Homefromtheforest Posted August 15, 2015 Report Posted August 15, 2015 Bernard Parmegiani "chronos" (Philips, France). His masterpiece Quote
kh1958 Posted August 15, 2015 Report Posted August 15, 2015 Gabor Szabo, Rambler (CTI), and Gary Bartz, Singerella (Prestige/Fantasy). Quote
Homefromtheforest Posted August 15, 2015 Report Posted August 15, 2015 Wife took out kids this morning so was free to crank the stereo and play some vinyl(after finishing some chores of course!)Larry Young "unity" (blue note, stereo "ear")Kenny Drew "undercurrent" (blue note, music matters 33rpm)Art Blakey "the freedom rider" (blue note, stereo "ear")Masabumi Kikuchi "hairpin circus" (Philips, Japan) Quote
russes01 Posted August 16, 2015 Report Posted August 16, 2015 Grant Green - Nigeria - BN LT series LP. Sounds great to me. Quote
HutchFan Posted August 16, 2015 Report Posted August 16, 2015 My LP is actually the Inner City-licensed version. But you get the idea. Quote
kh1958 Posted August 16, 2015 Report Posted August 16, 2015 Boogaloo Joe Jones, Right On Brother (Prestige), and Houston Person, Chocomotive (Prestige). Quote
clifford_thornton Posted August 17, 2015 Report Posted August 17, 2015 Mal Waldron - with the Steve Lacy Quintet - (America, FR)Mal would've been 90 today. Quote
kh1958 Posted August 17, 2015 Report Posted August 17, 2015 Tom Scott, Rural Still Life (Impulse) Quote
clifford_thornton Posted August 18, 2015 Report Posted August 18, 2015 Leo Kottke - 12-String Blues (Live at the Scholar) - Oblivion, US orig Quote
clifford_thornton Posted August 18, 2015 Report Posted August 18, 2015 Robert Wood - Tarot - (Edici, FR) Quote
mjazzg Posted August 18, 2015 Report Posted August 18, 2015 Charles Tyler Quintet - At WKCA [No label]purchased online with no research. On arrival it's undoubtedly a boot (from a radio broadcast) which is a shame. The music however is very good indeed Quote
clifford_thornton Posted August 18, 2015 Report Posted August 18, 2015 yeah that is a Qbico/Sagittarius A-Star boot from the WKCR Musicians' Show, which you can stream from the WKCR site for free. The guy who runs those labels is a problem person, to say the least. Quote
JSngry Posted August 19, 2015 Report Posted August 19, 2015 the beavs at dolphins, posted on the Vintage LA page-- and look hes standing directly underneath a record with hank mobley on it! for reals what was he doin at dolphins anyway promoting that single of his, when you have records like -that- to choose from at dolphins, you got prestige frank wess, jimmy forrest, curtis amy & frank butler down the left end and chico, and look at that quincy jones there, i dont know about that one bein rright up there on the rack between a prestige record and a record with hank on it... With Rudy Ray Moore?!?!?! https://twitter.com/recordcrack/status/630057940674699265Check it out (Wikipedia)..After his discharge he lived in Seattle, Washington and then Los Angeles, where he continued to work in clubs and was discovered by record producer Dootsie Williams.[5] He recorded rhythm and blues songs for the Federal, Cash, Ball, Kent and Imperial labels between 1955 and 1962, and released his first comedy albums, Below the Belt (1959), The Beatnik Scene (1962), and A Comedian Is Born (1964).[7][8]By his own account, he was working at a record store in Hollywood in 1970 when he began hearing obscene stories of "Dolemite" recounted by a local man named Rico. Moore began recording the stories, and assumed the role of "Dolemite" in his club act and on recordings.[9] In 1970–71 he recorded three albums of material, Eat Out More Often, This Pussy Belongs To Me, and The Dirty Dozens, where "with jazz and R&B musicians playing in the background, [Moore] would recite raunchy, sexually explicit rhymes that often had to do with pimps, prostitutes, players, and hustlers."[10]Beaver Cleaver, indeed... Quote
JohnS Posted August 19, 2015 Report Posted August 19, 2015 Joe Pass - For Django. Pacific Jazz(Liberty).I like the two guitar lineup. Quote
B. Clugston Posted August 19, 2015 Report Posted August 19, 2015 Freddie Hubbard, The Body & The Soul (Impulse). Quote
paul secor Posted August 19, 2015 Report Posted August 19, 2015 Lonesome Sundown: Been Gone Too Long (Joliet) Quote
Clunky Posted August 19, 2015 Report Posted August 19, 2015 Kalaparusha ---------Peace and Blessings -----(Black Saint) excellent lively date from 1979. AACM like vibe. Quote
paul secor Posted August 19, 2015 Report Posted August 19, 2015 Lonesome Sundown: If Anybody Asks You (Flyright) Quote
clifford_thornton Posted August 19, 2015 Report Posted August 19, 2015 Musik der Hamar: Südathiopien - (Museum Collection Berlin/West, GER orig 2LP)beautiful chants, ritual music and folk song collection, packaged with typical Museum Collection attention to detail, with a fantastic book and photos. Nice, inexpensive pull from the racks at Academy the other day. Quote
jeffcrom Posted August 20, 2015 Report Posted August 20, 2015 Paul Bley - Copenhagen and Haarlem (Arista Freedom)Basil Coetzee - Sabenza (Kijima) Quote
chewy-chew-chew-bean-benitez Posted August 20, 2015 Report Posted August 20, 2015 the beavs at dolphins, posted on the Vintage LA page-- and look hes standing directly underneath a record with hank mobley on it! for reals what was he doin at dolphins anyway promoting that single of his, when you have records like -that- to choose from at dolphins, you got prestige frank wess, jimmy forrest, curtis amy & frank butler down the left end and chico, and look at that quincy jones there, i dont know about that one bein rright up there on the rack between a prestige record and a record with hank on it... With Rudy Ray Moore?!?!?! https://twitter.com/recordcrack/status/630057940674699265Check it out (Wikipedia)..After his discharge he lived in Seattle, Washington and then Los Angeles, where he continued to work in clubs and was discovered by record producer Dootsie Williams.[5] He recorded rhythm and blues songs for the Federal, Cash, Ball, Kent and Imperial labels between 1955 and 1962, and released his first comedy albums, Below the Belt (1959), The Beatnik Scene (1962), and A Comedian Is Born (1964).[7][8]By his own account, he was working at a record store in Hollywood in 1970 when he began hearing obscene stories of "Dolemite" recounted by a local man named Rico. Moore began recording the stories, and assumed the role of "Dolemite" in his club act and on recordings.[9] In 1970–71 he recorded three albums of material, Eat Out More Often, This Pussy Belongs To Me, and The Dirty Dozens, where "with jazz and R&B musicians playing in the background, [Moore] would recite raunchy, sexually explicit rhymes that often had to do with pimps, prostitutes, players, and hustlers."[10]Beaver Cleaver, indeed... its rudy ray? oh god! Quote
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