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Posted

Jason Moran's latest came out on Tuesday. Has anybody heard this yet? I picked it up, and I love it. Moran gets better with each new release. The guitarist adds some interesting textures... :tup:tup from me!

Posted

Went to go buy it, but it was $17.99 at Borders! :o

Best Buy should get it within the next few weeks, so I'll wait to get it cheaper there.

Posted

Someone dumped a review copy at HiFi, so I got it at a verrry reasonable price. I am sure I will appreciate it more than the reviewer. I'll post some thoughts this evening after I spin it a few times.

Sal, Moran is going to be playing at the CSO I believe in March. It's not the ideal setting. I preferred seeing him at Hothouse, but I'll still be going.

Posted

Someone dumped a review copy at HiFi, so I got it at a verrry reasonable price. I am sure I will appreciate it more than the reviewer. I'll post some thoughts this evening after I spin it a few times.

Sal, Moran is going to be playing at the CSO I believe in March. It's not the ideal setting. I preferred seeing him at Hothouse, but I'll still be going.

I saw that, Eric. The only CSO shows I could afford to go to this season are Herbie Hancock's Directions in Music band and the San Francisco Jazz Collective. I did get some Sonny Rollins tickets, but am going to have to sell them.

Posted

Went to go buy it, but it was $17.99 at Borders! :o

Best Buy should get it within the next few weeks, so I'll wait to get it cheaper there.

Yeah...I could have waited and gotten it cheaper, but...

I really wanted to hear it! :wub:

Posted

hmmm...i heard it and didn't dig the direction. exploring the blues in this quasi-abstract-blues/rock guitar way, to me at least, equals destroying the blues with berkely school of music-type feeling. not much there. wish he'd play some james p johnson stride like he can and add his thing to that instead...and explore the blues is that manner, it would mean more in the long run i think. this is just another 'sexy' release that'll be forgotten over time in my estimation. of course, i could be wrong about everything.

Posted

I'll be curious to hear what people think of this one too. I'm sure I'll get it, one of these days, since I have all Moran's leader dates, and probably 90+% of his sideman work as well. (And some private recordings too.)

But having listened to the on-line samples (two full-length tunes are on the BN website, plus 60-second samples of all the other tunes on Amazon), I'm not entirely sure about this one yet. I should reserve judgement until I hear the entire thing, but I'm a little on the fence based on what I've heard so far.

And I say that speaking as someone who ranks Moran as one of their very favorite pianists on the scene today.

Posted

It's very sedate. There is a guitar player that I can barely hear, to say nothing of the bass -- of course, I am listening in an office environment and don't have it turned up loud. It doesn't grab me, that's for sure.

Posted

It's very sedate. There is a guitar player that I can barely hear, to say nothing of the bass -- of course, I am listening in an office environment and don't have it turned up loud. It doesn't grab me, that's for sure.

Be careful at work - I wouldn't describe track 2 as sedate. :P

I don't know where I stand on this. I'm on my first listen and I like parts of it and don't like parts of it. I should listen a few more times before I even make a comment. I'll probably end up liking it. There are some cool parts.

I've purchased every JaMo release (as a leader) and I usually enjoy his stuff.

Posted

The guitarist does add some nice textures. I'm not thrilled when he starts soloing, but the textures are COOL.

That's what my concern is about this release (at least from the two tunes I've heard). When the guitar is soloing, it just sounds pretty whack to me. (I guess whether that's a "good" sort of whack, or a "bad" sort of whack, or maybe a baaaad sort of whack -- remains to be seen)

Spontoonious was over here last week, and we both gave a listen -- and I think his reaction was similar.

Wish the tone of his guitar wasn't so biting -- so damn electric. A more laid-back tone might have worked better for me. The "busy"-ness wasn't what bothered me, so much as the tone.

Posted

The guitarist does add some nice textures. I'm not thrilled when he starts soloing, but the textures are COOL.

That's what my concern is about this release (at least from the two tunes I've heard). When the guitar is soloing, it just sounds pretty whack to me. (I guess whether that's a "good" sort of whack, or a "bad" sort of whack, or maybe a baaaad sort of whack -- remains to be seen)

Spontoonious was over here last week, and we both gave a listen -- and I think his reaction was similar.

Wish the tone of his guitar wasn't so biting -- so damn electric. A more laid-back tone might have worked better for me. The "busy"-ness wasn't what bothered me, so much as the tone.

I agree, RT. The guitar ruins the second track for me. I'm on my second listen and I think that's the only track that bothered me. Otherwise, I like a lot of the textures.

On that second track (Jump Up), I guess I wish the guitar tone was a little less overdriven and processed. The cat is playing some cool stuff at times, but the tones of the guitar and piano don't mesh with me. But, JaMo is playing the hell out of the piano on the track.

Posted

JAMO's been Jason's nickname for several years now at least. Heck, it probably dates back to his high-school days (just my own guess). Jason's own website makes reference to "JAMO" quite a number of times. Just scroll down the page...

http://www.jasonmoran.com/home.html

I even think I heard Greg Osby holler to Jason between sets at one of Osby's gigs here in KC, saying: "Hey, Ghahmo...".

Posted

I have not heard this one yet but AMG did. Here is their 4-star review (by Matt Collar):

Boundary-pushing pianist Jason Moran expands his sound yet again with a blend of modern electric and acoustic blues on Same Mother. Featuring longtime bassist Tarus Mateen and drummer Nasheet Waits, Moran's seventh album also includes guitarist Marvin Sewell. An equally adventurous musician, Sewell adds a modern blues sound to Moran's usual mélange of post-bop, classical, New Orleans jazz, and funk. The results are raw, inspired, and frankly not wholly pleasing as Sewell's crisp acoustic attack does not always blend well with Moran's equally naked piano chops. However, for fans of both forward-thinking jazz and roots music, Same Mother — a conceptual nod to the unifying notion that we are all ultimately descended from one mother — holds considerable surprises. Notably, Moran's "Gangsterism On the Rise" is a bumptiously funky avant-garde ride, while his "G Suit Salvation" finds the group wading deep into softly experimental Pat Metheny waters. Similarly, the atmospheric, Arabic-influenced "Restin'" and "Field of the Dead" (which Moran deftly co-opts from Sergei Prokofiev's 1938 score for the Sergei Eisenstein film Alexander Nevsky) are darkly epic country-death ballads featuring Sewell's moaning acoustic slide guitar.

Posted (edited)

I emailed the site enquiring about signed Cds & Jason himself replied & signed off as Jamo.

I've traded some e-mails with Jason too, and you know, come to think of it --- he does usually sign them "JAMO".

Edit: Now the real question... Is it pronounced "GhahMO" or "GHAHmo"???

Who's got the balls here to e-mail him and find out??? :ph34r::ph34r::ph34r:

My money's on "GHAHmo".

Edited by Rooster_Ties

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