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What vinyl are you spinning right now??


wolff

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This ended up being a significantly better record than I was expecting...the Quintet cuts with Dolphy are more heated than the other stuff of theirs I've heard, the vocal cuts are warmly quirky with an old-school huge sounding sax section providing the backgrounds, and the drum solos are nothing short of magnificent.

I was expecting some equally pleasurable but significantly less substantial music. But ok, this then!

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...the Quintet cuts with Dolphy are more heated than the other stuff of theirs I've heard....

I agree - these are the best Dolphy-with-Hamilton tracks out there. I don't care too much for Chico's singing, though.

Right now:

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Vernard Johnson - Live (Glori). One of Dr. Johnson's best.

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Thornell Schwartz! Cuttin' up!

Paul Humphrey on neutral ground.

but - Bob West on Fender bass? Huh? Why? Uh...no, please?

Sorry, almost de rigeur for the time. I agree with both your posts and would add that I don't like the sound the X77 makes.

But Thorny!!! That man made so much good music with organists, it's just not true.

MG

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This morning's vinyl

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Ramsey Lewis - Going Latin - Cadet (Chess UK)

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Clarence Wheeler & the Enforcers - The love I've been loking for - Atlantic

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Dorothy Norwood - Look what they've done to my child - Savoy

(If this were big enough to actually READ the sleeve notes, you'd see Melvin Hassan listed on guitar. I've always thought it strange for him to have used his Moslem name for a gospel album.)

MG

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peregrinations_L.jpg

Produced by Keg Johnson!!!!), and adorative liner notes by Stanley Crouch(!!!!)

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Produced + Liner Notes written by Michael Cuscuna

1975 & 1976, respectfully. Blue Note hittin' dat new note!

You got the guitars of Barry Finnerty & Joe Beck on the former, and Rodney Jones on the latter. Arthur Blythe is around but not really in the forefront, Steve Turre is all over the place, but mostly on bass, Arnie Lawrence has a cameo or two on Peregrinations, and on the whole it would easy to dismiss both as lightweight, inconsequential, well-produced fujazak wallpaper, easy and not entirely incorrect.

But...

Chico is really bringing his pulse mojo to the fore on these sides. No, ain't nothing much happening on the top or in the middle, but you get down to the bone, and there's Chico, keeping some serious, dancing, happy time, no matter what the groove, and doing it strongly. And every so often, it works, not as "music" but as mojo, something that works on your body by bypassing your head. I find that to one degree or another on almost every Chico Hamilton record I get, old or new - Chico himself, he got that mojo.

Yeah, it would be easy to dismiss these records, easy and fair, and not really incorrect either. But it would be equally wrong to do so without first paying heed to the drummer, because the drummer got something for you ass, jack, yes he do. And he can keep you coming back for it.

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"Timbale Rock" is a fine, focused, energetic & purposeful piece of latinfunkjazz and was a pleasure to have playing in the room.

But they stuck it at the tail end of Side Two, so I had to listen to the rest of the record before it got to that, and that was not so much a pleasure.

Once again - if all it took to make a good record of this "type" was clean, crisp production and foolproof licks, then there would be no bad records of this type.

Well, that's not all it takes, and there are plenty of bad records of this type, this one being among them, in spite of having more clean, crisp production and foolproof licks than you or me or anybody else could shake a stick at.

Eddie Harris laughs at you!

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