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What vinyl are you spinning right now??


wolff

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Lee Konitz-Figure And Sprit on Progressive. A nice quintet date with Lee, Ted Brown on tenor, the very underrated Albert Daily on piano, Rufus Reid bass and Joe Chambers drums. From 1976.

This was issued in Japan about 2 years before Gus issued it here and I have a beautiful Japanese pressing. A very nice date.

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Dave Bailey "One Foot in the Gutter"

Original Mono Epic Pressing

Features Clark Terry, Curtis Fuller and Junior Cook in the front line, Horace Parlan on piano.

Recorded in front of friends and invited guests in the studio. Strong session, beautiful sound. Closed my eyes and felt like I was there.

Edited by Booker
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Mulligan Meets Hodges - 1980 French Verve Reissue

Randy Weston Trio - Get Happy With... - Jap. Milestone Reissue

Sonny Rollins - Sonny Boy - Jap. Prestige Reissue

Wynton Kelly - Piano Interpretations - 10" Jap. BN Reissue

Lem Winchester - Winchester Special - "Limited" OJC LP

- Just picked this up based on the rec's on the OJC CD thread. Glad I found it and will definitely pick up the CD's if I don't come across the LP's soon.

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I did peek -_-

- they have a tuba player (Don Butterfield, Ray Draper),

- both were recorded by RVG,

- both were supervised by Bob Weinstock.

- or ???

Sharp as ever Brownie ;) . I actually missed the Weinstock connection.

But to the three you mention, let me add that both are Pestige dates, and that both have liner notes by Ira Gitler. So, 5 points of similarity (so far).

In addition, they were recorded within about 8 months of each other, the Melle in August 1956, and the McLean in Feb. 1957.

The odd thing is that I pulled these two LPs off the shelf at random, and only later noticed the connections.

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Leeway...

Can you tell me a little more about the Melle? I have most of his BN stuff in one form or another, but haven't heard anything else.

These are 2 different sessions, recorded about a week apart, the first session with Art Farmer, the second with Kenny Dorham. I really liked this album the first time I heard it, and like it more with each listen. The arrangements are interesting and swinging. Perhaps oddly, these sessions seemed to me to have a cousinly resemblance to "Birth of the Cool," especially in the way that the larger group instrumentation is used, and the care given to the arrangements. There is fine playing throughout. Joe Cinderella on guitar was new to me, and, to carry the BOC comparison a bit further, I thought he filled the role that Bill Evans did on BOC. He is a fine guitarist. I fyou like Melle, grab this one.

I wonder what the fascination was with using tuba players? I thought Ray Draper on the McLean session gave a more virtuous performance that Butterfield on the Melle (but then I don't think the Melle session was trying to showcase virtuosity) But listening to a tuba player solo is akin, in my book, to watching a dog walk on its hind legs-- fascinating but kind of unnatural, and maybe not somethingyou want to see (or hear) too much ^_^

One last note. Jackie Mclean give a wonderful, vigorous, youthful performance on his album. These early Prestige dates usually don't get much respect, but Jackie's playing here is something to listen to.

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