clifford_thornton

He’s not a big record listener but maybe someone will point him to it. William was in my dream last night… Vision Festival dreams.

could be. But hopefully they listened to the announcement where "Denis" (or Dennis, as he was known then) was absolutely not said! I suppose we're going in circles here, but the error is just perplexing and could have been fixed without a ton of extra legwork. Someone like William Parker, who is alive and worked with Denis regularly, could have easily identified Huss/Frank as the mysterious Charles drummer.

Sorry, not in the booklet -- thought it was put forth earlier in this thread that both played with Dorham, but now I can't find it. Zev don’t know Huss, or Jack…

Denis has a child or children, correct? I am positive the interviews in the booklet are heavily edited/amended, so who knows what Drayton said or recalled. Elsewhere it was stated that both Charles brothers played with KD.

are we not? In this house, Japanese jazz of varying stripes is pretty regularly on deck.

Oh yeah, while I totally feel what the first paragraph is going after, there's a way to word these ideas that is more to the point.

Sorry to hear about your buddy, Lon. Is there more from the Ljubljana date with Oxley (one track is on Live at the Festival)? Might be an interesting Resonance date if it can be scrounged up.

Bummer. I thought the Bernie Drayton interview was fascinating; the other texts mostly spotlighted Dorham, with little verbiage spent on the other band members (except maybe Red). Not surprising, but still...

Yikes.

Wonderful!!!

RAD!

that's too bad about Claude!

Bey didn’t have close living family from what I was told. I trust Gilles.

Two tracks in and it doesn’t sound like Denis to me. Huss was more known as a conguero and the kit drumming is very hand-drum informed to my ears. That’s true of Denis as well, but here it’s quite a direct correlation, drawing on constant accompanying patterns and subtler inflections than what we hear from Denis.

yeah, it's a superb record. It does indeed seem like the LP, which was a limited pressing, stayed stateside and was mostly sold at shows.

exactly... they're delicious.

It gives me great pleasure to let you know that on Thursday, May 15 Philadelphia's Bark Culture will be performing at Tubby's on a bill with Blue Lake (Denmark/Texas) and Ezra Feinberg (ye olde Hudson Valley). I've been trying to do something with Bark Culture –– which features vibraphonist Victor Vieira-Branco, bassist John Moran, and drummer Joey Sullivan –– for a while now, and finally we were able to lock something in. I first saw them in a collaboration with saxophonist Michael Foster at Smog (the student venue on Bard's campus, on a bill with Nicholas Serrambana's excellent band Trance Macabre), and was blown away. Moran and Sullivan are also in Foster's trio The Ghost, who have played in Kingston a couple of times, including with Joe McPhee at Tubby's in 2024. At that point we were hatching a plan to bring Bark Culture to the Tub around the time of their debut LP release, Warm Wisdom (which is one of thee great debuts of last year), but scheduling isn't always easy. Good things come to those who wait! Ever since I was a young person I've dug the sound and look of the vibraphone; my dad, a pianist and composer, played in a group in Topeka with a Milt Jackson-inspired vibist named Irving Curtis, and he was awesome. Once I actually got into jazz, Bobby Hutcherson and Karl Berger were quick favorites –– two musicians I was also lucky enough to see and speak with over the years, now no longer with us. Bark Culture is an equilateral unit that focuses on the dance between composition and improvisation among three highly inventive and direct players; they're also a somewhat new band, and exponentially getting more and more into their thing(s). Progressivism and advancement are loaded terms that don't always fit with creativity but suffice it to say that what has materialized on record and in concert from Bark Culture previously is just the tip of the iceberg. I'm also eager to see Blue Lake for the first time (psychedelic multi-instrumental music, not sure if the name is a Don Cherry reference) and Ezra Feinberg again (American acoustic guitar fantasias), and trust that the evening will be sonically varied and compelling. Tickets are available in advance or at the door. Thursday night hit, Dorjee momo from the kitchen and a well-stocked bar + incredible sounds throughout.

I had heard a few years ago that he wasn't doing well health-wise. Too bad. Crucificado!!!

cool record for sure.

Sad news; regrettably, I never saw him or Pere Ubu, but in college (latter 90s) was quickly schooled on what a great run of records they had.

yep getting another bank of shelves built and calculated that they'll be full pretty much immediately. I have two rooms full of records. I really just have to get rid of stuff.

that's too bad. I have the LP set but never owned the CD version.

That Cyrille is indeed good -- saw that band a couple of times.

My understanding is that after Delcloo had a falling out with the BYG people, he took the tapes of that record and Coursil's "Black Suite" to Pierre Berjot, who issued them on America. very good record. Have the 1970 black vinyl pressing.

Sad to report that the great jazz writer Francis Davis has died at age 78. He passed this morning. Source is reputable. May he rest easy, and I give thanks for his decades of work. Mods: could move this to another category, away from artists, but I leave that to y'all's discretion... he was significant in this music, that's for sure.