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What vinyl are you spinning right now??


wolff

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Unit Structures was a little late - 1966 - so its first edition was with New York USA labels.

In a Liberty pressing I think !

My copy has the Bluenote label with Division of United Artist in the spot where Liberty is usually seen. I'd never noticed this before because I friend had given it to me years ago and I wasn't going to look a gift horse in the mouth. I don't think I have other examples of this old style Bluenote label with United Artist on it. The cover btw, has the 43 West 61st St. address on it.

Maybe somebody could help out more with this, but as I understand it this switch occurred shortly after Transamerica/UA bought out Liberty. This was an interim label design between the blue/white Liberty label and the black/cerulean UA label.

I've had the Cecil in this version, as well as a plain ol' blue/white Liberty, before settling on a NY Mono. (no, I didn't keep all three!)

I don't think that was uncommon. I just checked my copies of Grant Green's "Visions" (84373), "Shades of Green" (84413),"Final comedown" (84415), "Live at the Lighthouse" (037) and McGriff's "Black pearl" (84374), Lou Donaldson's "Sophisticated Lou" (024) and they're all like that. Lou's "Sassy soul strut" (109) is the blue & black label and has the new Blue Note trademark on the front cover. I don't have originals of the few LPs before "Visions", so I can't tell when it started, but it looks like there was a period of about two to three years when LPs with the traditional BN label, but a div of United Artists, not Liberty, were coming out. It's interesting that this design even went into the period when BNs were getting UA numbers.

MG

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Have you read this?

http://kleene.ss.uci.edu/~rmay/Bluenote.html

Unit Structures was a little late - 1966 - so its first edition was with New York USA labels.

In a Liberty pressing I think !

My copy has the Bluenote label with Division of United Artist in the spot where Liberty is usually seen. I'd never noticed this before because I friend had given it to me years ago and I wasn't going to look a gift horse in the mouth. I don't think I have other examples of this old style Bluenote label with United Artist on it. The cover btw, has the 43 West 61st St. address on it.

Maybe somebody could help out more with this, but as I understand it this switch occurred shortly after Transamerica/UA bought out Liberty. This was an interim label design between the blue/white Liberty label and the black/cerulean UA label.

I've had the Cecil in this version, as well as a plain ol' blue/white Liberty, before settling on a NY Mono. (no, I didn't keep all three!)

I don't think that was uncommon. I just checked my copies of Grant Green's "Visions" (84373), "Shades of Green" (84413),"Final comedown" (84415), "Live at the Lighthouse" (037) and McGriff's "Black pearl" (84374), Lou Donaldson's "Sophisticated Lou" (024) and they're all like that. Lou's "Sassy soul strut" (109) is the blue & black label and has the new Blue Note trademark on the front cover. I don't have originals of the few LPs before "Visions", so I can't tell when it started, but it looks like there was a period of about two to three years when LPs with the traditional BN label, but a div of United Artists, not Liberty, were coming out. It's interesting that this design even went into the period when BNs were getting UA numbers.

MG

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I hadn't seen it before. It doesn't appear to be comprehensive, however. No discussion of LPs with Lex/W63rd labels on either side; no mention of the distinction between Liberty/UA and UA; or between UA and Liberty United - ie the ones made after the management buy-out of the company from Transamerica; no mention of the LT series.

And point 8 is definitely wrong; I'm sure he is describing reissues. I was buying these funky things (which he admits not to having) as they came out; they all came out on the traditional BN LP label. I have seen reissues of this material as he describes them. The other explanation is that both label designs were used for originals of different albums in the same timeframe - that seems to me to be so highly unlikely as to be dismissable.

Point 3 is wrong too. I can see what he's done. He's got himself a 1967/68 Blue Note/Liberty catalogue and you can see at the end of that that the three highest numbers (4253, 4255 & 4263) all have sleeves designed by Liberty - the ones that do for mono and stereo releases by just shuffling the sleeve up to cover the stereo number. What he hasn't got is the 31 December 1968 addendum, which list all the albums that had issued subsequent to the main catalogue. And these new issues included

4203

4212

4218

4230

4232

4238

4242

4243

5244

4249

But in any case, had he looked at some of the funky stuff, he'd have found Division of Liberty sleeves already issued in the 1967/8 catalogue:

4206 (I think, but it's pretty faint)

4222

4228

4239

4240

4245

4246

and in fact 4252 has a Liberty designed jacket. I don't have all of those, but the ones I do have that I know are original because I bought them when they came out, have a Division of Liberty Records inc on the label.

It would be good if someone who really has a big BN collection, which coveres the Soul Jazz side of BN as well as the Hard Bop side - like Porcy or Brownie (quick before he vanishes!) - would do a more thorough study of this.

MG

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As Long As There's Music - Charlie Haden and Hampton Hawes (Artist House)

:tup Some of my favorite Charlie Haden - and Hampton Hawes

This was a new purchase for me yesterday. It still had the booklet in it and it's in great shape. The vinyl looks and sounds like it was hardly played at all. I could listen to Charlie Haden's bass all day. His tone and choice of notes are sublime to me.

This morning it was Herbie Hancock's Speak Like a Child (Bluenote) Liberty pressing.

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