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Stan Getz's "Captain Marvel"


Bol

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I got this yesterday. Boy, I'll have to side with AMG on this one. It's a very nice session. I cannot help but feel at times that it would have been much better with acoustic piano and no extra percussion, but I know I am very conservative on those matters. I certainly hope that I won't suddenly become a fan of electric piano. All those post-1967 Miles Davis recordings that I've been avoiding may then suddenly become necessities. In any case, this is a very nice, and at times lyrical, session. Hokey at times, but that has its own charm.

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  • 3 years later...

I got this yesterday. Boy, I'll have to side with AMG on this one. It's a very nice session. I cannot help but feel at times that it would have been much better with acoustic piano and no extra percussion, but I know I am very conservative on those matters. I certainly hope that I won't suddenly become a fan of electric piano. All those post-1967 Miles Davis recordings that I've been avoiding may then suddenly become necessities. In any case, this is a very nice, and at times lyrical, session. Hokey at times, but that has its own charm.

Just listening to this for the first time (yes I'm slow -- though I did have Sweet Rain before the recent reissue). I don't mind the extra percussion, but I do think it would have been a better sound on a standard, i.e. non-electric piano. I'm sure one day the technology will be there to attempt such a thing.

But I am enjoying it for what it is.

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Here's what I have but I don't have it yet.

Montreux June 23 1972

Stan Getz (ts)

Chick Corea (p)

Stanley Clarke (b)

Tony Williams (dr)

1. Captain Marvel (06:30)

2. Day Waves (08:40)

3. Lush Life (05:00)

4. Windows (09:15)

5. I Remember Clifford (05:20)

6. La Fiesta (12:55)

7. Times' Life (13:50)

TRT 01:04:23

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Wow... I can hear Getz thinking about backing down, then realizing that with these guys behind him he'd look/sound like a total wuss if he did, and then going on ahead and digging in for some more. Life itself.

whooooooOOOOOSSSSSSHHHHHHHhhhhhhhhhh

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  • 5 months later...

Hey thanks for posting this. I never had Captain Marvel in my sights, but this band smokes! Gonna keep my eye for it.

Picked this one up a few days ago, and I totally disagree with Penguin's critique; this is a very very good 70's Stan album and the electric piano doesn't bother me at all. In fact, La Fiesta, I think, wouldn't work well at all with an acoustic piano. The rest of the album simmers down a bit but wow, La Fiesta is on fire!

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finally upgraded my Capt Mrvel, much better sound. Would love to have that Montreaux perf at full length in any format, avail?

Your wish is my command. :D :D :D

41+Kz-cThEL._SS500_.jpg

Complete Live at Montreux 1972

Track Listing

1. Captain Marvel

2. Day Waves

3. Windows

4. Times Lie

5. I Remember Clifford

6. Lush Life

7. La Fiesta

8. Desafinado

9. La Fiesta

I have it but haven't really gone through it in depth yet, I remember that the bass was really loud on the first track but they seem to get better balance as the set goes on, IIRC. The last 2 tracks are from Poland in 1974, for some reason, not the same line up obviously.

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What do people think about this? AMG says that it is a classic, and Penguin Guide says it is a big dud. Care to react? Thanks.

Only to your comment and citations. What's wrong with your own ears? You're a big boy. Really, I don't mean to be flip, I swear. But who gives a rat's ass what Penguin (or the Joker---rimshot :party: ) says? Not musicans, I can tell you that. But I guess those guys don't write for us. Still....

As far as my own two cents, I'm a major Stan Getz fan (and not a major CC fan, but I liked his work better in that period, probably his best). I remember Sweet Rain as being very beautiful. Stan's solo on Con Alma was a masterpiece. I rember Captain Marvel a bit and I'm sure I would love it if reminded---mostly for Stan.

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As far as my own two cents, I'm a major Stan Getz fan

http://www.youtube.com/watch?v=tuTwQEa62f8

....do you know if this entire show is/was available on cd ....or if select tracks from that show appear on any of the various getz boxes/collections that blanket the earth, like this one (though it's a '64-'77)?

http://cgi.ebay.com.sg/This-Is-Jazz-14-Get...7QQcmdZViewItem

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Many people are highly positive about the Captain Marvel album, but I am not one of them. The electric piano is a big turn off for me. Also many of the tunes on this recording such as"La Fiesta", "Five Hundred Miles High" and the title tune "Captain Marvel" are not to my taste.

This is among my least favorite Stan Getz albums. I much prefer the wonderful Getz recordings that came later with Lou Levy or Kenny Barron playing acoustic piano.

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...would that be "crappy" for electric piano, or "crappy" because it's an electric piano? If the former, I just don't hear it, if the latter it's your lose if you let the instrumentation get in the way of hearing music this wonderful. It's not like there's a rule saying you can't dig this and the records with Kenny Barron too. The instrumentation is part of the concept but irrelevent on a different level too (so I contrtadict myself, or at least seem to, I contain multitudes, so dfoes this music, so could you). Among the many wonderful things about it, it is, perhaps ironically, one of the last times you get to hear the early/old/young Tony Williams, even tough it's chronilogically after Lifetime it's stylistically before...

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...would that be "crappy" for electric piano, or "crappy" because it's an electric piano? If the former, I just don't hear it, if the latter it's your lose if you let the instrumentation get in the way of hearing music this wonderful. It's not like there's a rule saying you can't dig this and the records with Kenny Barron too. The instrumentation is part of the concept but irrelevent on a different level too (so I contrtadict myself, or at least seem to, I contain multitudes, so dfoes this music, so could you). Among the many wonderful things about it, it is, perhaps ironically, one of the last times you get to hear the early/old/young Tony Williams, even tough it's chronilogically after Lifetime it's stylistically before...

The particular electric piano used on the date sounds "crappy" to my ears, muddy, mucky, blah. Of course, I only have it on a 1st pressing Columbia LP, so perhaps it sounds better on later issues.

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