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Should be able to get out to see Mike Murley in a week or two at Hirut. I am excited to find out that Gary Smulyan is coming back to The Rex in mid Feb., so I'll try to catch one night for sure and possibly a second.

This looks like something I would order, though probably the digital version. It isn't clear if the liner notes would come with the digital download, though I would hope they would.

Just saw Lynch's Mulholland Drive for the first time. What a mind-bender that is. I'm still trying to get my head around what actually happened and what was a dream and/or some parallel universe formed when some event happened one way in one universe and the reverse happened in the other.

I do not have that album (New Life). It looks like the library up here has a copy but it doesn't circulate, so I would need to book some time to listen to it there. I do have Re:Action on CD. I've seen him play a couple of times fairly recently, mostly at the Jazz Bistro, but I think he also plays Hirut, and I'll try to catch him the next time he pops up.

It's going to be a Godard weekend. I'll be watching Breathless a bit later tonight (at home, however) and then Contempt (Le Mepris) tomorrow in a theatre.

RIP. I saw them (the Dead) a few times back in the day, including one show after Brent passed away and Bruce Hornsby was filling in! I didn't see any of the shows after Garcia had died, however.

Two nights ago, The Truman Show. Last night, Network. Possibly The Thing (1982) tonight.

>>Nowhere near as sexy as rail — but in the right circumstances, it can be incredibly efficient — especially in this formerly freight-rail-only valley that never had vehicular traffic on it before in the first place. I'm sure it can be. I don't have anything against busways in general, but my ride in from the airport to University of Pittsburgh was surprisingly slow and quite crowded. Maybe they need some express buses on that route.

I think there was a thread once upon a time on how people came across the board, if they weren't part of the original exodus.

Congrats and good luck with the move. I only visited once (and didn't make it to the Warhol Museum), but it seemed nice. I liked the many Art Deco or Art Deco-inspired skyscrapers in the downtown. I was also on campus and saw a bunch of sidewalk delivery robots. I did find the transit system a bit underwhelming.

I have the opposite reaction. I thought I joined a lot later, but apparently it was Jan 30, 2004, so tail end of the second wave? I wasn't a member of BNBB, however...

Yes, I was just as annoyed by Japanese reissues that omitted bonus material that had come out elsewhere, and I don't buy them, though I usually don't moan about it either. Maybe I consider there is nothing to be done about the way things are done in Japan, but if US/EU producers constantly deal with complaints about material being left out, then they will change their ways or do better with the d/ls or something.

I would never begrudge anyone their preferences and certainly don't look down on anyone collecting vinyl. Despite my misgivings, there are 5-10 LPs that I will likely pick up one of these days (not on any other format, naturally) if I can figure out a way for shipping not to break the bank. That doesn't change how I feel about the hype around the vinyl resurgence, which certainly doesn't help anyone who does want to pick up newly pressed LPs... And that this resurgence is clearly distorting reissues with bonus material suppressed that should be available on any CD reissues.

Nearly through the Miko Naruse retrospective at TIFF. Yesterday I saw Flowing and today Lightning. Generally, these are pretty depressing films.

I actually do not like vinyl, though I do own some LPs out of necessity. Aside from the high prices and the ridiculous hype around it during its latest resurgence, I do bitterly resent the fact that some current releases are now vinyl-only (and in a handful of cases there isn't even a download option), and I also resent the fact that some of these vinyl-led reissues drop bonus tracks that came out during the CD era.