL gearhead question for you :g (or anyone else who cares to answer)--what kind of strings do you use for your jazz guitars? I was thinking of picking up some D'Addario Chrome 11's for the new Agile Cool Cat.

I've been using D'Addario Chrome 10s on my Gibson and Epiphone. If I stick with it, maybe my hands will be strong enough for 11z by Summer.

Posted

GHS sucks!

:P

D'Addario 11's for me. D'Addario's on the Wechter, too, but I haven't tried any other nylon strings, so I'm open to any suggestions there.

Posted

GHS sucks!

I don't like the boomers AT ALL but I like the Nickle rockers and if you say that they suck again we're gonna have a problem. More specifically, YOU are going to have a problem! :bwallace:

(that's the great thing about the internet, I can play the tough guy because Michigan is a long way from me :D Although sizewise I think we may be pretty good matchup.)

Posted

I've heard that Pyramid flatwounds are the best strings out there.

They're a little too pricey for me, so I've been using the D'Addario chromes.

Are those 11's, Jeff? I think you told me before, but I forgot. :huh:

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