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Posted

Z'ev and Boyd Rice "UNTITLED" Percussion and "noise". LTD. to 800 copies. Cold Spring Records. Boyd just gave this to me last week. I have always enjoyed Z'ev's percussion experiments, and, well, Boyd Rice....I have been friends with him for 17 years. I certainly don't see eye to eye with him on his "social Darwinism" beliefs, but we go back a long time and I respect his music a great deal.

Coming up next: The Melvins 4xLP set!! New and damned limited, with etched b sides. COOOOOOL!

------HB

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Posted

Johnny Griffin - The Little Giant - (Jazzland mono)

$7 the other day, so I guess not a bad deal and replacing an OJC.

Never saw a Jazzland reissue - this was a Riverside. Don't let the OJC go.

If you are into this kind of thing I have a Jazzland reissue of the Wilbur Ware session. :rolleyes:

Posted

Lawrence Marable Group "Tenorman" Featuring James Clay. Fresh Sounds reissue. Clay sounds sooo nice on this mutha! 5 star record imhp.

Next up: Marion Brown Septet. Fontana. With Alan Shorter, Bennie Maupin, Dave Burrell, Grachan Moncur III, Beaver Harris, and Reggie Johnson. Freakin' amazing record.

Keep Spinnin',

-------HB

Posted

Lawrence Marable Group "Tenorman" Featuring James Clay. Fresh Sounds reissue.

I have that issue too. Beats spending $k's for an original.

Currently :- Don Sickler - 'The Music Of Kenny Dorham' (Uptown)

Posted (edited)

anthony davis

adventures in dreamtime

india navigation

"This phase peaked with Variations In Dream-time (1982), scored for a sextet of piano, trombone (Lewis), cello (Wadud), clarinet/flute (JD Parran), bass and drums (Aklaff), and containing only two side-long compositions: the 24-minute Variations in Dream-Time and the 22-minute three-movement Enemy of Light. Davis, far from rejecting bebop, cool jazz or even swing music (or, for that matter, African or Indonesian music), was working outside the free-jazz paradigm, determined to restore composition to its dominating role. His non-virtuoso style at the piano was little more than a guide for the development of the composition, a practical expression of an intimidating musical plot. Despite the obvious similarities in intent, there was little in these extended suites that recalled European classical music, other than the occasional romantic melody. It was, indeed, a unique form of art."

Edited by alocispepraluger102

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