Clearing the decks/shelves here; any o-board-ers interested can expect to receive a healthy discount and free US shipping, just message me here.
https://www.discogs.com/seller/callen/profile
will be adding more soon so check back periodically.
the old days of Hat were much easier to follow. Now, not so much! Westbrook is indeed very much alive, at least the last time I checked...
at least the Ayler I mentioned above is in very good sound, considering the source material. Folwell and Harris/Graves really pop out of the mix, and I didn't hear any extraneous mastering artifacts. Very little mud.
I had that Vanguard at one point; '65 seems like where things really get going.
Gathering all the Lacy Hats into one box might be difficult. That is a lot of material.
I saw & loved it. Wish it were still available to stream.
As my tastes evolved/relaxed, I began to appreciate Sunny's discursive bop approach on later albums. Kinda funny to reread old posts in this way.
I'd like to clear out my last 5 copies of Singularity Codex; message me here for a copy. $20 shipped anywhere in the US.
They make a great Passover gift!
Those would sell now, but at the time, post-Coltrane modal jazz wasn't really moving units like it currently does. I also remember a time when those records were cheap and nobody cared...
Saw Rufus with Byard Lancaster once. It was a very interesting gig.
I certainly would not have otherwise guessed it was him on this track, and he's a bit stiff so Barron & Pope are both out as possibilities. That said, and having not really spent time with his Atlantics, the choice is rather illuminating.
The piece with Woods is fun; it doesn't appear to be on a record I own so will be curious to find out more.
The overdubbed solo soprano composition is really nice; it's not Surman, but does seem to be dipping into a similar well.
12 is Clifford Thornton (the real one) from The Gardens of Harlem, tenor player is Roland Alexander. The cut is called "O Desayo." Bassist is Andy González.
Guess I need to listen to the rest of it!
It kinda already exists in the form of the NoBusiness Sam Rivers live series, but I suppose you are probably looking toward the albums on Fluid, Red, Vedette, Circle, Horo, Black Saint, Tomato, Impulse, and ECM.
I know Dexter's BN LPs remain sought-after, but I wonder whether his playing catches the ear of current/newer jazz buyers the way that, say, Joe Henderson does? My guess is no, but it's their loss...