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IDENTICAL SUNSETS - Paul Dunmall (border pipes on #1, tenor sax), Chris Corano (drums ESP-Disk LP.

Any Dunmall album that starts off with the border pipes puts me in a good mood. Plus 2 sides of Corsano and Dunmall roiling, boiling, and toiling their way forward.

Posted

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STEEL SLEET - Paul Flaherty (ts), Chris Corsano (d)- Tyyfus LP.

Paul Flaherty and Jack Wright are two people in the music who immediately come to mind as entirely committed musicians and yet severely overlooked. If you can see either or both live, try to do so.

Posted

Jimmie Rowles - Shade & Light

Ahead (a sub of Black & Blue), 1978

with George Duvivier and Oliver Jackson

Surprise find in a local second hand LP shop - very tasty trio date with Jimmie singing in many tunes in his charming manner. Duvivier plays a gorgeous imitation of a bee humming around in "A Sleeping Bee".

Whenever I see a Rowles disc I do not have, I buy it. I never was disappointed.

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Daytrotter Presents Gary Clark Jr./Son House (Daytrotter). New blues, recorded at South by Southwest, 2012 on side one. Old blues, recorded the Ash Grove in LA, 1968 on side two.

Edited by jeffcrom
Posted

Taking for another spin: John Coltrane - Blue Train (Blue Note/Music Matters). The new 33 rpm mono cut. Beautiful sound on this disc. Quite a nice presentation too. These guys really know how to do it right.

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I'd be interested to hear how it compared with an 47W63rd original - and also that 45rpm version (Acoustic Sounds?)

Posted

Taking for another spin: John Coltrane - Blue Train (Blue Note/Music Matters). The new 33 rpm mono cut. Beautiful sound on this disc. Quite a nice presentation too. These guys really know how to do it right.

MMBLP-1577-2T.jpg

I'd be interested to hear how it compared with an 47W63rd original - and also that 45rpm version (Acoustic Sounds?)

So would I, but I would not be the person with the ability to do it. :)

Posted

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George Girard - Stompin' at the Famous Door (Vik). This supremely talented New Orleans trumpeter was only 26 when he died. Tonight I'm hearing a Bunny Berigan influence I had never really noticed before. And the great Harry Shields, one of my favorite New Orleans clarinetists, is on hand with some fabulous playing.

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