brownie Posted March 7, 2005 Report Posted March 7, 2005 Now: The George Wallington Quintet at Cafe Bohemia (Progressive) with Donald Byrd, Jackie McLean, Paul Chambers and Art Taylor. The 1985 issue with alternates of the original Progressive album of the same title next: United Notions with Toshiko and the International Jazz Sextet (MetroJazz Japan) with Nat Adderley, Rolf Kuhn, Bobby Jaspar, Rene Thomas, etc. Quote
sidewinder Posted March 7, 2005 Report Posted March 7, 2005 Jaki Byard 'Live at Lennies Vol 2' (Prestige blue label mono original). Quote
mikeweil Posted March 7, 2005 Report Posted March 7, 2005 (edited) Terry Plumeri - He who lives in many places a very rare musician-produced LP from 1975 (recorded in 1971) with Herbie Hancock, John Abercormbie, Michael Smith on drums - Plumeri plays bass. He was with Roberta Flack at the time. Some type of "soft fusion" - but no easy listening, just not rockish. Edited March 7, 2005 by mikeweil Quote
sidewinder Posted March 7, 2005 Report Posted March 7, 2005 Miles Davis 'Miles Smiles', non-Mosaic Quote
Clunky Posted March 7, 2005 Report Posted March 7, 2005 Stephane Grapelly and his Quintet (sic)- Improvisations EmArcy MG 36120. think this one saw light in the JiP series Quote
porcy62 Posted March 8, 2005 Report Posted March 8, 2005 J.J. Johnson 'PROOF POSITIVE', Impulse! RVG stereo Elvin Jones 'POLY-CURRENTS', BN Liberty stereo RVG Quote
brownie Posted March 8, 2005 Report Posted March 8, 2005 Now: Bill Watrous & Carl Fontana (Atlas - West Coast Jazz) next: Lucky Thompson (with Tete Montoliu) 'Soul's Nite out' (Ensayo) Quote
Stefan Wood Posted March 8, 2005 Report Posted March 8, 2005 Enoch Light - Provacative Percussion (Command) stereo Quote
wolff Posted March 9, 2005 Author Report Posted March 9, 2005 Classic Records re-issues. Mono, all-tube mono tube cutting system, thick vinyl, heavy stock covers with deep groove labels. Quote
gslade Posted March 9, 2005 Report Posted March 9, 2005 Art Pepper: Complete Pacific Jazz Small Group Mosaic Lp#2 Quote
brownie Posted March 9, 2005 Report Posted March 9, 2005 Barney Wilen 'Zodiac' (Vogue) next: more Barney Wilen 'Auto Jazz' (MPS) Quote
clifford_thornton Posted March 10, 2005 Report Posted March 10, 2005 Peter Lemer "Local Colour" on ESP, with the great lineup of John Surman and George Khan on reeds... Quote
wolff Posted March 10, 2005 Author Report Posted March 10, 2005 George Braith: Soul Stream (NY mono) George Braith: Two Souls In One (NY mono) Quote
Tom in RI Posted March 10, 2005 Report Posted March 10, 2005 Con Brio, a 1983 project by Jerry Bergonzi, Bruce Gertz, Mick Goodrick and Jeff Williams. Quote
brownie Posted March 10, 2005 Report Posted March 10, 2005 Randy Weston 'Portraits of Thelonious Monk' (Verve) Quote
Son-of-a-Weizen Posted March 10, 2005 Report Posted March 10, 2005 Dorham 'Afro-Cuban' Toshiba 10" Quote
Parkertown Posted March 10, 2005 Report Posted March 10, 2005 Classic Records re-issues. Mono, all-tube mono tube cutting system, thick vinyl, heavy stock covers with deep groove labels. Worth the money? Goddamn they're expensive... Quote
patricia Posted March 11, 2005 Report Posted March 11, 2005 (edited) This weekend-- so far : Blakey & Jazz Messengers, "Freedom Rider" Bobby Hutcherson- "Stick Up" Stanley Turrentine- "Mr. Natural" Coleman Hawkins- "Hawk Eyes" I have a lot of CDs, but I am starting to think that the only way to really listen to jazz is on vinyl. It just seems so RIGHT, know what I mean? Even the little staticky parts on the vinyl   The vinyl sounds better, more ALIVE. I love that quality, as welll as the larger art work, the record label, and all that glorious vinyl. Welcome to the small but dedicated ranks of the truly enlightened. Vinyl has a beating heart, a warmth, a pulse that CD's IMO do not. As for CDs not requiring the careful handling that vinyl does, that's nonsense. Quality things, whether they are cashmere sweaters, fine china, beautiful art or jazz vinyl, all deserve special care in order to last. Vinyl is surprisingly durable, as evidenced by collections which are decades old and still pristine and beautifully playable, because their owners cared. All the other qualities you mentioned are what draw me to vinyl over CDs, though, of course I have CDs as well. There is no turntable in a car, sadly. Vinyl. I love it!!! Edited March 11, 2005 by patricia Quote
wolff Posted March 11, 2005 Author Report Posted March 11, 2005 (edited) Classic Records re-issues. Mono, all-tube mono tube cutting system, thick vinyl, heavy stock covers with deep groove labels. Worth the money? Goddamn they're expensive... Good question. With this Blue Note series, I guess it depends on a few factors. These are very, very nice reissues or would not keep buying them. Without going into detail, my only reservation is that the high frequency distortion, apparent on many BN's, is still present in greater and lesser degrees on these. It's especially bad on Lee Morgan/ Vol.3. Out of the last six I've gotten it's the only one I'm not happy with. I've been buying these kinds of reissues for years and I'm glad I have been doing so. They all get lots of play and I feel it's worth it. Get Morgan/Candy and see if it's worth it for you. Edited March 11, 2005 by wolff Quote
wolff Posted March 11, 2005 Author Report Posted March 11, 2005 This weekend-- so far : Blakey & Jazz Messengers, "Freedom Rider" Bobby Hutcherson- "Stick Up" Stanley Turrentine- "Mr. Natural" Coleman Hawkins- "Hawk Eyes" I have a lot of CDs, but I am starting to think that the only way to really listen to jazz is on vinyl. It just seems so RIGHT, know what I mean? Even the little staticky parts on the vinyl     The vinyl sounds better, more ALIVE. I love that quality, as welll as the larger art work, the record label, and all that glorious vinyl.  Welcome to the small but dedicated ranks of the truly enlightened. Vinyl has a beating heart, a warmth, a pulse that CD's IMO do not. As for CDs not requiring the careful handling that vinyl does, that's nonsense. Quality things, whether they are cashmere sweaters, fine china, beautiful art or jazz vinyl, all deserve special care in order to last. Vinyl is surprisingly durable, as evidenced by collections which are decades old and still pristine and beautifully playable, because their owners cared. All the other qualities you mentioned are what draw me to vinyl over CDs, though, of course I have CDs as well. There is no turntable in a car, sadly. Vinyl. I love it!!! I miss Leeway!!! Quote
patricia Posted March 11, 2005 Report Posted March 11, 2005 "Matterhorn" - The Louis Bellson Drum Explosion Quote
porcy62 Posted March 11, 2005 Report Posted March 11, 2005 LUDWIG VAN BEETHOVEN - 'Stings Quartets Op. 18' - Amadeus Quartet - Deutsche Grammophon, MONO Quote
brownie Posted March 11, 2005 Report Posted March 11, 2005 New York Jazz Quartet (Joe Puma, Herbie Mann, Mat Mathews, Whitey Michell), Elektra original next: Grant Green 'Talkin' About' (BN mono) Quote
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