If God had meant the clarinet to be played with that tinny tone, he would never have given us Karl Boehm!
Seriously, Byron is a fantastic technician, but I get the feeling that he goes outside for sake of going outside ... I never feel any real conviction in his music, and I am not an admirer of his angular lines. I guess I am just a diehard DeFranco/Scott/Giuffre fan ... where is Perry Robinson when you need him?
Polarizing effect, indeed!
Maybe there's something about hearing him live... which I've done an awful lot during the past few years... but I think Don is incredible!
And I know Perry Robinson, Marty Ehrlich, Kenny Davern, Buddy DeFranco and Tony Scott all thought so too, when they all played in that "Legends of the Clarinet" week at Iridium in the summer of 2003...
Heard him just last night at Columbia University, playing with Ralph Peterson (drums), Lonnie Plaxico (bass) and Ralph Alessi (trumpet) -- Oh. My. God.
It was stunning. The guy's been growing by leaps and bounds, for years now. Tinny tone? No way. Clinkers? None. Moments of "out sound" or "extended technique"? Some, clearly intended to sound that way.
Utterly fluid, gorgeous, killer solos, nearly telepathic interaction among a quartet who've never played in that exact configuration before? Hell yeah.