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Posted

was JJ johnson like actually "popular" for a short time, like the JJ&Kai columbia lps, etc- did any of this stuff 'cross-over' like brubeck, etc

Yes, in the 50s Jay and Kai were very popular by today's jazz standards - not the popularity of Elvis, of course, nor even the popularity of Brubeck or the MJQ for that matter - but they were big enough for a 17-year-old friend of mine to take up trombone in an attempt to emulate them. Anything that can get through to someone of 17 must be called popular, don't you think? :smirk: Don't forget their arrangements were catchy, almost singable, and their varied tonal effects - with mutes, etc - helped make an attractive product. I'm well aware of this as I frequently go to hear a trombone duo who do a Jay and Kai show with transcribed arrangements and they're very easy on the ear and get a big reception from an audience, many of whom must have been teenagers in the 50s.

Posted (edited)

$T2eC16dHJIkE9qU3lQu6BRe+,2f0vQ~~60_35.J

Joe McPhee Po Music - Topology [Hat]

Irene Schweizer's contributions stand out on this listen through.

Juhami Aaltonen---------Etiquette -------(Love Records)

1974 rec.

Free jazz from Finland featuring Edward Vesala

Nice one

Edited by mjazzg
Posted

Mal Waldron--------All Alone---------(Globe)

Interesting Japanese issue of solo date from Milan in 1966. Mal has his new style largely in place. I'd never heard of it until I picked this up yesterday but then he was prolific!

Posted

114715131.jpg

I think I read this is John Surman's first album. Side A is a surprising set of calypso/carnivale music, sincerely played. Side B is more of a free jazz outing. A lot of musicians important to British free jazz are here: Mike Osborne, Paul Rutherford, Kenny Wheeler, Harry Becket, Dave Holland.

Posted (edited)

Lol Coxhill - EAR OF BEHOLDER - Double LP, Ampex.

4749524083.jpg

This copy is a white label promo "D.J" copy. Hard to bracket "D.J" and Lol in the same sentence.

Edited by Leeway

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