Teasing the Korean Posted May 26, 2020 Report Posted May 26, 2020 (edited) 5 minutes ago, JSngry said: Black Music Matters. At my school, black music mattered to the jazz police if it dated from roughly 1942 to about 1967. From there, they jumped to ECM, which I've never really explored, but which appears to be primarily white (not that that is a criticism). The early 80s were a weird time for jazz education. A lot of the legends were still alive and even working; the Marsalis rat pack was getting started; jazz still had a shred of cultural relevance; and the faculty were bitter that they were not as famous as Miles. Edited May 26, 2020 by Teasing the Korean Quote
Teasing the Korean Posted May 26, 2020 Report Posted May 26, 2020 10 minutes ago, Late said: Man, you were walking a thin line. The Jazz Police are sensitive souls. They don't dig Bösendorfers. Ha ha! Quote
Teasing the Korean Posted May 27, 2020 Report Posted May 27, 2020 Would anyone have interest in a thread in the musicians section in which we share our jazz police/university jazz program stories? Quote
Chuck Nessa Posted May 27, 2020 Report Posted May 27, 2020 Start one and find out. That is how this stuff works. Quote
Teasing the Korean Posted May 27, 2020 Report Posted May 27, 2020 10 minutes ago, Chuck Nessa said: Start one and find out. That is how this stuff works. Well then I may just take you up on that! Quote
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