Haven’t read Cole’s Miles but I did read his Coltrane bio.
Bill Cole is also a very interesting musician! Saw his Untempered Ensemble a couple of times.
I can't really give details but as far as I know all the basic work is done and it is awaiting manufacture. It's done with the cooperation of Tyler's (rather confusing) estate.
I've been revisiting Alvin Fielder's A Measure of Vision (Dennis González, Chris Parker, Aaron González, Stefan González) recently and think it's one of the label's finest.
Judging from the labels on the verso, I see only a few that are super expensive, and all of those have been reissued (Ra, Pullen-Graves, Black Unity Trio, and Cairo Free Jazz Ensemble). Cautiously hoping that it won’t be all flexing…
The only way to give these albums proper “period” artwork is to build a time machine, go back, and have them issued in the 1960s. Failing that… we get what we get!
FWIW, the Japan-only designs that King used on some titles are pretty appealing. Not all LT’s had concurrent Japanese versions, however. And some of those Kings did not appear in the US until much later.
the cover photo on the Mother Ship CD is all right; I have the 1980 LT version which is a bit less inspiring. Neither match what a 1960s design could have looked like.
Given its appeal to fans of Strata-East and related, it seems ridiculous not to release the unissued Tyrone Washington album at this point.
It is a really good date, too...
Yes, that is the version I have. It has not been on CD to my knowledge (I think that goes for a lot of the Philips FX-series).
The box set is this:
https://www.discogs.com/release/19128955-Various-All-Japan-Jazz-Festival-71
The other two LPs in the set are trad/swing and by-the-numbers bop revival. The Poll Winners single album is much more like what you’d expect/want for 1971.
Oh yeah, I have that record. It is a single LP but I think the tracks were also part of a larger LP set (iirc). Forgot there was a “FJD” included. The “Dancing Mist” is predictably awesome.
Don't forget that Carr was a hugely important musician and composer on the British jazz scene, so his lens on Miles is quite interesting, especially as his music evolved along not-dissimilar lines. Not a total acolyte, but there are some obvious parallels for sure. I like the book though it has been a very long time since I read it.
I find Phil Woods' version of the tune to be quite a gasser:
Regarding "Hopscotch," it looks like there are a few other more recent covers of the tune, but I'm not aware of Chambers recording it on his own.