Jump to content

Mosaic Columbia Small Group Swing Sessions


Ron S

Recommended Posts

In looking at this set I have a couple of observations, one discographical. I have a cd by Kenny Burrell called Moten Swing: Columbia Records Instrumental Recordings 1961-1962, put out by Euphoria and this cd is referred to in the Mosaic discography. This cd has 18 songs, including Moten Swing. 5 of these are alternates. However, when I look at the Mosaic discography, only 8 of these songs (including 2 alternates) are included. This includes Moten Swing. I'm curious why. Did Euphoria not have rights to these and who is Euphoria anyway. Now Euphoria is mentioned in the Mosaic discography which I'm sure Mosaic wouldn't use if Columbia disapproved.

Secondly, I have the Kenny Burrell cd as well as the Illinois Jacquet cd. The Burrell is nice but not outstanding. I listened to the Jacquet cd yesterday and it's all right. It's got its moments and I'm glad I have it. But based on just these two cds, I'm not sure it merits plunking down a healthy chunk of change at this time, esp. with what Mosaic has coming out in the next couple of months: Art Pepper, Andrew Hill and Count Basie.

Link to comment
Share on other sites

  • Replies 51
  • Created
  • Last Reply

Top Posters In This Topic

It's more of a question of marshalling resources. If Mosaic comes out with something I really like such as when they came out with the Jazztet or Sonny Stitt, I'm on the preorder list. What I have of this set doesn't blow me away. I may get it eventually but I will probably put the Classic Capitol Jazz set on my wish list before this set. As mentioned, I also have to factor in what they're putting out in the next few months. If the potential of this set blew me away, I'd probably saw screw it, but that's not happening this time.

Link to comment
Share on other sites

  • 2 weeks later...

SHIPPING ALERT: This set has been removed from the "Upcoming Release" category on the Mosaic site as of today and, more significantly, my credit card was charged today for my preorder! Something tells me I'll be listening to this set REAL soon. :tup:w:D

Edited by Ron S
Link to comment
Share on other sites

SHIPPING ALERT: This set has been removed from the "Upcoming Release" category on the Mosaic site as of today and, more significantly, my credit card was charged today for my preorder!  Something tells me I'll be listening to this set REAL soon.  :tup  :w  :D

Just received shipping notice from Mosaic. :g

Link to comment
Share on other sites

Well, I've now given a first listen to all 8 discs in this set, and these are my first quick impressions:

The standout for me was Disc 7, which is devoted to 3 Herb Ellis-led sessions from 1962. These are uniformly terrific, and include great soloing by Herb, Frank Assunto and Roy Eldgridge on trumpet, Buddy Tate on tenor, and Ray Bryant on piano.

I also really enjoyed the Kenny Burrell-led sessions on Disc 6, followed by (in no particular order) the Ben Webster/Harry "Sweets" Edison session on Disc 8, the Buck Clayton/Marlowe Morris session on Disc 3, and the Illinois Jacquet, Coleman Hawkins/Clark Terry, Marlowe Morris (as sole leader) and Buck Clayton (as sole leader) sessions.

One interesting artifact in this set is a pair of sessions from 1955 led by Buck Clayton and featuring vocals by Jimmy Rushing and Ada Moore. These are a series of 15 short vocal tracks that amount to a kind of humorous boy-wants-girl, boy-gets-girl, boy-loses-girl mini-operetta.

The only sessions that didn't really grab me on first listen were those led by Ruby Braff, which sort of struck me as being of the Al Hirt/Pete Fountain genre. Unfortunately, they take up the entirety of discs 1 and 2. In fairness, I wasn't paying close attention while listening to them, and they may make a better impression the next time I listen (and if I pay closer attention).

Sorry I don't have more (or ANY) detail, but this is all I have time to post right now. On the whole, I'd recommend this set for anyone who enjoys this kind of jazz from this period. There's nothing earth-shaking here, but it's all uniformly well-played and enjoyable music.

I'd be interested to hear what others think.

Link to comment
Share on other sites

Ruby Braff Revisited

I've given the Ruby Braff sessions (Discs 1 and 2) a second listen now, and I have to retract what I said about them earlier. :unsure: The playing on them is marvelous, and not slick or too "commercial" sounding as I previously implied. I think what put me off on my first, casual listen was the way Braff was recorded, especially in the first quartet session. His horn is recorded with a lot of reverb, whereas the rhythm section is recorded with no reverb, making Braff sound a bit remote from the other musicians. There is less reverb on Braff and the rest of the front line in the other sessions, although there is still some to varying degrees. Personally, I could do without the reverb altogether, but at the time these sessions were recorded Columbia obviously thought it was desirable. In any event, it's not overwhelming and doesn't really detract from the music (many may not even notice it). So, my apologies to Mr. Braff and company for my first comments. This is great music and, along with the rest of this set, I highly recommend it. :tup:tup:tup

Link to comment
Share on other sites

I was just looking at the Mosaic site, and FWIW, I noticed a couple of errors.

First, on the page linked above, the last audio clip ("Play the thing") is labeled as being by Jacquet & Burrell, but the discography shows it as one of the Marlowe Morris tracks. I couldn't get the audio sample to play, but either way, something's wrong there.

Also, on the discography page, they list the tune "How Could You" as being composed by Kenny Burrell. Actually, I think it has been established (might have been here on the board- I'll have to do a search) that the tune is actually "Sultry Serenade", which was a feature for Tyree Glenn with Ellington in the 1940's. "How Could You Do A Thing Like That To Me" may have been a later version of "S.S.", after the addition of lyrics. I believe it is credited to Glenn.

Link to comment
Share on other sites

Also, on the discography page, they list the tune "How Could You" as being composed by Kenny Burrell. Actually, I think it has been established (might have been here on the board- I'll have to do a search) that the tune is actually "Sultry Serenade", which was a feature for Tyree Glenn with Ellington in the 1940's. "How Could You Do A Thing Like That To Me" may have been a later version of "S.S.", after the addition of lyrics. I believe it is credited to Glenn.

-> http://www.organissimo.org/forum/index.php...sultry+serenade

Link to comment
Share on other sites

Thanks Ron S for the overview. It sounds like a terrific set. Whew, you had me going there for a minute--Al Hirt?!

Interesting to hear about the Ellis session... Asunto is an unfamiliar name to me and I was curious about that disc.

I'm looking forward to getting this set soon.

Link to comment
Share on other sites

... Asunto is an unfamiliar name to me and I was curious about that disc.

Frank Assunto was the trumpet player for the Dukes Of Dixieland, who were recording for Columbia at that time. He was completely comfortable in a mainstream setting such as the "The Midnight Roll" (the Herb Ellis lp that appears here) and I believe Columbia was trying to show his versatility away from a Dixieland setting. Unfortunately Frank Assunto passed away sometime in the late 60s or early 70s.

Link to comment
Share on other sites

  • 2 weeks later...

Now that I've listened to this set, I've got to say I'm very disappointed with Mosaic for including the Coleman Hawkins/Clark Terry session in this set! I happen to be a big fan of Hawk and have many of his recordings from all eras of his career; some certainly greater than others, but none as bad as this session! Mosaic deemed those Jacquet recordings too embarassing to issue and should have shown Hawk the same respect, IMHO. It's pretty obvious that the man was too fucked up to play so why issue this stuff? Hard to believe Columbia released this in the first place. Anyway, it seems to me that Mosaic needed to fill out one CD in this set and threw this in. Terry isn't much better than Hawk on this one either, this was recorded about 1 year after his Candid lp, probably the best thing he ever did, so don't tell me he was "in decline". The only listenable Hawkins from this session is "Michelle", and he is just a ghost of himself there too.

Having said the above, the rest of the box is just fine, what I expected. Highlights are the Ellis and Sweets Edison/Ben Webster sessions with Buck Clayton, Burrell/Jacquet, Braff and Morris close behind. There is some great Buddy Tate on those Herb Ellis sessions (and Hawk is himself on that session with Ruby Braff).

Link to comment
Share on other sites

  • 8 months later...

Except for the previousoly unissued Ruby Braff session I was underwhelmed by this set. Obviously you should get some more opinions. I may have been put off by the notes with their gratuitous attacks on John Hammond and Illinois Jacquet. I don't even like the way the cover photo is cropped.

Link to comment
Share on other sites

Except for the previousoly unissued Ruby Braff session I was underwhelmed by this set. Obviously you should get some more opinions. I may have been put off by the notes with their  gratuitous attacks on  John Hammond and Illinois Jacquet.  I don't even like the way the cover photo is cropped.

Have to agree.

Link to comment
Share on other sites

Personally, I don't need any further comments. It will be right at the top of my Christmas Mosaic list

It WAS at the top of my list, but then it got bumped this spring in favor of the Basie. And now, there are so many Selects that I haven't picked up yet, plus the Crusaders set...I'm wondering if it will get bumped again. On paper, the Columbia set seems like a 'can't miss'--I love Buck Clayton, and there's plenty of Buck. And the Burrell sessions look great, not to mention the Ellis and the Sweets/Webster. And the Braff. But the reviews seem to be mixed.

I'm sure I'll pick it up some time down the road...

Link to comment
Share on other sites

Except for the previousoly unissued Ruby Braff session I was underwhelmed by this set. Obviously you should get some more opinions. I may have been put off by the notes with their  gratuitous attacks on  John Hammond and Illinois Jacquet.  I don't even like the way the cover photo is cropped.

Have to agree.

I'd have to agree too. Lon's right, the sound is wonderful, and there are some very good sessions on this set, no doubt (esp. the Braff). But I have not found myself revisiting it much at all.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.

×
×
  • Create New...