B. Clugston Posted April 11, 2014 Report Posted April 11, 2014 Joseph Jarman and Famadou Don Moye, Egwu-Anwu. The Band, Rock of Ages. Includes a few names familiar to this board: Joe Farrell, Howard Johnson, J.D. Parran, Snooky Young and Earl McIntyre. Great charts by Allen Touissant. Quote
soulpope Posted April 11, 2014 Report Posted April 11, 2014 The Band, Rock of Ages. Includes a few names familiar to this board: Joe Farrell, Howard Johnson, J.D. Parran, Snooky Young and Earl McIntyre. Great charts by Allen Touissant. Quote
A Lark Ascending Posted April 11, 2014 Report Posted April 11, 2014 (edited) FLEAS IN CUSTARD - Lol Coxhill - Caroline LP. Speaking strictly in terms of soprano saxophone, would anyone hold for Coxhill being the equal or even superior of Lacy as a soprano player? Lacy's discography was clearly superior, but Coxhill had an amazing way with the soprano that justifies some attention. I'm not sure what criteria you would use to decide that. Steve Lacy seems more self-consciously 'artistic' (not a criticism, I very much like his music). Coxhill, though working in an arty-farty area, seems like many Brits to be a bit unsettled by it. I know when I saw him live he'd frequently stop the performance randomly, have a chat, then play something else. An almost deliberate avoidance of a finished, deliberately sculpted piece (and some of his records contain absurdist sections to disrupt any sense of overseriousness). I only saw Lacy the once and everything there seemed very crafted, a more traditional sense of creating well proportioned pieces, however freely improvised. We were lucky to have them both. Edited April 11, 2014 by A Lark Ascending Quote
clifford_thornton Posted April 11, 2014 Report Posted April 11, 2014 Both are / were very special musicians for different reasons. Quote
Leeway Posted April 11, 2014 Report Posted April 11, 2014 FLEAS IN CUSTARD - Lol Coxhill - Caroline LP. Speaking strictly in terms of soprano saxophone, would anyone hold for Coxhill being the equal or even superior of Lacy as a soprano player? Lacy's discography was clearly superior, but Coxhill had an amazing way with the soprano that justifies some attention. I'm not sure what criteria you would use to decide that. Steve Lacy seems more self-consciously 'artistic' (not a criticism, I very much like his music). Coxhill, though working in an arty-farty area, seems like many Brits to be a bit unsettled by it. I know when I saw him live he'd frequently stop the performance randomly, have a chat, then play something else. An almost deliberate avoidance of a finished, deliberately sculpted piece (and some of his records contain absurdist sections to disrupt any sense of overseriousness). I only saw Lacy the once and everything there seemed very crafted, a more traditional sense of creating well proportioned pieces, however freely improvised. We were lucky to have them both. Yes, I think Coxhill's Dadaist impulses occasionally get in the way of really hearing him as a musician. But when you can, you come away, I think, rather surprised by how beautifully he plays the soprano. On a recording like "Sitting on your stairs," his abilities shine a bit clearer. There are also some YouTube videos that allow one to hear his playing relatively unimpeded. Both are / were very special musicians for different reasons. Agreed. I've always held Lacy and Coxhill on their pedestals. The idea behind my question was to bring them into context with each other. Quote
Kevin Bresnahan Posted April 11, 2014 Report Posted April 11, 2014 (edited) Joe Van Enkhuizen - Back On The Scene (Criss Cross). Nice hard bop date of standards from an relatively unknown tenor player here in the US. Nothing to make you go "wow" but nothing to make go "eh" either. It's never made it to CD which is probably why there aren't many pictures of the cover on the web. Edited April 11, 2014 by Kevin Bresnahan Quote
Kevin Bresnahan Posted April 11, 2014 Report Posted April 11, 2014 Joe just finished. Now playing: Mal Waldron - The Git Go - Live At The Village Vanguard (Soul Note). Woody Shaw and Charlie Rouse in the front line. What's not to like? Quote
kh1958 Posted April 12, 2014 Report Posted April 12, 2014 Philly Joe Jones, Philly Joe's Beat (Atlantic stereo, blue and green label) Quote
tomatamot Posted April 12, 2014 Report Posted April 12, 2014 NICK TRAVIS QUINTET - The Panic is on One of my today scores at the Utrecht record fair. ( UK mono ) Quote
Clunky Posted April 12, 2014 Report Posted April 12, 2014 NICK TRAVIS QUINTET - The Panic is on One of my today scores at the Utrecht record fair. ( UK mono ) Same edition in my collection. It's an absolute favourite. Quote
tomatamot Posted April 12, 2014 Report Posted April 12, 2014 NICK TRAVIS QUINTET - The Panic is on One of my today scores at the Utrecht record fair. ( UK mono ) Same edition in my collection. It's an absolute favourite. Here in the Lowlands too!! Quote
tomatamot Posted April 12, 2014 Report Posted April 12, 2014 Sphere ‎– Sphere On Tour. ( Red Record ‎– VPA 191.) Quote
tomatamot Posted April 13, 2014 Report Posted April 13, 2014 THE MITCHELL-RUFF DUO Jazz Mission To Moscow ( mono ) Quote
kh1958 Posted April 13, 2014 Report Posted April 13, 2014 This morning, Vic Dickenson and Joe Thomas, Mainstream (Atlantic black label), Blue Mitchell, Down With It (Blue Note, Liberty), and Milt Jackson, Plenty Plenty Soul (Atlantic black label) Quote
mjazzg Posted April 14, 2014 Report Posted April 14, 2014 Another new arrival. This is terrific Quote
B. Clugston Posted April 14, 2014 Report Posted April 14, 2014 Bobby Bradford, Love's Dream (Emanem 3302) Quote
clifford_thornton Posted April 14, 2014 Report Posted April 14, 2014 Another new arrival. This is terrific Yup. I thought it was still available from the label (board member ATR) but maybe not any longer. Quote
mjazzg Posted April 14, 2014 Report Posted April 14, 2014 Another new arrival. This is terrific Yup. I thought it was still available from the label (board member ATR) but maybe not any longer. I think it may be. Mine from within Europe which makes postage a lot easier to afford now Quote
JSngry Posted April 14, 2014 Report Posted April 14, 2014 Gospel on Prestige spinoff Tru-Sound produced by Ozzie Cadena & recorded by RVG. In case you're curious, a Rudy Gospel piano sounds just like a Rudy Jazz piano. There is an uncredited drummer on some cuts, as well as an organist who is also uncredited, unless it's pianist Amos Bell overdubbing. Quote
mjazzg Posted April 14, 2014 Report Posted April 14, 2014 Tom Varner Quartet [soul Note] - Varner, Ed Jackson, Billy Hart, Fred Hopkins first time on the turntable for about 20 years - not too sure what to make of it Quote
paul secor Posted April 15, 2014 Report Posted April 15, 2014 Joe Carter and His Chicago Broomdusters: Mean & Evil Blues (Barrelhouse) Quote
tomatamot Posted April 15, 2014 Report Posted April 15, 2014 DUKE ELLINGTON The Afro-Eurasian Eclipse Quote
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