chewy-chew-chew-bean-benitez Posted January 28, 2014 Report Posted January 28, 2014 you know those jazztone issues in the european style thin sleeve, eg. the coleman hawkins one w/ eddie bert or the sidney bechet one u see all the time..... well heres one ive never seen before- now i got the one of all this DIAL material! side 1/ dex w/ wardell, teddy edwards-- side 2: mcghee-moody band w/ milt jackson, ray brown.... Quote
The Magnificent Goldberg Posted January 28, 2014 Report Posted January 28, 2014 Junior Parker - Like it is - Mercury (UK) With the Willie Mitchell band, inc Fred Ford. MG Quote
Kevin Bresnahan Posted January 28, 2014 Report Posted January 28, 2014 Last night I played Joe Henderson - State Of The Tenor Vol. 1 (Blue Note). This is cut at a very low volume. I had to crank up my amp quite a bit to get it to the same level as my other LPs. Quote
Leeway Posted January 28, 2014 Report Posted January 28, 2014 FOR MUSICIANS ONLY - Stan Getz, Dizzy Gillespie, Sony Stitt - Verve mono LP. Not cited on jacket: Ray Brown (b), John Lewis (p), Stan Levey (d). Quote
Clunky Posted January 28, 2014 Report Posted January 28, 2014 Various artists --------One World Jazz--------(Adventures in Sound) A really bad idea of Feonard Leather to record a number of greats at different locations and overdub much of what is here. It's not totally without merit but solos that have been phoned-in were never likely to sound great. Quote
Leeway Posted January 28, 2014 Report Posted January 28, 2014 Various artists --------One World Jazz--------(Adventures in Sound) A really bad idea of Feonard Leather to record a number of greats at different locations and overdub much of what is here. It's not totally without merit but solos that have been phoned-in were never likely to sound great. LOL Listened to: HERB GELLER PLAYS - EmArcy Japan mono LP. Herb Geller (as), Lorraine Geller (p), Curtis Counce or Leroy Vinnegar (b), Buzz Freeman or Lawrence Marable (d). Quote
B. Clugston Posted January 28, 2014 Report Posted January 28, 2014 John Carter, Echoes from Rudolph's. Steve Lacy, The Way. Quote
Clunky Posted January 28, 2014 Report Posted January 28, 2014 Art Ensemble of Chicago------People in Sorrow------(Nessa ) yellow label for what it's worth. So many delicacies to found on this , it might take a lifetime to find them all. Really beautiful . Quote
Leeway Posted January 28, 2014 Report Posted January 28, 2014 MINGUS MINGUS MINGUS MINGUS MINGUS = Impulse! Speakers Corner LP. Quote
colinmce Posted January 28, 2014 Report Posted January 28, 2014 John Carter, Echoes from Rudolph's. I passed on a $30 copy of this once. Stupid stupid. Quote
B. Clugston Posted January 28, 2014 Report Posted January 28, 2014 John Carter, Echoes from Rudolph's. I passed on a $30 copy of this once. Stupid stupid. I believe that's what I spent, though my copy didn't come with the insert. It's a good one and includes Carter's last released recorded performance on soprano sax. Does anyone know if the liner notes are posted online anywhere? Quote
Homefromtheforest Posted January 28, 2014 Report Posted January 28, 2014 Art Ensemble of Chicago------People in Sorrow------(Nessa ) yellow label for what it's worth. So many delicacies to found on this , it might take a lifetime to find them all. Really beautiful . This was one of the first "free jazz" Lps I bought as a teenager after listening to Ornette and Coltrane beforehand. Still a magical record and one of my faves...I had the Nessa issue first but some years later lucked out on a mint Pathe Marconi copy. Quote
paul secor Posted January 29, 2014 Report Posted January 29, 2014 (edited) Kenny Burrell: Swingin' (BN/King) Edited January 29, 2014 by paul secor Quote
jeffcrom Posted January 29, 2014 Report Posted January 29, 2014 John Carter, Echoes from Rudolph's. I passed on a $30 copy of this once. Stupid stupid. I believe that's what I spent, though my copy didn't come with the insert. It's a good one and includes Carter's last released recorded performance on soprano sax. Does anyone know if the liner notes are posted online anywhere? How about right here: Bob's Notes (handwritten) Sep. '77 Dear John, Are you sure that you want me to do the liner notes for your record? Surely our long personal and musical association will reduce my credibility to your listeners. I was worried as I listened for the first time that I might find the slightest thing wrong with the recording or some music that I didn't like. The only thing I don't like is that I'm not playing here and sharing this music. I'm truly delighted with the whole thing and will be happy to do the notes if you are still so inclined. BB (typeset): About Rudolph's In the late summer of 1973, upon returning from Europe, John Carter began organizing a new jazz group. John was also looking for a small concert hall for presentation of regular community concerts. At this time, Rudolph Porter had plans for utilizing his building in just the same way. Fortunately for jazz in Los Angeles, their collaboration produced two and one half years of fine jazz concerts. Rudolph's Fine Arts Center came to be a place of varied artistic happenings, including poetry, workshops, clinics, and other musical presentations. Rudolph's, like many other clubs, lofts, workshops, etc., went the way of the "Landlord" in the summer of 1976. Rudolph's echoes, echoes, echoes in the John Carter Ensemble which was organized and developed in the Sunday afternoon concerts. Tell the saxophone players to bring their clarinets! That phrase has somehow lowered the clarinet's priority in recent years. John Carter is a clarinet player of the first order. He has made this almost willful little instrument, and its partner the soprano saxophone, obedient in his hands. About the Players Melba Joyce is one of John Carter's favorite singers and this record is the fruit of many earlier plans and a long standing desire for these two to record. William Jeffrey, drums, is busy with finishing his B.A. requirements and doing studio composing and arranging but finds time to bring his personal touch to John's music. Stanley Carter, acoustic and electric bass is John's second son and a promising young bassist with a clearly real feel for the new music. Chris Carter, John's youngest son, plays finger cymbals and sees no difference between this and any other music. Such is the nature of Rudolph's and its offspring. Now, come share a piece of American culture with the John Carter Ensemble. Bobby Bradford And I got my copy for two dollars, in 1980 or 1981, I think. Quote
jeffcrom Posted January 29, 2014 Report Posted January 29, 2014 After another Pete Seeger album, which I posted about in another thread: Pete Seeger and Sonny Terry - Recorded at Their Carnegie Hall Concert (Folkways) Quote
paul secor Posted January 29, 2014 Report Posted January 29, 2014 Sidney Bechet: Basin Street Blues (BN/King) Every great jazz musician has a distinctive sound, but Sidney Bechet's sound was something else. Quote
B. Clugston Posted January 29, 2014 Report Posted January 29, 2014 John Carter, Echoes from Rudolph's. I passed on a $30 copy of this once. Stupid stupid. I believe that's what I spent, though my copy didn't come with the insert. It's a good one and includes Carter's last released recorded performance on soprano sax. Does anyone know if the liner notes are posted online anywhere? How about right here: Bob's Notes (handwritten) Sep. '77 Dear John, Are you sure that you want me to do the liner notes for your record? Surely our long personal and musical association will reduce my credibility to your listeners. I was worried as I listened for the first time that I might find the slightest thing wrong with the recording or some music that I didn't like. The only thing I don't like is that I'm not playing here and sharing this music. I'm truly delighted with the whole thing and will be happy to do the notes if you are still so inclined. BB (typeset): About Rudolph's In the late summer of 1973, upon returning from Europe, John Carter began organizing a new jazz group. John was also looking for a small concert hall for presentation of regular community concerts. At this time, Rudolph Porter had plans for utilizing his building in just the same way. Fortunately for jazz in Los Angeles, their collaboration produced two and one half years of fine jazz concerts. Rudolph's Fine Arts Center came to be a place of varied artistic happenings, including poetry, workshops, clinics, and other musical presentations. Rudolph's, like many other clubs, lofts, workshops, etc., went the way of the "Landlord" in the summer of 1976. Rudolph's echoes, echoes, echoes in the John Carter Ensemble which was organized and developed in the Sunday afternoon concerts. Tell the saxophone players to bring their clarinets! That phrase has somehow lowered the clarinet's priority in recent years. John Carter is a clarinet player of the first order. He has made this almost willful little instrument, and its partner the soprano saxophone, obedient in his hands. About the Players Melba Joyce is one of John Carter's favorite singers and this record is the fruit of many earlier plans and a long standing desire for these two to record. William Jeffrey, drums, is busy with finishing his B.A. requirements and doing studio composing and arranging but finds time to bring his personal touch to John's music. Stanley Carter, acoustic and electric bass is John's second son and a promising young bassist with a clearly real feel for the new music. Chris Carter, John's youngest son, plays finger cymbals and sees no difference between this and any other music. Such is the nature of Rudolph's and its offspring. Now, come share a piece of American culture with the John Carter Ensemble. Bobby Bradford And I got my copy for two dollars, in 1980 or 1981, I think. Thank you! Quote
Clunky Posted January 29, 2014 Report Posted January 29, 2014 Dr Feelgood--------Malpractice -------(Grand Records). Wilko et al. Raw pub rock. Just what the doctor ordered. Fab music , very nice 1990 reissue, not a classic year for vinyl but this is great Quote
jeffcrom Posted January 29, 2014 Report Posted January 29, 2014 Thank you! You're welcome - glad I could help. Quote
porcy62 Posted January 29, 2014 Report Posted January 29, 2014 Traffic - Last Exit - Island, stereo. Quote
porcy62 Posted January 29, 2014 Report Posted January 29, 2014 Traffic - Traffic - Island, mono Quote
jeffcrom Posted January 30, 2014 Report Posted January 30, 2014 Ralph Sutton - Backroom Piano (Verve). A mid-50s issue of some excellent 1949 tracks. Quote
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