Jump to content

Recommended Posts

Posted (edited)
On 6/5/2024 at 6:00 PM, mjazzg said:

I hadn't heard about that at all. I've never been entirely convinced by PP's bona fides and this only adds to my feelings.

I also never got on with their mastering of the SE and Nimbus West titles I bought from them, always a bit bright and loud for my ears.

I have given the Pure Pleasure of 'The Descendents of Mike and Phoebe' another spin this morning. First thing to say - this is a really nice album, classy stuff. After an initial spin I put it on the VPI record cleaning machine- definitely benefited, with more richness in the mid-range. Maybe these Pallas pressings benefit from this post-manufacture, quite noticeable improvement.

If that £15 crate dealer is still peddling his wares I would recommend you London folks to pay him a visit !

Edited by sidewinder
  • Replies 57.1k
  • Created
  • Last Reply

Top Posters In This Topic

  • sidewinder

    5314

  • paul secor

    4123

  • clifford_thornton

    3952

  • jeffcrom

    2810

Top Posters In This Topic

Posted Images

Posted
Just now, sidewinder said:

I have given the Pure Pleasure of 'The Descendents of Mike and Phoebe' another spin this morning. First thing to say - this is a really nice album, classy stuff. After an initial spin I put it on the VPI record cleaning machine- definitely benefited, with more richness in the mid-range. Maybe these Pallas pressings benefit from this post-manufacture, quite noticeable improvement.

Thanks, fabulous album

Posted (edited)

Just digging out Andrew Hill 'Compulsion' (BN New York mono) to spin - spurred by reading a review of a 1967 'return from NYC' Chicago concert written by John Litweiler for 'Jazz Monthly' back in the day. Hill was with trio and special guests Roscoe Mitchell and Wilbur Ware. He switched to soprano sax on a few numbers, shown in one of the photos. Sam Rivers had been due to play as well but didn't make it. Interesting !

Edited by sidewinder
Posted
3 hours ago, sidewinder said:

Just digging out Andrew Hill 'Compulsion' (BN New York mono) to spin - spurred by reading a review of a 1967 'return from NYC' Chicago concert written by John Litweiler for 'Jazz Monthly' back in the day. Hill was with trio and special guests Roscoe Mitchell and Wilbur Ware. He switched to soprano sax on a few numbers, shown in one of the photos. Sam Rivers had been due to play as well but didn't make it. Interesting !

Was there a drummer, or was that the trio?

Posted (edited)

Masters of the Modern Piano (1955-1966) (Bud Powell, Cecil Taylor, Mary Lou Williams, Paul Bley, Wynton Kelly, Bill Evans) (Verve)image.jpeg.022a52a2268b533e651e22e00d854ad8.jpeg

Edited by kh1958
Posted
On 6/7/2024 at 12:20 PM, sidewinder said:

Sounds as logical an explanation as any. 

 

My guess is that the license ran out. That being said, all musicians/bandleaders owned their music & publishing with Strata-East, so I'd think that to do a program like this properly something would have to be worked out with the artists as well.

Posted (edited)
19 hours ago, Rabshakeh said:

Frank Lowe - The Flam

PXL_20240609_204154799.jpg.620bdd0e89b72a2fa4bc01cdb43c87cf.jpg

 

So good.

 

On 6/8/2024 at 5:22 AM, sidewinder said:

After an initial spin I put it on the VPI record cleaning machine- definitely benefited, with more richness in the mid-range. Maybe these Pallas pressings benefit from this post-manufacture, quite noticeable improvement.

Yeah, I've noticed this too.  And not just from Pallas.  

You wouldn't think that brand new LPs would yield AQ benefits from cleaning.  But they often do!  (Even for a guy like me with less-than-ideal hearing.)

 

Edited by HutchFan
Posted

Now spinning:

Etta-Jones-If-You-Could-See-Me-Now.png

Etta Jones - If You Could See Me Now (Muse, 1979)

with:
Tenor Saxophone – Houston Person
Vibraphone – George Devens
Guitar – Melvin Sparks
Keyboards – Sonny Phillips
Bass – Sam Jones
Drums – Idris Muhammad
Percussion – Lawrence Killian

 

Posted
3 hours ago, HutchFan said:

Now spinning:

Etta-Jones-If-You-Could-See-Me-Now.png

Etta Jones - If You Could See Me Now (Muse, 1979)

with:
Tenor Saxophone – Houston Person
Vibraphone – George Devens
Guitar – Melvin Sparks
Keyboards – Sonny Phillips
Bass – Sam Jones
Drums – Idris Muhammad
Percussion – Lawrence Killian

 

Did you notice the two farts on "What A Little Moonlight Can Do"?

 

Posted
On 7/25/2005 at 4:50 PM, couw said:

vier: POOT! at 1:02 WTF?! Sounds more like a snore from the singer somehow. Did she fall asleep? Nah, this is good stuff. After initial doubts I quite like her. The sax is marvellous. She snores again at 3:32

 

The farts are here.

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.

×
×
  • Create New...