Matthew

Nat King Cole: Benny Goodman: Love these ten cds boxes that are out there.

The Complete Verve Gerry Mulligan Concert Band Sessions. Sorry to say but I'm finding this set kind of a bore.

Come to Seattle!

As always when I hear it: My Foolish Heart off of Waltz For Debby. I think that it's absolutely gorgeous.

Bill Evans: The Complete Verve Recordings. Disk thirteen.

Drew & Helton would be two big question marks in my mind. Helton is on the downside of a very good career; a lot of those doubles were because of the big field at Coors. He has no speed, and his glove is a little overrated -- only three GG's, the sportswriters usually keep giving those out to a person forever; look at Greg Maddux. And Drew, well, JD is JD .

Has there been any player that has put up major number after leaving the Rockies? Dan, think of a left-handed Dante Bichette.

I'm becoming interested in Michael Mantler, who took part in this cd -- any suggestions where I should start with Mantler, what are the cds I should get that involve him.

I could almost swear what I received were return sets. On the Monk/Coltrane, someone took a magic-marker over the bar code, and Fearless Leader seemed like it's been handled a lot -- plus neither were sealed. Those things just made me wonder a bit -- I'm probably just paranoid.

Mega cool. I received my package of goodies this morning, very nice!

Like I said before: Lucky if he plays one hundred game any season. He'll milk that shoulder for all it's worth. Early sign of trouble -- kept out of spring training, excuse being: "The shoulder just doesn't feel right, but I'll be ready for the regular season." Then for the regular season: "The weather's too cold, I can't get loose." BTW, spring training can't come soon enough; tired of football/basketball.

Interesting article on Syd Barrett by Keith Jordon: If an article published by the British tabloid newspaper The Mail on Sunday - and the gentleman who wrote the story - are to be believed, then it would seem Roger Keith (Syd) Barrett was not quite the quiet recluse (who lived at number 6 St Margaret’s Square in Cambridge for the final 25 years of his life) that everyone thought he was. Former next door neighbour David Sore from number 7 (it’s a cul de sac so 7 is next door) apparently shared some of his memories of living next door to Syd Barrett from childhood until recently in the Mail on Sunday. Syd Barrett’s frequent use of mass quantities of drugs - probably combined with a natural propensity to develop the symptoms of schizophrenia - caused him to be unreliable in a professional band as Pink Floyd had become by 1967. When Pink Floyd finally got their visas sorted out so that they could work and perform in the USA in November 1967, Syd was not able to perform at all on occasion; particularly the American Bandstand show. Additionally, on the Jimi Hendrix Experience tour later that month, - on which Pink Floyd were one of the support acts - Barrett was being typically Barrett about things and, on one occasion, Davy O’List from The Nice had to stand in and play Syd’s parts. Iconic photo of The five man Floyd with Barrett centre back. In January 1968, Syd Barrett’s erratic behaviour was preventing Pink Floyd from being a professional and reliable band. David Gilmour was, by now, joining Pink Floyd on stage to play as the 5 man Floyd. The egos of the band were thirsty for success and so it was decided one day, on the way to a gig in Southampton, that Syd Barrett would not be picked up. David Gilmour would thus become the permanent lead guitarist for Pink Floyd from the 26th January 1968 at the Southampton University gig they drove to in their van. This late comer to Pink Floyd is currently its lead guitarist and front man. The fact that Syd was the creative force behind Pink Floyd in the 1960’s, led the bands management to drop the Pink Floyd in favour of managing the talent of Syd. Syd went on to record two solo albums called The Madcap Laughs and Barrett although not to considerable commercial success. Much later, an album of studio out-takes and dropped tracks was released called Opel. Due to his increasingly fragile mind, bad behaviour and worsening mental condition, Barrett eventually retired from the music business. Apparently with a little bitterness and resentment! To assume that Syd Barrett had completely left the earth due to his mental health problems would be a flawed assumption; especially in light of the recent accounts of his life post-Floyd. There was one occasion during the Wish You Were Here recording sessions in the 1970s that Syd Barrett turned up at Abbey Road Recording Studios in London. The Pink Floyd members saw a large, round, extremely fat man appear in the studio with a completely shaved head. Even his eyebrows were missing. It suddenly dawned on the members of Pink Floyd that the man was none other than Syd Barrett. They were working on the tribute song to Syd Barrett ‘Shine On You Crazy Diamond’ at the time. Eventually Barrett had returned home to Cambridge to 6 St Margaret’s Square to live with his mother Winifred Barrett after a stint of living in various places such as Chelsea Cloisters where he often gave away expensive items to people. Barrett’s mental condition had not improved and, according to a story in the mail on Sunday on 3rd December 2006, Barrett’s erratic and abusive behaviour forced Winifred Barrett to move out of 6 St Margaret’s square leaving her daughter - Barrett’s sister - Rosemary to look after Syd. She visited often and they became very close. For a long time, biographers of Roger Keith Barrett have been unable to shed much light on the life of Barrett when he moved back to Cambridge in 1981. But, in an article written by Barrett’s former next door neighbour David Sore published on 3rd December 2006, a wealth of anecdotes have appeared that, combined with the recent auction items of Barrett’s final possessions, shed a great deal of light on the mysterious life of Roger Keith Barrett. Some of the events and happenings as written by the neighbour in the Mail on Sunday article are listed below. Apparently Roger’s behaviour went like this: • Screaming and animal-like howling; • Shouting ‘F****** Roger Waters! I’m going to f****** kill him’; • Destroying furniture; • Destroyed the beautiful front garden of the property; • Having huge bonfires to burn the trees and his paintings; • Lived on fry-ups often setting pan on fire then abandoning it; • Syd smoked and drank a lot of alcohol; • Neighbour only saw Barrett smile once when neighbour was washing his car. Neighbour speculated that Barrett possibly thought he was watering it like a plant as the hosepipe let out its water; • After 1986, the peak of the legal wrangling with Pink Floyd and Roger Waters co-incidentally, Barrett started to calm down and had less ‘attacks’ as his neighbour called them, eventually even sending hand-made Christmas cards to neighbours. Some of the redeeming factors the former neighbour David Sore pointed out were that, when Roger Barrett was not having one of his attacks - indeed, they died down after the late 1980s - Roger was a pretty quiet neighbour. It was rare that any noise was heard except for the occasional piece of Jazz or Classical music. But never Syd’s own work. One song by Syd Barrett called ‘Here I Go’ possibly expresses the anger Barrett felt about being ejected from the Pink Floyd in January 1968. This is a story about a girl that I knew She didn't like my songs and that made me feel blue She said a big band is far better than you... She don't Rock 'n' Roll, she don't like it She don't do the stroll, well she don't do it right Well everything's wrong and my patience is gone When I woke one morning and remembered this song Kinda catchy I hope that she will talk to me now and even allow me To hold her hand and forget that old band.... So, there you go. Now we know what Mr Barrett got up to when he wasn’t engaged in his ‘interesting’ and ‘alternative’ DIY projects. Perhaps one could speculate from the evidence that Barrett was bitterly annoyed about being thrown out of his own band that he made famous. Perhaps his bizarre behaviour was not inspired by anything in particular; perhaps the destruction of his property was inspired by a desire to “renew” things that had been broken. Indeed, many of the photos from the auction of Roger Barrett’s final possessions show some interesting creations. Perhaps these were the results of the poor skill Barrett applied to trying to fix his possessions that he had destroyed. Above all, it is clear that Roger Barrett did not have any interest in material things at all. One must stop and think who are the crazy people? People like Barrett or people who over-value possessions. What an interesting perspective and way of life Barrett had. May he rest in peace.

I see where J.D. Drew has officially signed with the Red Sox -- good luck with Mr. Cruise Control....

Funeral For A Friend/Love Lies Bleeding? All The Girls Love Alice? C'mon. I think we've now listed almost all the good songs on the album! Guy I'm probably way out in left field on this, but I truly do regard Roy Rodger as an overlooked classic. Yeah, I know, that is just plain weird.

Local jazz station, KPLU, will have a special on Floyd Standifer this Sunday, January 28 @ 1:00 p.m. PST. Here's a LINKY-DINKY. PS: The Chewster might have to set his alarm to wake early Sunday.

Well, since Alexander was brave enough to admit to liking these two, I'll step out and publicly admit that I love the song Roy Rodgers.

Great music, is great music, no matter who does it. Stewart was a major artist in his prime, with that unforgettable voice, his solo work, and with the Faces, major props from me. Just seems to have lost his way as an artist, and I'm afraid the glory is long gone. I went on a major Elton John SACD binge about a year ago and bought all of EJ's SACDs. Fantastic stuff, pop music doesn't get that good that often. I guess there's a "coolness" factor at work since both aren't considered "cool" in anyway, shape, or form now -- which is a shame because a lot of wonderful music is getting overlooked.

Yeah, I'm afraid it is. I always fade in-and-out over the Dead. Sometimes I can't get enough of them, others, it's like: "Do I really need to hear Playing in the Band or Not Fade Away another time?"

You can stream Disc 2 of the set here: http://www.musicbox-online.com/media.html scroll down Thanks for the link, I must be off the Dead right now, I heard nothing to make me want to go out and buy it. Maybe later on I might get back on the Dead bandwagon.

You know about this, right? Oh yes, but what do I need that for? I have several copies of each of those novels. Not trying to agitate any consumerist fever--just thought you'd be happy PD is making it into the LOA. I'll probably get the LOA version. I've always wanted to dip my toe in the Phillip K. Dick pool.

Freddie Hubbard: Hub-Tones. Great line up, love James Spaulding, but no matter how many times I give it a try, it bores me.

Hey, the 80's weren't that bad

To get SoundScan you have to pay big-time bucks to subscribe. Maybe someone here is on the inside of the industry and can access the figures. The figures would probably be surprising as to how few units are sold for straight-ahead jazz. I remember from the old BNBB that Blue Note would delete a cd if it didn't sell 500 units in a year. I doubt that Sonny, Please sold more than one thousand. Compare that to the Bee Gees box set, which according to someone who had access to SoundScan sold over four thousand units in the first couple of weeks.

Syd Barrett: Crazy Diamond. Really been thinking about Syd a lot for some reason.

Mine was JuJu. I was listening to the cd when I signed up. When I came over here I decided to follow the example of other boad members and use my real first name.