soulpope Posted October 3, 2018 Report Posted October 3, 2018 7 minutes ago, HutchFan said: But my favorite "post-homecoming" Dexter recordings are from the Keystone Korner: I feel like Dexter's MUCH more simpatico with this band. I love this stuff. With that excellent George Cables + Rufus Reid + Eddie Gladden rhythm section .... Quote
HutchFan Posted October 3, 2018 Report Posted October 3, 2018 8 minutes ago, soulpope said: With that excellent George Cables + Rufus Reid + Eddie Gladden rhythm section .... Absolutely. Quote
JSngry Posted October 3, 2018 Report Posted October 3, 2018 Homecoming...bought it, like within the first week of its release, there was definitely marketing leading up to it and a buzz as a result. Truthfully, none of it sucks, but some cuts are better than others. A few rise above the "problems" referenced here, but a few is not all, right? Listening to it on LP was a challenge as a result. four sides, and none over the above-average cuts on any of the same side. And most all the reviews were of the "good but could have been better, and oh btw, check out Biting The Apple" type. But the hype worked, the buzz was real, and there was a ripple effect for jazz - all types of jazz - in general. So, yeat, significant record, just not a great (enough) one. Make mine Manhattan Symphonie as well. Quote
corto maltese Posted October 3, 2018 Report Posted October 3, 2018 On 10/1/2018 at 0:39 AM, optatio said: Agreed! Here is the back cover: But Kent Carter claims that he's the bassist - see discogs: https://www.discogs.com/de/Mal-Waldron-The-Whirling-Dervish/release/2509314 Here is the text on the back cover enlarged: Who is right? On 10/2/2018 at 3:34 AM, clifford_thornton said: It's an excellent album though admittedly I haven't had it on deck in ages. Will listen and report back, as Carter is very easily identifiable. I assume one could ask Peter Warren as he's alive and well. I'm pretty sure the bassist on "Whirling Dervish" is indeed Kent Carter. On 10/1/2018 at 1:14 PM, mjazzg said: Anima - Monte Alto [Play It Loud, 2015] beautifully presented reissue of some fascinating music I love Anima. Not only the music, but the whole "concept". Limpe Fuchs is in her late 70's now, but still going strong. Quote
mjazzg Posted October 3, 2018 Report Posted October 3, 2018 1 hour ago, corto maltese said: I'm pretty sure the bassist on "Whirling Dervish" is indeed Kent Carter. I love Anima. Not only the music, but the whole "concept". Limpe Fuchs is in her late 70's now, but still going strong. It's a fabulous listen. This is my introduction to her. I've being doing some research and she certainly seems rather special. The Play Loud! label seem to be doing her proud, including a couple of intriguing films. She's performing in London next month Quote
Kevin Bresnahan Posted October 3, 2018 Report Posted October 3, 2018 Sonny Stitt - Stitt Plays Bird (Atlantic). For some reason, I seem to remember liking this better the last time I played it. Seems a bit of "where's my check" date for Sonny. My 70's LP sounds like shit too. I think there's some bits of paper pressed into both sides near the edge of the LP. Crackles galore. How did Jim Hall get on this? Quote
Dan Gould Posted October 3, 2018 Report Posted October 3, 2018 Reall 18 minutes ago, Kevin Bresnahan said: Sonny Stitt - Stitt Plays Bird (Atlantic). For some reason, I seem to remember liking this better the last time I played it. Seems a bit of "where's my check" date for Sonny. My 70's LP sounds like shit too. I think there's some bits of paper pressed into both sides near the edge of the LP. Crackles galore. How did Jim Hall get on this? Really? Can't speak to the sound quality I have it on a fine domestic CD but I like Sonny a lot here and especially enjoy John Lewis in this style. Not sure where else he ever did the bebop thing, certainly not over an entire album (?). Quote
Kevin Bresnahan Posted October 3, 2018 Report Posted October 3, 2018 Just now, Dan Gould said: Reall Really? Can't speak to the sound quality I have it on a fine domestic CD but I like Sonny a lot here and especially enjoy John Lewis in this style. Not sure where else he ever did the bebop thing, certainly not over an entire album (?). I don't know what happened today... maybe I'm just not in the mood for Sonny playing like Bird? Now playing is fitting my mood much better:.. Oliver Jackson - Billie's Bounce (Black & Blue). I am very glad i bought this during my last trip to Stereo Jack's. I saw Norris Turney's name on there and I had to take a chance. What's up with the prices on the CD version of this? I figured I'd pick up a copy, but not for $70! It's good, but it's not that good. Quote
sidewinder Posted October 3, 2018 Report Posted October 3, 2018 3 hours ago, JSngry said: Homecoming...bought it, like within the first week of its release, there was definitely marketing leading up to it and a buzz as a result. Truthfully, none of it sucks, but some cuts are better than others. A few rise above the "problems" referenced here, but a few is not all, right? Listening to it on LP was a challenge as a result. four sides, and none over the above-average cuts on any of the same side. And most all the reviews were of the "good but could have been better, and oh btw, check out Biting The Apple" type. But the hype worked, the buzz was real, and there was a ripple effect for jazz - all types of jazz - in general. So, yeat, significant record, just not a great (enough) one. Make mine Manhattan Symphonie as well. Yeah, ‘Homecoming’ was a popular jazz release with a buzz about it over here too. Remember hearing several of the tracks on a Beeb show. Being a cheapskate at the time though, I bought it as a deletion ! Quote
JSngry Posted October 3, 2018 Report Posted October 3, 2018 24 minutes ago, Dan Gould said: ... I like Sonny a lot here and especially enjoy John Lewis in this style. Not sure where else he ever did the bebop thing, certainly not over an entire album (?). Easy enough to forget, but he played piano with Dizzy's big band in the RCA era and wrote "Two Bass Hit" for them. Not that you'll hear him going all Bud Powell in that band (when you hear him at all), but he was right there, in that place, doing that thing, beeping that bop. 53 minutes ago, Kevin Bresnahan said: How did Jim Hall get on this? Jim Hall got called for a lot of dates where there was an MJQ element/contingent. Quote
Dan Gould Posted October 3, 2018 Report Posted October 3, 2018 4 minutes ago, JSngry said: Easy enough to forget, but he played piano with Dizzy's big band in the RCA era and wrote "Two Bass Hit" for them. Not that you'll hear him going all Bud Powell in that band (when you hear him at all), but he was right there, in that place, doing that thing, beeping that bop. Jim Hall got called for a lot of dates where there was an MJQ element/contingent. Yeah but you know how I mean, other major soloist on a pure bop record. John Lewis had serious skills across the music. I remember hearing a big band recording, Benny Carter tunes and arrangements - Central City Sketches maybe? Was in the 90s or so. At the time I didn't expect Lewis to sound so great in that style, too. 30 minutes ago, Kevin Bresnahan said: I don't know what happened today... maybe I'm just not in the mood for Sonny playing like Bird? Now playing is fitting my mood much better:.. Oliver Jackson - Billie's Bounce (Black & Blue). I am very glad i bought this during my last trip to Stereo Jack's. I saw Norris Turney's name on there and I had to take a chance. What's up with the prices on the CD version of this? I figured I'd pick up a copy, but not for $70! It's good, but it's not that good. Woh that looks like a good 'un to find. LP only apparently. Quote
JSngry Posted October 3, 2018 Report Posted October 3, 2018 John Lewis focused his career on being "John Lewis" and played to that image all his life, but the dude had a deeper set of skills than just that. He'll surprise you, right?!?!?!? Quote
HutchFan Posted October 3, 2018 Report Posted October 3, 2018 48 minutes ago, Kevin Bresnahan said: What's up with the prices on the CD version of this? I figured I'd pick up a copy, but not for $70! It's good, but it's not that good. Quite a few of those Black & Blue CD releases are fetching high dollars in the re-sellers' market these days. . . Quote
paul secor Posted October 4, 2018 Report Posted October 4, 2018 Down Home Chicago Blues - The Historic Parkway Session 1950 Quote
Gheorghe Posted October 4, 2018 Report Posted October 4, 2018 13 hours ago, JSngry said: check out Biting The Apple" type. . Yes, "Biting the Apple" is really a great album, much better sounding and much better organized than "Homecoming" . And I love the rhythm section Barry Harris, Sam Jones Al Foster very much, and the choice of tunes.... Sophisticated Giant didn´t really become my favourite, maybe I thought it´s a bit too arranged. But I might listen again to it. Great Encounters has good music on it, especially the Gordon-Griffin encounter, and the Eddie Jefferson encounter is fun, but the whole album isn´t really a unity, more a compilation. Quote
jeffcrom Posted October 4, 2018 Report Posted October 4, 2018 Late night New Orleans brass band singles: Chosen Few Brass Band - Food Stamp Blues / Big Fat Woman (Syla) Olympia Brass Band - Mardi Gras in New Orleans, parts 1 & 2 (OBB) Olympia Brass Band - Gotta Woman / Tuba Fats and Drums (OBB). This record would be more accurately titled "I Got a Woman, parts 1 & 2." Quote
mjazzg Posted October 4, 2018 Report Posted October 4, 2018 United Front - Ohm: Unit Of Resistance [RPM] Good to finally get a copy of this. Strong playing and music Quote
clifford_thornton Posted October 4, 2018 Report Posted October 4, 2018 On 10/3/2018 at 1:58 PM, Dan Gould said: Yeah but you know how I mean, other major soloist on a pure bop record. John Lewis had serious skills across the music. I remember hearing a big band recording, Benny Carter tunes and arrangements - Central City Sketches maybe? Was in the 90s or so. At the time I didn't expect Lewis to sound so great in that style, too. Woh that looks like a good 'un to find. LP only apparently. The LP version of the Oliver Jackson abounds here in NYC; there are dead/old stock copies that should run you about five bucks. Quote
optatio Posted October 4, 2018 Report Posted October 4, 2018 CHARLES MINGUS: BLUES & ROOTS. ATLANTIC 50 232 [1976] Quote
HutchFan Posted October 5, 2018 Report Posted October 5, 2018 39 minutes ago, jeffcrom said: Steve Kuhn - Trance (ECM) Excellent. Harold Vick - Don't Look Back (Strata-East) I took the leap and plopped for the Pure Pleasure reissue of this LP. It arrived in the mail today (from Dusty Groove), and I'm giving it a first spin right now. Quote
Dan Gould Posted October 5, 2018 Report Posted October 5, 2018 4 hours ago, clifford_thornton said: The LP version of the Oliver Jackson abounds here in NYC; there are dead/old stock copies that should run you about five bucks. Must not be selling on discogs. All from Europe now, discogs and one copy on eBay. I'll keep watching though. Quote
chewy-chew-chew-bean-benitez Posted October 5, 2018 Report Posted October 5, 2018 (edited) the sketchy looking used furnature place on the site of former pacific jazz HQ, it makes me happy that they have a lot of really good yelp reviews, people've been happy with their furnature there oh and what am i playin now- chet baker sings 45 rpm ep- im getting rid of this one, i cant believe chet baker sung. hes no michael franks Edited October 5, 2018 by chewy-chew-chew-bean-benitez Quote
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