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Posted

Art Blakey --------------Night in Tunisia ---------(Music Matters 45rpm BN)

Curiously the title track is my least favourite version of the tune and also the weakest track ( perhaps because it's too bombastic) on an otherwise 5-star album.

Posted

sarbib_ufo_live.JPG

SAHEB SARBIB QUARTET - UFO! LIVE ON TOUR - Cadence Jazz LP. Sarbib (b, p, shenai), Mark Whitecage (as), Daunik Lazro (as), Martin Bues (perc). 1979.

Talk about outsider artists, Sarbib must qualify. Very elusive figure, but the results on this LP are very real indeed. Love the double alto attack of Lazro and Whitecage.

Posted

David Murray Trio - Sweet Lovely (Black Saint). This is not for me at all. It was in a cheapie bin so I figured I'd check it out. In a lot of places, it sounds like all three of these guys are playing different songs with different beats. And for some reason, I really don't dig this drummer.

Sweet-Lovely-cover.jpg

Posted

Now on, an album much more to my liking: Woody Shaw - Little Red's Fantasy (Muse). I've always enjoyed this date on CD. To be honest, this sounds great on vinyl. About the only negative would be the twangy bass sound.

Little_Red%27s_Fantasy.jpg

Posted

Clifford Brown and Max Roach at Basin Street (Emarcy).

A prior owner wrote, "Too much drum" on the back cover.

I beg to differ.

Maybe he's talking about the cover photo, although if so, I might change drum to cymbal.

Clifford+Brown+-+Max+Roach+at+Basin+Stre

Although otherwise, you gotta love any tangible period (probably?) documentation of Max Roach...bothering somebody.

Posted

Clifford Brown and Max Roach at Basin Street (Emarcy).

A prior owner wrote, "Too much drum" on the back cover.

I beg to differ.

Maybe he's talking about the cover photo, although if so, I might change drum to cymbal.

Clifford+Brown+-+Max+Roach+at+Basin+Stre

Although otherwise, you gotta love any tangible period (probably?) documentation of Max Roach...bothering somebody.

Yes, I think so, it's an old pressing--Clifford sounds like he's with you in the room on these early EmArcy LPs. Thanks to Max's too muchness, I don't think they played the record very much, it sounds great now!

To end the day's listening, Clifford Brown and Max Roach (EmArcy). No written commentary on this one.

Posted

Ahmed Abdullah Quartet - Liquid Magic [silkheart]

Such a good band, Malachi Favors, Alvin Fielder and of course, Charles Brackeen

Yes, super session.

Posted (edited)

Ahmed Abdullah Quartet - Liquid Magic [silkheart]

Such a good band, Malachi Favors, Alvin Fielder and of course, Charles Brackeen

Yes, super session.

Glad there's another fan , do you know the other Silkheart "and the Solomonic Quintet" by any chance? I'd be interested to know how it compares

Edited by mjazzg
Posted

Ahmed Abdullah Quartet - Liquid Magic [silkheart]

Such a good band, Malachi Favors, Alvin Fielder and of course, Charles Brackeen

Yes, super session.

Glad there's another fan , do you know the other Silkheart "and the Solomonic Quintet" by any chance? I'd be interested to know how it compares

Been seeking that one too. The quartet is great.

Just spent a couple of hours interviewing Abdullah the other day - cool guy, of course!

Posted

Ahmed Abdullah Quartet - Liquid Magic [silkheart]

Such a good band, Malachi Favors, Alvin Fielder and of course, Charles Brackeen

Yes, super session.

Glad there's another fan , do you know the other Silkheart "and the Solomonic Quintet" by any chance? I'd be interested to know how it compares

Been seeking that one too. The quartet is great.

Just spent a couple of hours interviewing Abdullah the other day - cool guy, of course!

I have both of those, to my tastes the one I prefer is the Solomonic Quartet release, it is excellent.

Posted

CherchezLaFemmeCover.jpg

Thoughts?

I like it, on first listen, but I don't find the electronic aspects of the group to be all that interesting or extraordinary, but then I think that way about much of the electronic work being done in the field. Having said that, there is a nice feel to the group play, KV sounds good (and instantly recognizable), and his interaction with Daisy provides the real thrust to the music. If you like its predecessor, you'll like this.

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