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Posted

It fits very well into Eddie Harris' series of satirical comments on human behaviour. That style of Pop Art was very much en vogue back then. Peter Palombi did that one. Here's another example in that style:

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7 minutes ago, bresna said:

That's a seriously weird LP title and cover. It amazes me that someone went through so much trouble to draw that.

 

Posted (edited)

Two of today's arrivals, quite a contrast

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Various - The RCA Victor Jazz Workshop, The Arrangers [RCA/Bluebird]. I've read posts that are very positive about this over the years on this board so couldn't resist for £5.  I'm now positive too

and then...

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Joseph Jarman - As If It Were The Seasons [Delmark]. Simply stunning

Edited by mjazzg
Posted

I love "My People," ever since I saw the selections the Orchestra performed on the Bell Telephone Hour (Canada) show. I've four cd versions. .. but this mono LP on Contact sounds the very best, just big and bold and present.

 

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Posted

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Hampton Hawes - Live at The Montmartre (Arista-Freedom, 1975)
with Henry Franklin (b) and Michael Carvin (d); recorded 1971

I really dig this record -- along with the companion LP, A Little Copenhagen Night Music.  ... Maybe I'll play that one next.  ;) 

 

Posted

Moving on to Dizzy's The New Continent, composed & arranged by Lalo Schifrin:

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Hooray to Lalo for this lush and deliciously soundtrack-y setting to showcase Diz.

Not really important but still fun: I have the original Limelight LP with the pop-up gatefold sleeve.  :) 

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Posted

This seems like a pretty obscure LP and discogs indicates never had a CD issue? Strange history to the sessions too, there are three tracks with James Clay that were recorded first week of 1980 and four tracks with Harold Land recorded in April 1986 and the LP was issued in 1987. Cedar and Billy are on all tracks, bass is Dumas with Clay and Buster Williams with Land. No other information on the back.

So how come only three tracks were recorded with Clay and seven years before release? Was there a plan for a James Clay record and he wasn't having a good day? And did they just record enough Land in order to get the record out? It's all very confusing but I am glad to have some more James Clay to enjoy.

Also confusing: Discogs shows a normal full label on the Clay side but mine is a plain Contemporary label, no info on the tunes on the side.

https://www.discogs.com/Billy-Higgins-Bridgework/master/1545388

 

 

Higgins.jpg

Posted
1 hour ago, Dan Gould said:

This seems like a pretty obscure LP and discogs indicates never had a CD issue? Strange history to the sessions too, there are three tracks with James Clay that were recorded first week of 1980 and four tracks with Harold Land recorded in April 1986 and the LP was issued in 1987. Cedar and Billy are on all tracks, bass is Dumas with Clay and Buster Williams with Land. No other information on the back.

So how come only three tracks were recorded with Clay and seven years before release? Was there a plan for a James Clay record and he wasn't having a good day? And did they just record enough Land in order to get the record out? It's all very confusing but I am glad to have some more James Clay to enjoy.

Also confusing: Discogs shows a normal full label on the Clay side but mine is a plain Contemporary label, no info on the tunes on the side.

https://www.discogs.com/Billy-Higgins-Bridgework/master/1545388

 

 

Higgins.jpg

I got Billy to sign my copy. I'll have to check to see what label variant I have.

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