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Posted

I know Hugh Ragin's got a couple of fans on this board but overall his profile seems to be rather low. So low in fact that the Penguin Guide seems unaware of the bulk of his discography. His previous cd Feel The Sunshine didn't create any ripples to my knowledge. But that and his other three cds on Justin Time are uniformly excellent. The latest Revelation, a quartet with Assif Tshar, driven along ferociously by William Parker and Hamid Drake, is a cracker. A touch of Ornette, Ayler, bebop, Ragin's at home with it all.

I first came across him when he impressed as a member of various David Murray bands and I've liked him ever since. He has a great sound and though I'm not a trumpet player but I'd guess he has a great technique.

Unfortunately I'm not familiar with his solo duo recordings but the word is that they are fine showcases for Ragin.

Maybe as he's based in Denver he doesn't get around that much but imo he's one of the leading trumpet men around.

Posted (edited)

My first exposure to Ragin was also via various David Murray groups. Very exciting and somewhat expressive player. I agree that Feel The Sunshine and Revelation are both very good. Other recordings under Ragin's leadership that I can also recommend are An Afternoon in Harlem (Justin Time) and Back To Saturn (Black Saint).

Edited by relyles
Posted

I'm not familiar with much of Ragin's work but one disc that I love is Open Systems, on Marge. This one features Ragin with Assif Tsahar, Peter Kowald and Hamid Drake.

I'll have to explore more of his work. Revelation sounds like a good place to start.

Posted

I'm not familiar with much of Ragin's work but one disc that I love is Open Systems, on Marge. This one features Ragin with Assif Tsahar, Peter Kowald and Hamid Drake.

I forgot about that one. I only listened to it once a while back, but my recollection is that it was definately worth hearing.

Posted (edited)

I'm with Chuck on the Cecma discs. METAPHYSICAL QUESTION is a fine trio with John Lindberg and Thurman Barker, and TEAM WORK consists of Lindberg / Ragin duets. The Justin Time releases find Ragin playing very well in a number of diverse settings, but I find the challenges he sets for himself on these earlier dates the more interesting.

Of course, any of the Roscoe Mitchell releases with Ragin are worth hearing: SNURDY MCGURDY..., 3 X 4 EYE, MORE CUTOUTS...

Edited by Joe
Posted

This thread motivated me to take out of my desk and listen to a 1995 performance from the Moers Festival by the David Murray quartet with Ragin, Kelly Roberty and Andrew Cyrille. The performance was a tribute to Albert Ayler. I am listening to it now and it is some very intense music.

Posted

Ragin's got the best of both worlds - the harmonic fluidity and traditional instrumental command of an "inside" player, and the free-spirited explorativeness of a "free player. Not that the two qualities are mutually exclusive, far from it, but Ragin (and to a little lesser extent, Bakida Carroll) has both in spades, and puts it out there in a "niether/nor" manner that is as powerful as it is natural.

Posted

Tshar sounds better on Revelation. I didn't think he was quite right for Sunshine though. My introduction to him by the way. Much as I enjoy Murray I'm not sure I wanted to hear him here.

It's true that the Justin Time settings are less challenging but for me that makes them more approachable and therefore more listenable. In short it's just fine jazz.

  • 5 years later...
Posted

Isn't there some stuff he did with Marty Krystall/Buell Neidlinger?

You might be thinking of Hugh Schick.

In case anyone was curious what Schick is up to these days, he's the guy in the black baseball cap in the photo.

http://online.wsj.com/article/SB10001424052748703904304575497990334592752.html#project%3DSLIDESHOW08%26s%3DSB10001424052748704129204575506281365314958%26articleTabs%3Darticle

  • 3 years later...
Posted

Hugh is also a very warm fellow. This shot is from a Roscoe Mitchell concert in Houston, Fall of 2013

That's the concert at which I met you in person, finally!

Posted

By coincidence I was listening to his contributions to Braxton's Composition 98 on the Hat Now series CD. A very moderately paced and spacious AB piece which seems to have been well-prepared by all. The original LP version contained a concert performance of the same piece which I'm guessing will never see the light of day again, though I guess a needle drop could be sourced by the ingenious.

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