paul secor Posted August 25, 2011 Report Share Posted August 25, 2011 George Coleman/Tete Montoliu Duo: 'Meditation' (Timeless) Quote Link to comment Share on other sites More sharing options...
paul secor Posted August 25, 2011 Report Share Posted August 25, 2011 Teddy Wilson: Three Little Words (Black and Blue) Some of the most joyous and energetic later Teddy Wilson that I've heard. And Milt Hinton's bass playing is a wonder (as usual). Quote Link to comment Share on other sites More sharing options...
jeffcrom Posted August 26, 2011 Report Share Posted August 26, 2011 Don Pullen - Jazz a Confronto 21 (Horo). Inspired by Thom Keith's blindfold test. Quote Link to comment Share on other sites More sharing options...
jeffcrom Posted August 26, 2011 Report Share Posted August 26, 2011 Jazz at the Philharmonic - Blues in Chicago 1955 (Verve). Prez ain't no repeater pencil. Quote Link to comment Share on other sites More sharing options...
brownie Posted August 26, 2011 Report Share Posted August 26, 2011 Red Garland 'I Left My Heart...' (Muse) Quote Link to comment Share on other sites More sharing options...
paul secor Posted August 26, 2011 Report Share Posted August 26, 2011 Ralph Sutton/Jay McShann: The Last of the Whorehouse Piano Players (Chaz Jazz) Quote Link to comment Share on other sites More sharing options...
Clunky Posted August 26, 2011 Report Share Posted August 26, 2011 (edited) Hank Mobley 'The Turnaround!' (BN/King) Lovely! At one time the CD held my record for overpayment - £21 at HMV! "Those were the days" isn't always the watchword where record buying is concerned. £21 for a CD !! No wonder the whole kaboosh fell apart. Come to think of it, I can remember the time when most CDs here were £16-17 or thereabouts and that was for non-imports too. I bought it in 1993 when, IIRC, £13 was a typical jazz CD price. I have to confess to paying £40 to get this........... on a NY (stereo) , Now spinning this Joe Henderson - Page One - NY Mono- a long standing favourite. Edited August 26, 2011 by Clunky Quote Link to comment Share on other sites More sharing options...
mjazzg Posted August 26, 2011 Report Share Posted August 26, 2011 Gunter Hampel & Galaxie Dream Band - That came down on me, Live at Berlin Jazz Festival 1978 [birth Records] w. Whitecage, Robinson, Bues and Lee. Absolutely marvellous Quote Link to comment Share on other sites More sharing options...
Leeway Posted August 26, 2011 Report Share Posted August 26, 2011 Quote Link to comment Share on other sites More sharing options...
Leeway Posted August 26, 2011 Report Share Posted August 26, 2011 Quote Link to comment Share on other sites More sharing options...
paul secor Posted August 27, 2011 Report Share Posted August 27, 2011 Khan Jamal/Johnny Dyani/Pierre Dorge: Three (Steeplechase) Quote Link to comment Share on other sites More sharing options...
sidewinder Posted August 27, 2011 Report Share Posted August 27, 2011 Wayne Shorter - 'Night Dreamer', 'Speak No Evil' and 'The All Seeing Eye' (all BN NY USA, mono) Quote Link to comment Share on other sites More sharing options...
brownie Posted August 27, 2011 Report Share Posted August 27, 2011 Kenny Dorham 'Jazz Contemporary' (Time, mono, gatefold cover) Quote Link to comment Share on other sites More sharing options...
sidewinder Posted August 27, 2011 Report Share Posted August 27, 2011 Miles Davis 'On The Corner' (UK CBS orig.) Quote Link to comment Share on other sites More sharing options...
sidewinder Posted August 27, 2011 Report Share Posted August 27, 2011 (edited) 'Bill Dixon 7-Tette/Archie Shepp NYC5' (Savoy orig, mono) Sounds like it was recorded in the Gents but great music, nevertheless.. Edited August 27, 2011 by sidewinder Quote Link to comment Share on other sites More sharing options...
Chalupa Posted August 27, 2011 Report Share Posted August 27, 2011 The Freewheelin' Bob Dylan (Columbia mono) Does your copy have Talkin' John Birch Society Blues?? Quote Link to comment Share on other sites More sharing options...
Chalupa Posted August 27, 2011 Report Share Posted August 27, 2011 Serpent Throne - White Summer/Black Winter (Prophase) Pigeons - Si Faustine (Olde English Spelling Bee) The War on Drugs - Wagonwheel Blues (Secretly Canadian) The War on Drugs - Slave Ambient (Secretly Canadian) The War on Drugs - Future Weather (Secretly Canadian) Thurston Moore - Demolished Thoughts (Matador) Purling Hiss - Lounge Lizards (Mexican Summer) Metal Moutains - Golden Trees (Amish Records) Sun Ra Arkestra - The Soul Vibrations of Man (Saturn,RE 180G) Love Cry Want - S/T (Weird Forrest,RE) Quote Link to comment Share on other sites More sharing options...
Leeway Posted August 27, 2011 Report Share Posted August 27, 2011 Quote Link to comment Share on other sites More sharing options...
Leeway Posted August 27, 2011 Report Share Posted August 27, 2011 (edited) Nessa LP (of course): Edited August 27, 2011 by Leeway Quote Link to comment Share on other sites More sharing options...
paul secor Posted August 27, 2011 Report Share Posted August 27, 2011 The Freewheelin' Bob Dylan (Columbia mono) Does your copy have Talkin' John Birch Society Blues?? No such luck. Quote Link to comment Share on other sites More sharing options...
Leeway Posted August 27, 2011 Report Share Posted August 27, 2011 I've been alternating today between Morton Feldman and Roscoe Mitchell. Listening to "L-R-G," it occurred to me that Morton and Roscoe would have understood each other's music. In the liner notes to the album, Roscoe talks about "sound worlds" and "sound collages" how he adapts and uses them (I'm simplifying Roscoe's thoughts of course). In one of Feldman's essays, he talks about his discovery "that sound in itself can be a totally plastic phenomenon, suggesting its own shape, design, and poetic metaphor..." Some parts of "L-R-G" and "S II Examples" would not be out of place in Feldman's music, and vice versa. I would not push that parallel too far, but there do seem to be some interesting parallels. I really like this picture of the "L-R-G" recording session; it's particularly cool in the gatefold LP version. Is that Chuck standing to the back in the blue shirt and white pants? Quote Link to comment Share on other sites More sharing options...
paul secor Posted August 28, 2011 Report Share Posted August 28, 2011 Archie Shepp: The Tradition (Horo) Quote Link to comment Share on other sites More sharing options...
Chalupa Posted August 28, 2011 Report Share Posted August 28, 2011 I've been alternating today between Morton Feldman and Roscoe Mitchell. Listening to "L-R-G," it occurred to me that Morton and Roscoe would have understood each other's music. In the liner notes to the album, Roscoe talks about "sound worlds" and "sound collages" how he adapts and uses them (I'm simplifying Roscoe's thoughts of course). In one of Feldman's essays, he talks about his discovery "that sound in itself can be a totally plastic phenomenon, suggesting its own shape, design, and poetic metaphor..." Some parts of "L-R-G" and "S II Examples" would not be out of place in Feldman's music, and vice versa. I would not push that parallel too far, but there do seem to be some interesting parallels. I really like this picture of the "L-R-G" recording session; it's particularly cool in the gatefold LP version. Is that Chuck standing to the back in the blue shirt and white pants? Interesting observation. Both of those composer's music were featured in festivals this past April here in Philly. Quote Link to comment Share on other sites More sharing options...
Chuck Nessa Posted August 28, 2011 Report Share Posted August 28, 2011 (edited) I am the guy in the back - the pants were beige. The guy in the red shirt is George Favors, Malachi's brother. The guy next to him was the guy who drove the truck of instruments from the Creative Music Studio. Sadly I don't remember his name. Edited August 28, 2011 by Chuck Nessa Quote Link to comment Share on other sites More sharing options...
Leeway Posted August 28, 2011 Report Share Posted August 28, 2011 I am the guy in the back - the pants were beige. The guy in the red shirt is George Favors, Malachi's brother. The guy next to him was the guy who drove the truck of instruments from the Creative Music Studio. Sadly I don't remember his name. Thanks for clearing that up Chuck. Sorry about the pants That's an amazing collection/assortment of percussion instruments. That it was got together in the first place, and recorded so well, is fantastic. In that photo is the heart of the AACM, and a staggering group of musician-composers. Quote Link to comment Share on other sites More sharing options...
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