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It's not until early Aug., but the Revue is showing eight 4K restorations of key Kurosawa films. I'll be going to most of them, and in particular I am looking forward to Seven Samurai and Stray Dog.

I haven't done much of the free jazz shows that make up the Toronto Jazz Fest. Maybe I can change that on Fri. evening or Sat. Anyway, I forgot that Marc Ribot was in town on Monday and this was technically under the Jazz Fest umbrella, so I saw that as well, and that Arooj Aftab on Tues. Both very different shows, but both pretty incredible. It was essentially sold out, but I managed to get in to see Kneebody at the Rex tonight. Formerly a quintet, they are currently a quartet, and the drummer actually plays bass with his left hand and drums with his right! Pretty wild. They are playing tomorrow, and there might be a ticket or two left, but not much is available. There are currently no tickets at all for Ghost Note on Sat. at the Rex, but I will check back in the next couple of days to see if one does become available.

Just saw Midnight Cowboy (for first time!) on the big screen. Tonight will be catching Some Like It Hot, which I have seen. And tomorrow probably Chunking Express, which I have not seen.

Saw a group of local musicians playing hard bop compositions of Horace Silver at the Rex. The main notable thing about the group was there was no piano and was more guitar led by Reg Schwager, perhaps the best known member of the group. It was a lot of fun but not "challenging." Next week is Arooj Aftab, as part of the Toronto Jazz Festival (the only thing I am paying to see, unless I swing by the Rex again).

Astoundingly enough, there is going to be a sequel after all, with Brooks and Moranis (and even Pullman) attached. https://www.theguardian.com/film/2025/jun/12/mel-brooks-spaceballs-sequel It's hard to believe it will be worth it at this late stage, but you never know. I never saw it, but I did read some reviews that Spaceballs: The Animated Series from 2008 was dire.

The Guardian is reporting that the photographer Sebastião Salgado just passed away at the age of 81. https://www.theguardian.com/artanddesign/2025/may/23/sebastiao-salgado-photographer-death-legacy I think I first encountered his work at the International Center of Photography (ICP) where I think they were displaying the photos that made up the book Migrations, but I could certainly be mistaken. I believe I saw one more retrospective that focused on his photos of workers or maybe it was his Genesis project. After that I mostly experienced his work in oversized books from the library, though I did pick up the book Africa. I think there were a couple of smaller sized editions of some of his books, and perhaps I should have considered getting one or two of those, though reviews have said they really are quite small and don't really do his photos justice.

Tomorrow I am going to see Ran on the big screen. I actually have seen it before (on a big screen), but still looking forward to it quite a bit. I'm debating catching Cronenberg's eXistenZ tomorrow beforehand. I haven't seen this in quite some time. I actually can't remember if I did see this in the theatre (probably) or on VHS! And then in about a week, there is a theatre (on the other side of town) showing Cronenberg's The Shrouds, which I definitely want to see.

I did manage to get through the 2 volume set (in English) but then managed to find a used bookstore to take it off my hands. (Harder than it should have been...) NYRB recently published an extract of Man without Qualities centered on Ulrich's sister Agathe. I assume this reads much more like a conventional novel. https://www.nyrb.com/products/agathe-or-the-forgotten-sister

I largely agree, though I worry greatly about the long-term impacts. There is, naturally, a brand-new study showing that when you come off the drugs, particularly the injections, then you gain the weight back very quickly. So it really does mean taking the medication the rest of your life. In some cases, this is probably a reasonable trade off, but not for everyone.

I was about to bitch again about how few jazz artists show up at the Toronto Jazz Fest. I was particularly getting sniffy that Arooj Aftab was going to the Ottawa Jazz Fest but it turns out she will be at the Toronto Jazz Fest, so I stand corrected. Still, she is just about the only ticketed performance that I am planning on seeing. (She's hitting Chicago just before Toronto, then Ottawa, then Montreal.) I didn't go to see Vieux Farka Toure in Montreal. He's coming to a festival in Guelph this summer. I probably won't go, but it's at least a possibility.

I just finished State of Grace by Joy Williams. The writing, as ever, is fine, but I just really couldn't get into the story. I have a few more by her to read, so I am hoping I like the next one better. I'm just starting The Book of Lamentations by Rosario Castellanos, which seems promising, but I won't know until I really get into it.

I actually was able to donate one Mosaic set to the U of Toronto Music Library (though I would have had to donate a lot more to get a donate slip for tax purposes...) but they didn't seem that interested in large scale donations, just very targeted ones. That said, I might try again when I am ready to downsize.

This was fun. It was an awful lot like seeing Bitches Brew played live, though not as elaborate on the percussion. Anyway, Sarian is continuing to tour this new album. He said he would be heading to Detroit and also Chicago (where he is playing Elastic).

Soundway is really good. There was also the Ethiopiques series. Most of this was licensed from Buda Musique, but I don't know how they distribute in North America, if at all. I mostly listen to a lot of the "heavy hitters" that are in heavy rotation on BBC 3 Music Planet, so Salif Keita, Ballaké Sissoko, Ali Farka Touré & Toumani Diabaté. And of course Tinariwen.

There is a min- Mel Brooks film festival up in Toronto. I'm going to see Spaceballs tonight and plan on seeing High Anxiety in about two weeks. I don't think I'll be able to fit any of the other ones in.