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John Mehegan--Reflections (Savoy)--This seems to be the only "original" Savoy in my LP collection. Unfortunately, I don't like it that much.

John Meheagan wrote a series of jazz piano instruction books, "Contemporary Styles for the Jazz Pianist" which were considered pretty good at one time, mostly for the left-hand chord voicings. A lot of this stuff is old-hat by now, but at the time this may have been the only place to read about this kind of thing. I've never heard his recordings. How would you describe his style?

Posted

John Mehegan--Reflections (Savoy)--This seems to be the only "original" Savoy in my LP collection. Unfortunately, I don't like it that much.

John Meheagan wrote a series of jazz piano instruction books, "Contemporary Styles for the Jazz Pianist" which were considered pretty good at one time, mostly for the left-hand chord voicings. A lot of this stuff is old-hat by now, but at the time this may have been the only place to read about this kind of thing. I've never heard his recordings. How would you describe his style?

He's "Progressive," allegedlly taking the best elements of bop but restoring the left hands of Jelly Roll Morton and Art Tatum. To me, he sounds stiff and very much like a Classical pianist trying to play jazz. The record is part-solo piano, and part piano-drums (Kenny Clarke). The liner notes are a lecture by "Uncus" about the influence of Classical music on jazz: e.g., "West Coast Progessive (1948-): basic Neo Classic influence, Bach, Handel. Modern Classicism--Hindemith."

I have another pretty rare ten inch John Mehegan, From Barrellhouse to Bop, with Charles Mingus on bass. Despite the presence of Mingus, I don't like this one either.

Posted

John Mehegan--Reflections (Savoy)--This seems to be the only "original" Savoy in my LP collection. Unfortunately, I don't like it that much.

John Meheagan wrote a series of jazz piano instruction books, "Contemporary Styles for the Jazz Pianist" which were considered pretty good at one time, mostly for the left-hand chord voicings. A lot of this stuff is old-hat by now, but at the time this may have been the only place to read about this kind of thing. I've never heard his recordings. How would you describe his style?

He's "Progressive," allegedlly taking the best elements of bop but restoring the left hands of Jelly Roll Morton and Art Tatum. To me, he sounds stiff and very much like a Classical pianist trying to play jazz. The record is part-solo piano, and part piano-drums (Kenny Clarke). The liner notes are a lecture by "Uncus" about the influence of Classical music on jazz: e.g., "West Coast Progessive (1948-): basic Neo Classic influence, Bach, Handel. Modern Classicism--Hindemith."

I have another pretty rare ten inch John Mehegan, From Barrellhouse to Bop, with Charles Mingus on bass. Despite the presence of Mingus, I don't like this one either.

Johnny Costa, too. Same as Mehegan.

Posted

JAZZ MASTERS

Originals

3 LP box (NOT the Verve box, but EUROGRAM ( Musique en Or))

Dizzy Gillespie - Sonny Rollins - Thelonius (sic) Monk - Art Blakey - john Coletrane

EM (Eurogram) COF 11

Keep swinging

Durium

Do you EVER buy music from the people who either made or own it?

Posted

Among the record show vinyl acquisitions I gave a spin to recently was Gary Wofsey's Kef's Pool, with special guest Phil Woods. But not even Woods' best effort helped the treatment of the mediocre song "Close to the Edge" (by the forgettable rock group Yes).

Posted

JAZZ MASTERS

Originals

3 LP box (NOT the Verve box, but EUROGRAM ( Musique en Or))

Dizzy Gillespie - Sonny Rollins - Thelonius (sic) Monk - Art Blakey - john Coletrane

EM (Eurogram) COF 11

Keep swinging

Durium

Do you EVER buy music from the people who either made or own it?

:rofl::rofl::rolleyes:

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