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Posted

Your comment on the soundman seems to be the norm. Who are these guys? Why can't venues get people to run the boards who have a decent ear.

I was so disappointed once seeing my friend's organ trio play. At one point you could hardly hear the organ!! Their setup is organ bass drums. If you can't hear the organ you're missing quite a bit! They never seem to get my buddy's bass right either. In that trio setting he ought to be heard as a featured instrument.

If I knew how to run the board I would have gone over there and shoved that dude out the way! He ruined the whole show.

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Posted (edited)

This is a fascinating thread. It has a live action feel to it.

Am following it closely, although I will never have the instrument myself. I can only bang on cans.

Keep 'em coming.

Cheers!

Edited by deus62
Posted

...and we also won't tell them that the "presets" are just pre-recorded songs...the A natural is Back At The Chicken Shack

A flat is Misty

G natural is More Today Than Yesterday, ect.

....you know

Posted

that is not my a-100 but a 1964 a-100 hammond

the back looks exactly like mine and it's the best photo of a up close open a-100 i've seen

i'm gonna take some photos of mine and send them to jim to post.

it's still hard to believe i really own a hammond organ

i can't fix the vibrato board this month, i hope next month i might be able to do it

ss1

Guest ariceffron
Posted

THE REASON SOULSTARTIONS ORGAN IS BROKEN IS BECAUSE HE IZ A LITTLE BIATOCH WHO PUT SODA IN THE OIL CUPS HEY SOULSTATION U GOTTA BUY HAMMOND OIL OFF OF EBAY

Posted

Yeah, the damn thing pretty much plays itself... all we have to do is look like we're doing something.

B-)

You might want to get one of these (B4), a notebook and a sequencer! :lol:

Posted

The NI B4 is pretty cool. I've already decided that if Organissimo goes overseas, I'm carrying my laptop and a copy of that program as a back-up!

:)

really now... :P

The demo sounds amazing to me. I'll have to look at it again, those drawbars never made sense to me in the past, maybe I've learned something recently that will help.

Posted

Soulstation, stops are really best learned by experimenting with them. Play middle C and pull each stop out seperately and get an idea of what each bar sounds like.

But in all honesty, I hardly mess with the stops that much. Sans for a few really distinctive settings like Jimmy Smith's "Erroll Garner thing" or McDuff's "piano sound"...the first 3 or 4 pretty much say it all. The last drawbar can add "whistle"...or All Stops Out for the "big band" chord sound or nice single note stuff with that one too....

Like Charles Earland said..."mess with the drawbars enough and you can pretty much nail anybody's sound"

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