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Posted

Horns, reeds, electronics, endorsement deals for musicians are, or can be, a big deal.

Not what amuses me is thinking about Joe Henderson getting a bunch of new shit that he neither wants nor needs. How do you think he'd dispose of it? :ph34r:

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Posted
1 hour ago, paul secor said:

7j.jpg

Mr. Frank Edwards!

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Duke of Iron - Trinidad's Greatest Calypso Singer (Monogram 10" LP). My wife, in the next room, didn't appreciate this one very much - some of the songs are surprisingly dirty. I thought they were a little juvenile, but amusing.

Posted
7 hours ago, mikeweil said:

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Never heard of this before.

Don Schlitten was too much of a modern jazz man for me to really like his material, but that looks good, except for Barry Harris, who ain't my type of player.

The best thing about Xanadu was the superb sleeves. And that is just wonderful!

I'll try to keep it in mind.

MG

Posted
1 hour ago, The Magnificent Goldberg said:

Never heard of this before.

Don Schlitten was too much of a modern jazz man for me to really like his material, but that looks good, except for Barry Harris, who ain't my type of player.

The best thing about Xanadu was the superb sleeves. And that is just wonderful!

I'll try to keep it in mind.

MG

it looks like something you might find in Schlitten's later Prestige run and I would probably listen to it on Prestige, so why not grab the Xanadu? 

Posted (edited)

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Chico Hamilton - And The Players [Blue Note]

enjoying this new arrival a lot, with thanks to Hutchfan for his recent promotion/posting of this and 'Peregrinations'. 

Oddly, or not, parts of it makes me think of Prime Time

Edited by mjazzg
Posted

If I see a cheap copy, I may well do. I've only got three Xanadus I like - by Teddy Edwards, Sonny Criss and Ronnie Cuber (the earlier). I do have a few of his Prestige productions, but I'm not as enthusiastic about them as I am about the same artists working with Bob Porter - or even Cal Lampley, who wasn't to my mind a very good producer. So I'm very cagey. about him. Added to the fact that Barry Harris is someone I barely tolerate, it doesn't look promising, so a cheap one i what I might get.

MG

Posted

It’s easy to be underwhelmed by Barry Harris if, for whatever reason, you have neither taste and/nor ear for the subtleties of bebop harmony. That was me until I really got into the specifics of playing bebop (a pursuit which never really took hold because as much as I loved being in the room with it, when I got into bed with it, I felt like I was with somebody who deserved different from me, they deserved deep knowing intimacy, not just naive worship). My casual impression was that he was “just” a really good Bud Powell disciple. But...even if that is ultimately true, his knowledge runs deep. Very deep. Very, very, VERY deep.

All of which just to say, Barry Harris can play, really play, but if it ain’t for you, don’t blame him, because his shit is right.

Posted (edited)
4 hours ago, The Magnificent Goldberg said:

Never heard of this before.

Don Schlitten was too much of a modern jazz man for me to really like his material, but that looks good, except for Barry Harris, who ain't my type of player.

The best thing about Xanadu was the superb sleeves. And that is just wonderful!

I'll try to keep it in mind.

MG

I have this one, it's quite nice, pretty standard in the tradition bop, but very good playing.  The tune "LaVerne's Walk" is very catchy.

Edited by CJ Shearn
Posted (edited)
6 hours ago, The Magnificent Goldberg said:

Never heard of this before.

Don Schlitten was too much of a modern jazz man for me to really like his material, but that looks good, except for Barry Harris, who ain't my type of player.

The best thing about Xanadu was the superb sleeves. And that is just wonderful!

I'll try to keep it in mind.

MG

This one is available on CD, in Elemental Music's Xanadu Master Series:

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But have a listen to it, first, if you can - it's the most "modern" of Jones' albums.

Edited by mikeweil
Posted
7 hours ago, JSngry said:

It’s easy to be underwhelmed by Barry Harris if, for whatever reason, you have neither taste and/nor ear for the subtleties of bebop harmony. That was me until I really got into the specifics of playing bebop (a pursuit which never really took hold because as much as I loved being in the room with it, when I got into bed with it, I felt like I was with somebody who deserved different from me, they deserved deep knowing intimacy, not just naive worship). My casual impression was that he was “just” a really good Bud Powell disciple. But...even if that is ultimately true, his knowledge runs deep. Very deep. Very, very, VERY deep.

All of which just to say, Barry Harris can play, really play, but if it ain’t for you, don’t blame him, because his shit is right.

"you have neither taste and/nor ear for the subtleties of bebop harmony"

You got me in one sentence :)

Well, truly, I can't, and never could, be bothered with all that shit.

MG

Oh, and I can't say I like Bud Powell very much. Got one of his LPs; bought in 1985 and played twice since 1987.

I do think the art of a great musician is to get through to people who have neither taste nor an ear for its subtleties. Louis Armstrong, Duke Ellington, Coleman Hawkins and many others could. That's enough for me.

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