chewy-chew-chew-bean-benitez Posted September 9, 2018 Report Posted September 9, 2018 thanks everybody so ok on jazzdisco.org it has the letter desingnations after the number, which appears, to correspond with the disc? as in Hot stuff 3 is the master??? Saints 2 is the master? the others have A cause their only one take??? makes sense, no? Quote
HutchFan Posted September 9, 2018 Report Posted September 9, 2018 1 hour ago, rdavenport said: There was a thread on here a few years ago, in which members were asked to come up with jazz album titles which you would never see, or were rejected and so on. Someone came up with "That's Where It Is" for this album. To this day, whenever I see this LP it makes me chuckle Quote
soulpope Posted September 9, 2018 Report Posted September 9, 2018 20 hours ago, mikeweil said: Grossartig .... Quote
kh1958 Posted September 9, 2018 Report Posted September 9, 2018 Django Reinhardt, Quintet of the Hot Club of France, First Recordings (Prestige) Quote
chewy-chew-chew-bean-benitez Posted September 10, 2018 Report Posted September 10, 2018 would plastic (that wouldnt stick, good plastic sleeve eg. deutch grammaphone or london records style)......or a paper sleeve, be better for the acetate. ill wait n see what comes with it.... Quote
JSngry Posted September 10, 2018 Report Posted September 10, 2018 Dude, I would back that puppy up ASAP in the most serious way possible and only play that going forth. If this is a real acetate, CT's advice is sound (no pun intended), they're not built for the long haul. And maybe this item is already worn to a certain degree. It's sounds like you scored a serious piece of serious history, so...proceed accordingly! Just saying, sleeve type is not the critical factor here nearly as much as is long-term availability of the "data". Quote
chewy-chew-chew-bean-benitez Posted September 10, 2018 Report Posted September 10, 2018 hmm, i see. should i make my needle lighter on my machine n stuff OH yea. u know what i was thinkning, its like a modern acetate in a way, its from 1976. It isnt like the bird glass acetate with the chips of laquer falling off, you know what i mean- it looks real nice! that marty stewart 10" 45 rpm acetate i saw once from the early 80s looked like you could get 1,000 plays on it- no i am not going to play the crap out of it. very sparingly but by 1976 i would of hope they were making hella good acetates Quote
sidewinder Posted September 10, 2018 Report Posted September 10, 2018 (edited) Definitely only play acetates a few times only - I would copy it to CD ASAP, then file it in the racks. They were designed for artist/producer etc. audition purposes only, prior to test pressings. Edited September 10, 2018 by sidewinder Quote
chewy-chew-chew-bean-benitez Posted September 10, 2018 Report Posted September 10, 2018 well my dawg look im not going to destory it, thats for sure. but i have to go back to the fact that my pat boone acetate sounds studio quality still and thats way older than this one dawg. hey, i know exactly when thats from, 1956. ok so only 20 years prior to what im getting. but the real audio test of that is the b-side of the pat boone record---- commericals for the Cinerama film SEVEN WONDERS OF THE WORLD. Its f-i-n-e. do you feel me on this at all. is it different cause they are 78s? they are audiodisc. actually its a 12" disc, what i describe, pat boone side a and film commercials side b. why didnt any of you guys get it before me, it was up for like 4 hours. I didnt want to be the person to be responsible for this, but i had no choice. I HAD NO CHOICE Quote
kh1958 Posted September 10, 2018 Report Posted September 10, 2018 Herbie Mann and Bobby Jaspar, Flute Souffle (Prestige) Elvin Jones, Coalition (Blue Note) Quote
mjazzg Posted September 10, 2018 Report Posted September 10, 2018 46 minutes ago, kh1958 said: Herbie Mann and Bobby Jaspar, Flute Souffle (Prestige) Elvin Jones, Coalition (Blue Note) Two good ones there Quote
mjazzg Posted September 10, 2018 Report Posted September 10, 2018 Butch Morris - In Touch...But Out Of Reach [Kharma] Quote
kh1958 Posted September 10, 2018 Report Posted September 10, 2018 2 hours ago, mjazzg said: Two good ones there A trip to a record show in Richardson (very close to where I live) on Saturday was highly fruitful, including those two. Quote
clifford_thornton Posted September 10, 2018 Report Posted September 10, 2018 7 hours ago, chewy-chew-chew-bean-benitez said: well my dawg look im not going to destory it, thats for sure. but i have to go back to the fact that my pat boone acetate sounds studio quality still and thats way older than this one dawg. hey, i know exactly when thats from, 1956. ok so only 20 years prior to what im getting. They are designed for 2-3 plays only. It's just a thin layer of lacquer over an aluminum core, which is easily chipped and can flake off due to improper handling. Quote
Big Beat Steve Posted September 10, 2018 Report Posted September 10, 2018 15 hours ago, chewy-chew-chew-bean-benitez said: would plastic (that wouldnt stick, good plastic sleeve eg. deutch grammaphone or london records style)......or a paper sleeve, be better for the acetate. ill wait n see what comes with it.... Don't, dawg!! I once bought a set of (professional) photo negatives from 1957 at a swap meet and filed them inside their cardboard sleeve and this in turn inside a standard letter-size clear plastic document holder like you put them ni 3-hole binders. The plastic document holder wasnt new at all and things went well for a couple of years but then, after maybe 10 or 15 years or so when I checked again after 2 or 3 years or so I discoved the negative surfaces had become all crumbly, showing a cobwebbed structure and the top layers had started to delaminate. In short, the negatives were shot! A pity because they were one-of-a-kinds and as they were of an odd, no longer-current size that you can only have prints made from at specialist photo shops I delayed this and then it was too late. Gone forever ... The only explanation I have is that some sort of solvents from the plastic material of the document holder evaporated and killed the negatives. (I have older negatives than this that are still fine but they' have been in their cellophane negative strip holders all their lives) I am not so sure that this can NOT interact with acetate materials too. Quote
optatio Posted September 10, 2018 Report Posted September 10, 2018 AL CASEY: JUMPIN´ WITH AL. BLACK AND BLUE 33.056 [1974] Quote
clifford_thornton Posted September 10, 2018 Report Posted September 10, 2018 2 hours ago, Big Beat Steve said: Don't, dawg!! I once bought a set of (professional) photo negatives from 1957 at a swap meet and filed them inside their cardboard sleeve and this in turn inside a standard letter-size clear plastic document holder like you put them ni 3-hole binders. The plastic document holder wasnt new at all and things went well for a couple of years but then, after maybe 10 or 15 years or so when I checked again after 2 or 3 years or so I discoved the negative surfaces had become all crumbly, showing a cobwebbed structure and the top layers had started to delaminate. In short, the negatives were shot! A pity because they were one-of-a-kinds and as they were of an odd, no longer-current size that you can only have prints made from at specialist photo shops I delayed this and then it was too late. Gone forever ... The only explanation I have is that some sort of solvents from the plastic material of the document holder evaporated and killed the negatives. (I have older negatives than this that are still fine but they' have been in their cellophane negative strip holders all their lives) I am not so sure that this can NOT interact with acetate materials too. yeah, you don't want any chance of off-gassing (although I'm not sure which plastics would create film on the acetone). Standard paper sleeve is fine. Quote
chewy-chew-chew-bean-benitez Posted September 10, 2018 Report Posted September 10, 2018 paper it is!!!!!!! Quote
HutchFan Posted September 11, 2018 Report Posted September 11, 2018 Lucky Thompson - Illuminations (Groove Merchant, 2 LP set) LP 1 - originally released as I Offer You; with Cedar Walton, Sam Jones, and Louis Hayes Lucky makes such a singular and wonderful sound on the soprano sax. Don't get me wrong: I love his tenor playing too. But there's just an ineffable, special something about the way he plays the soprano. Quote
JSngry Posted September 11, 2018 Report Posted September 11, 2018 1 hour ago, HutchFan said: Lucky Thompson - Illuminations (Groove Merchant, 2 LP set) LP 1 - originally released as I Offer You; with Cedar Walton, Sam Jones, and Louis Hayes Lucky makes such a singular and wonderful sound on the soprano sax. Don't get me wrong: I love his tenor playing too. But there's just an ineffable, special something about the way he plays the soprano. Love those Lucky GM sides (don't overlook the Cook County Jail album!), and especially for the soprano cuts and the way it blends with Cedar Walton's Rhodes. Quote
clifford_thornton Posted September 11, 2018 Report Posted September 11, 2018 Jack Sels -- Minor Works -- (sdban, BE) superb 2LP compilation of Sels' work, just came out. Quote
HutchFan Posted September 11, 2018 Report Posted September 11, 2018 Tommy Flanagan - Eclypso (Inner City, licensed from Enja) with George Mraz & Elvin Jones 1 hour ago, JSngry said: Love those Lucky GM sides (don't overlook the Cook County Jail album!), and especially for the soprano cuts and the way it blends with Cedar Walton's Rhodes. Yes!!! Purists might object to the use of the electric piano. I LOVE it. And I love how Cedar plays the instrument with such a deft touch. It sounds otherworldly, almost like a celeste. Will check out the Cook County Jail record. Not familiar with that one. Quote
soulpope Posted September 11, 2018 Report Posted September 11, 2018 4 hours ago, paul secor said: Classic .... Quote
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