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Posted

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No idea why they bought it, but I was going through a stack of eceased relatives' records that I had gotten about 5 years ago. Found this empty cover right off, and then a few years later, the record that goes in it. It's a crazy combo/setting, but certainly an entertaining listen.

Posted

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The Karl Korte piece is very engaging. Nothing is less than interesting, but that one has a real rhythmic urgency to it that sets it apart.

Apparently Korte was on the faculty of UT for a quarter century or so, from 1971 to 1997....guess I shouldn't have been so limited in taste back then, might have heard some more good stuff beyond what was already there, in the air. Air goes everywhere, ears don't, not always.

Posted

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Ao American Decca was doing DG records, if this example is any example. But English Decca was doing their American stuff on the London label.

What the hell is a Decca, anyway?

Anyway, this record has that really nice clear boxy sound that just overflows with the reek of mid 20th Century, early post-WWII classical recorda. I love it.

Posted (edited)

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US ECM. ‘OK’ pressing quality, no better.

In anticipation of the Bley/Swallow UK tour with Andy Sheppard next month. 25 years since I last saw them. :o

Edited by sidewinder
Posted
7 minutes ago, sidewinder said:

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US ECM. ‘OK’ pressing quality, no better.

In anticipation of the Bley/Swallow UK tour with Andy Sheppard next month. 25 years since I last saw them. :o

Me too. Would that have been the Carla Bley Orch with Gary Valente, Lew Soloff and Lewis Nash?

Posted (edited)

No - I did see the larger group you mention but in N. America. The more recent, also over the pond, was just Bley/Swallow. Having said that, I have a feeling that I’ve also seen them with Sheppard, so that might have been more recent and over here.

Edited by sidewinder
Posted

I have a musician friend in Austin, trumpeter and pianist Mel Winters, whose father led a territory band in San Antonio and environs for decades and hired the Caceres brothers so often that he knew them as Uncle Ernie and Uncle Emilio. Says they were really nice and kind gentlemen.

Posted

Emilio is just incredibly spry on that record. I can only imagine the influence he had on generations of violinists (of all ilks) coming up in and around that area, must have been immense.

Speaking of spry violinists of all ilks, here's one of one ilk playing very spryly indeed:

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I keep finding records like this in acceptable (and very often better) condition for, like 4-5 bucks a pop. If the reason for going into the store is to find interesting music/musicians that are not yet familiar, hey, the financial math is pretty damn persuasive, and the post-purchase expense/rewarding-listening ratio is provably favorable.

Posted (edited)
3 hours ago, Ken Dryden said:

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A recent acquisition and a great one.

Yes! An outstanding LP that deserves to be reissued. :tup

 

5 hours ago, JSngry said:

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In my experience, you can hardly go wrong with Jascha Horenstein in just about any repertoire.

 

Edited by HutchFan
Posted (edited)

oh it was bill evans in 81, the year this would of been nominated- 

i do not have this album- "we will meet again"- but i see its on WARNER BROS.

so do you think it was really the best pick or was cablesvision never even a contender being little old independent Contemporary now a product of Fantasy, as opposed to Columbia....

 

Best Jazz Instrumental Performance - Group
The nominees were:
  • Bill Evans - We Will Meet Again
  • Bobby Shew - Bobby Shew, Outstanding in His Field
  • Hank Jones - I Remember You
  • Nick Brignola - L.A. Bound
  • Heath Brothers - Live at the Public Theatre
  • Phil Woods - The Phil Woods Quartet, Vol. 1

hey i look up hank jones i remeber you it says it came out USA 1978!??

Edited by chewy-chew-chew-bean-benitez
Posted

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10" Columbia from 1949. Note the paper sleeve with the flip-over top!

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The lack of now-modern sonics is refreshing. There is a bit of suspense in Walter's reading, and this just accentuates it in my mind.

 

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