P.L.M

Seen a beautifull concert, yesterday: the first meeting between MICHEL DONEDA & PAUL LYTTON. After a first set where they was mostly testing each other, they deliver in one breath a beautifull second set who had been recorded by my good friend MICKAEL W. HUON and who will give a great record. In between the two sets, my man JACQUES FOSCHIA has deliver a short but stunning bass clarinet solo. Suddenly, stars was shining in the grey sky of Belgium (good music makes me lyrical, sometimes).

You can say what ever you want about this record (one of the master piece of TAYLOR recordings). But one thing who's sure, it's his incredible sound quality. At least, if you take the bannanas from your ears, you could hear (I hope) the indisputable value that sound quality brings to this record. As mentioned, I do nto have the disc, so cannot add my authoritative and definitive opinion, but could it be that David refers to older edition of the album, not the remaster released last year: Yes I was referring to the old one - I forgot that it had been remastered and reissued. That also makes my warning about paying ebay prices redundant. Which old one? ONE TOO MANY... was first an LP box and has always sound fine among all the badly recorded CT. And the reedition on hatOLGY didn't make the first worse with Peter Pfister in charge of the remastering. So, I don't still get why "you don't like the sound". Maybe it's CT that you don'y like. What is fine with me.

Why, I always listen to music with fresh bananas in my ears. Helps smoothen the rough edges, on CIMP releases, in particular. Shall I try something else? Or other banana brand? My English vocabulary is very limited, so every time I find a new word to use, I go banana.

RIP, maestro. You had a great run.

You can say what ever you want about this record (one of the master piece of TAYLOR recordings). But one thing who's sure, it's his incredible sound quality. At least, if you take the bannanas from your ears, you could hear (I hope) the indisputable value that sound quality brings to this record.

I just have the two volume published by hat ART ten and fifteen years ago. I like them both (Marianne Schroeder "Works For Piano" and, with different piano players (Steffen Schleiermacher, Isabel Mundy, Mats Persson etc...), five altogether who performed the last piece together written for... five pianos and called "Five pianos") "Works For Piano, vol.2". I like them both but, first it's not an "integral" of Feldman's piano and, secondo, both are out of print from quite a time now. Th sound is quite magnificent on both, by the way.

Yep, interely your opinion. Permit me to think the exact contrary. I like NORWICH too.

Don't have the reputation to be the best interpretation of MORTON FEDMAN piano music mostly because the quality of the piano. If you want to hear more TILBURY, try his duo with EDDIE PREVOST call DISCRETE MOMENTS (MATCHLESS MRCD58) and their duo version of AMM also very beautifull NORWICH: AMM AT UA (MATCHLESS MRCD64). You can buy all of this (and the TILBURY/ FELDMAN) directly from MATCHLESS (www.matchlessrecordings.com).

Up with an add: - JIMMY LYONS & SUNNY MURRAY TRIO (feat. JOHN LINDBERG): JUMP UP (Hat ART) (OOP) 12$

A great writer's gone. None of the "Solaris" movies are up to the book. Far to be.

A dreamin' back up for BRÖTZ.

Hitler would have liked that. At least, the "science" proove that the racial theory of the third reich was right. "Aryan" races top the rest of the world. Great! So, it's now possible to make a line between folks, between the superior nordic race and the inferior south one (south beginning to start with France). But where stand the USA in this "scientific" top ten?.

Up.

The Shepp is gone. Up with three add.

Hi, I've the following CDs to sell. They are listed in alphabetical order. No distinction of category. - ABDELHAÏ BENNANI TRIO (FEAT. ALAN SILVA & MAKOTO SATO): ENTRELACS (RAMIER-TAMPON) 6$ - STEVE BERESFORD/ PAT THOMAS/ VERYAN WESTON: THREE PIANOS (EMANEM) 10$ - JERRY BERGONZI & JOACHIM KÜHN: SIGNED BY... (DEUX Z) 8$ - ANTHONY BRAXTON: SEVEN STANDARDS 1985, VOL 1 (MAGENTA) 10$ - JOHN WOLF BRENNAN/ GENE COLEMAN/ CHRISTIAN WOLFARTH/ ALFRED ZIMMERLI: MOMENTUM 2 "THE LAW OF REFRACTION" (LEO) 8$ - ORNETTE COLEMAN: FREE JAZZ (ATLANTIC-JAZZ MASTER SERIES) 5$ - MARC COPLAND: TIME WITHIN TIME (SOLO) hatOLOGY 10$ - MARC COPLAND/ GARY PEACOCK: WHAT IT SAYS (SKETCH) (OUT OF PRINT) 12$ - DANIELE D'AGARO/ JEB BISHOP/ KENT KESSLER/ ROBERT BARRY: CHICAGO OVERTONES (hatOLOGY) 10$ - eRIKM & FENNESZ: COMPLEMENTARY CONTRASTS (DONAUESCHINGEN) (hatOLOGY) 10$ - JOE FARRELL WITH ART PEPPER: DARN THAT DREAM (DRIVE ARCHIVE) 8$ - DENNIS GONZALES: THE EARTH & THE HEART (MUSIC & ARTS) 8$ - KEITH HEDGER/ CHARLIE KOLHASE/ NATE MCBRIDE/ CURT NEWTON: KONK (BOXHOLDER) 8$ - CHRIS KELSEY: BEYOND IS AND IS NOT (SOPRANO SOLOS) (CADENCE) 8$ - FRED LONBERG-HOLM: DIALOGS (EMANEM) 10$ - JOE MCPHEE & DAVID PRENTICE: INSIDE OUT (CIMP) 8$ - WOLFGANG MITTERER: RADIO FRACTAL/ BEAT MUSIC (hatOLOGY double CD) 15$ - OLAF RUPP/ TONY BUCK/ JOE WILLIAMSON: WEIRD WEAPONS (EMANEM) 10$ - JIM RYAN'S FORWARD ENERGY: THE CONCEPT (CADENCE) 8$ - PHAROAH SANDERS: WELCOME TO LOVE (TIMELESS) 8$ - WAYNE SHORTER: NIGHT DREAMER (BLUE NOTE) 5$ - STICKS & STONES: SHED GRACE (THRILL JOCKEY) 8$ - THE BAD PLUS: THESE ARE THE VISTAS (COLUMBIA) 8$ - ALAN TOMLINSON/ STEVE BERESFORD/ ROGER TURNER: TRAP STREET (EMANEM) 10$ - TRIO x 3 (STEVE LACY/ PETER HERBERT/ WOLFGANG REISINGER/ MARCUS WEISS/ PAULO ALVARES/ CHRISTOF KURZMANN etc...): NEW JAZZ MEETING/ BADEN-BADEN 2002 (hatOLOGY DOUBLE CD) 15$ - CUONG VU: PURE (KNITTING FACTORY) 8$ They are all in very good to mint condition. Note: The edge of each CD has been "paint" in green by a special audiophile pen. A technic who increase the sound quality of the CDs (very sensible on a the best high end system). Shipping by Airmail (at your own risk) : for EUROPE 2$ by CD/ for THE REST OF THE WORLD: 3$ by CD. Payment: EUROZONE by bank to bank transfer/ REST OF THE WORLD Paypal. Thank you. This post has been edited by P.L.M: Today, 12:29 PM

Hi, I've the following CDs to sell. They are listed in alphabetical order. No distinction of category. - ABDELHAÏ BENNANI TRIO (FEAT. ALAN SILVA & MAKOTO SATO): ENTRELACS (RAMIER-TAMPON) 6$ - JERRY BERGONZI & JOACHIM KÜHN: SIGNED BY... (DEUX Z) 8$ - ANTHONY BRAXTON: SEVEN STANDARDS 1985, VOL 1 (MAGENTA) 10$ - ORNETTE COLEMAN: FREE JAZZ (ATLANTIC-JAZZ MASTER SERIES) 5$ - MARC COPLAND: TIME WITHIN TIME (SOLO) hatOLOGY 10$ - DANIELE D'AGARO/ JEB BISHOP/ KENT KESSLER/ ROBERT BARRY: CHICAGO OVERTONES (hatOLOGY) 10$ - eRIKM & FENNESZ: COMPLEMENTARY CONTRASTS (DONAUESCHINGEN) (hatOLOGY) 10$ - JOE FARRELL WITH ART PEPPER: DARN THAT DREAM (DRIVE ARCHIVE) 8$ - DENNIS GONZALES: THE EARTH & THE HEART (MUSIC & ARTS) 8$ - KEITH HEDGER/ CHARLIE KOLHASE/ NATE MCBRIDE/ CURT NEWTON: KONK (BOXHOLDER) 8$ - CHRIS KELSEY: BEYOND IS AND IS NOT (SOPRANO SOLOS) (CADENCE) 8$ - FRED LONBERG-HOLM: DIALOGS (EMANEM) 10$ - JOE MCPHEE & DAVID PRENTICE: INSIDE OUT (CIMP) 8$ - WOLFGANG MITTERER: RADIO FRACTAL/ BEAT MUSIC (hatOLOGY double CD) 15$ - OLAF RUPP/ TONY BUCK/ JOE WILLIAMSON: WEIRD WEAPONS (EMANEM) 10$ - JIM RYAN'S FORWARD ENERGY: THE CONCEPT (CADENCE) 8$ - PHAROAH SANDERS: WELCOME TO LOVE (TIMELESS) 8$ - ARCHIE SHEPP: THE MAGIC OF JUJU (IMPULSE! - RCA VICTOR JAPAN) 10$ - WAYNE SHORTER: NIGHT DREAMER (BLUE NOTE) 5$ - STICKS & STONES: SHED GRACE (THRILL JOCKEY) 8$ - THE BAD PLUS: THESE ARE THE VISTAS (COLUMBIA) 8$ - ALAN TOMLINSON/ STEVE BERESFORD/ ROGER TURNER: TRAP STREET (EMANEM) 10$ - TRIO x 3 (STEVE LACY/ PETER HERBERT/ WOLFGANG REISINGER/ MARCUS WEISS/ PAULO ALVARES/ CHRISTOF KURZMANN etc...): NEW JAZZ MEETING/ BADEN-BADEN 2002 (hatOLOGY DOUBLE CD) 15$ - CUONG VU: PURE (KNITTING FACTORY) 8$ They are all in very good to mint condition. Note: The edge of each CD has been "paint" in green by a special audiophile pen. A technic who increase the sound quality of the CDs (very sensible on a the best high end system). Shipping by Airmail (at your own risk) : for EUROPE 2$ by CD/ for THE REST OF THE WORLD: 3$ by CD. Payment: EUROZONE by bank to bank transfer/ REST OF THE WORLD Paypal. Thank you.

Yeah, great stuff.

Whe want to know everything, Brownie: which famous french critic is it? The man deserves to have is ignominious name thrown in a public place like this jazzboard. THE NAME, THE NAME!!!!!!!!!!!

Yes, N°5 is Philly Joe.

And if you want to listen to RAPHE MALIK with CECIL TAYLOR try ONE TOO MANY SALTY SWIFT AND NOT GOODBYE on HATOLOGY.

Or Jimmy Lyon's Wee Sneezawee and the box set. Or his own albums: 21ST CENTURY TEXTS (FMP), SIRENS, SWEET & SLOW (OUTSOUNDS), STORYLINE (BOXHOLDER), SYMPATHY with MCPHEE & ROBINSON (BOXHOLDER) or COMPANIONS (EREMITE).

So sad. He was born in 1948.

PAUL FLAHERTY & MARC EDWARDS: KAIVALYA VOL.1 (Cadence) Recorded October 03 at PBS Studio. A very good "Fire Music" records (in my opinion). From the lines of the booklet written by PAUL FLAHERTY: "Free music players are born, not made. Why else would someone travel this road, if they didn't have to. So I figured out, in my mid-twenties, that I was a free player. This was the type of music that made me feel at home... Improvisation directing the whole ball of wax. It really wasn't a choice."

Two of the best CDs of the serie are "Bach: Die Kunst der Fugue" (arranged for string quartet) and "György Kurtàg (Musik für Streichinstrumente)" by the marvellous Keller String Quartet.

It looks good and sounds very good. Rivers challenged Don Pullen much more than Pullen's usual tenor associates at the time (George Adams and Chico Freeman in particular). A thoroughly 'out' session which reaches just shade of the Rivers-Cecil Taylor duets. This was one of the very first releases from Black Saint! Well, I'd beg to differ. I thought it was pretty weak (listening to it now - to re-confirm). It is a very simplistic work with first track having a lot of extremely predictable tenor wailing, and then a couple of tracks with Rivers doing these up-and-down nasal soprano runs (and a bit of unspectacular flute) - one of the tracks being silly rock-ish tune. Pullen is doing his regular thing which sound spectacular when you hear it for the first time (I was thrilled first timee I heard Pullen), but gets extremely predictable very soon. Drummer (Bobby Battle) is nothing special either. I do not really hear anybody challenging each other (or themselves)here - very lazy music, IMO. Even if I am a little late to the battle, I am, for once, completely in aggreement with David. This record has never had, even when he came out, a good reputation (or good critics). Agreed also about Bob James on ESP (but only for this one, the rest of his production that I've listen too is, to say the least, uninteresting). David, there's still hope between us!