Fer Urbina

Same scene, not exactly the same bit, from The Jazz Baroness: https://youtu.be/2TX6Z7NiF0E?t=5m16s F

Thanks everyone, glad you enjoyed the clip. I noticed it while having lunch and watching the Monk documentary (it's on Vimeo, although a lot of it appears on Straight, No Chaser). I had to "rewind" it several times because I couldn't believe it. That's why I asked Cuscuna, who knew Mobley, and also checked with Bertrand Uberall what footage there was of Mobley. Among other things, I also checked this thread. Glad to see it on JazzWax too, although about the clip being too short, as I say in the blog, the whole sequence with those four in the kitchen at the Vanguard (dated, almost certainly, June 19-25, 1967) lasts 2:35. Some of it can be seen on The Jazz Baroness too (it's on YouTube). The best bit with Mobley on is what you see in the clip, which again, I had to give it all the light I could in order to distinguish Mobley's face. Stay safe! F PS: You can delete the duplicated text by editing after posting.

Not playing, but some of you may have seen this without noticing Mobley hanging with Monk, Nica and Bobby Timmons at the Vanguard. https://jazzontherecord.blogspot.com/2020/05/hank-mobley-and-bobby-timmons-on-screen.html F

Liek Captain Howdy says, the segment in Hot Club's radio show is shorter and in not as good sound than the clip from WNYC, which was posted in late 2012. I blogged about it at the time: http://jazzontherecord.blogspot.com/2012/12/encore-bg-and-sextette-unissued.html F

The first one I noticed on Spotify was the Nat King Cole Trio on Mosaic back in 2010 (https://open.spotify.com/album/36r0NLy7NH4Z14enk0EvF4), which actually kept the original cover. Since then, I've seen the Tal Farlow and the Golson-Farmer-Jazztet. If you search "Capitol Vaults Series" on Spotify, you get a few Mosaic/Mosaic Select sets: Bob Brookmeyer (Select) Paul Chambers (Select) Dexter Gordon (Select) Bennie Green (Select) Bobby Hackett Andrew Hill (Select 16 - group) Bobby Hutcherson (Select) Elvin Jones Gene Krupa/Harry James Hank Mobley Joe Pass Big John Patton (Select) Art Pepper (Select) Don Pullen (Select) Dizzy Reece (Select) Bud Shank/Bob Cooper F PS: Just noticed Louis Armstrong's Columbia & RCA Victor Live Recordings Mosaic is on Spotify too.

YouTube too. 153 tracks in three volumes. This rebranding+streaming had already been done with sets licensed by Universal in the past--first Sony set I see. F

The Szwed is excellent. Ian Carr's is also very good--he was also a professional trumpet player, and he gives more pages than perhaps expected to the electric Miles. F

He'll be missed. For all his first-hand experience and willingness to share whatever he knew, I'll remember him for his fearlessness when it came to telling the truth. I also hope his last days weren't painful. He won't be forgotten. F

Costa doesn't play piano on the Hodeir record. The Fresh Sound reissue of Hodeir's American recordings sounds like a needle-drop to me (I don't think there's ever been a CD of those). As for whether it's worth getting, it is to me, but I quite like Hodeir's work. F

The Billboard thing, like Big Beat Steve said, through Google Books. Not perfect (sometimes it skips results that are there), but it's free. As far as I know, Avakian left because he was exhausted from overworking (he got seriously ill towards the end of 1957) and also because he got wind of the difference between the money he was making for Columbia, and what they were paying him. I wrote this when he died. F

There's a reissue by Fresh Sound. F

There's plenty to be found on Billboard. On the Sep 30, 1957 issue, there's a note saying that Avakian reports to Miller (although Avakian was just months away from leaving Columbia). You may also want to check the August 4, 1956 issue -- it carries a 30-page infomercial about Columbia. Interestingly, Avakian only appears towards the end as "a.&r. director of pop albums". Miller appears as "pop artists & repertoire chief" working under "sales chief, Hal Cook". F

I just saw the news about this new Mosaic release. Personally, I'm looking forward to it, both for the pre-1945 Deccas (the birth of the First Herd) and, hopefully, an improvement on the sound of the Carnegie Hall gig. As for the Everests, for a minute there were a few reissues on the Empire Musicwerks label (distributed by Universal) around 2005. I seem to remember that at least one of them was a needle-drop, but I would really need to check. Woody Herman with Charlie Byrd: Bamba Samba Bossa Nova (Discogs) Woody Herman with Tito Puente (back of CD case) Woody Herman: The Everest Years (AllMusic) F

Yep. Long story, but Roulette (including Roost) is now owned by Warner. F

Not exactly the same. The 1994 has 75 tracks, and masters/transfers were by Malcolm Addey and Ron McMaster.. The 2018 has 63, and by the look of it the sound is whatever the latest edition is (RVG remasters for the first three CDs according to the Universal page). And I guess there will be a substantial difference in the booklet too F

I've added this 5-CD set of Bud Powell recordings: http://www.universalmusic.it/musica-jazz/album/the-complete-amazing-bud-powell_32552697368/ F

Last year I asked vibist Warren Chiasson (still active in and around NYC - they were together in George Shearing's group in the late 1950s) and he told me that at some point Garcia left for the West Coast, became religious and left the music world. F

Saw him in 2004(?). He requested no smoking in the room, and had oxygen during intermission. F

• Legit. • All three albums have been remastered by Andrew Thompson at Sound Performance, London, in 2012. Sounds right to me. • 24-page booklet with all the original liner notes + additional notes (9 pages) by Charles Waring (Record Collector, Mojo). F

There's a mention to this 3-CD sets at the very end of the first message, but link needed changing. Thanks!

Bumping this up. It seems that the Italian version of Lester Young The Complete Verve Studio Recordings is back in stock. F

Yep. Besides what's in the link, I've noticed Dizzy's Perceptions , Clark Terry's Swahili and the Fred Astaire set with Oscar Peterson. F

I don't think he's bitter, but canny. What sells? Trash talk about celebrities and outrage. I know Phil Woods would have gone to war for him, and that he was good to Clark Terry. As for the music, I like his stuff and actually enjoy watching him conduct (like on Sinatra's LA is my Lady, which carries the name of the arranger for each track). About Sinatra at the Sands, it says "arranged by Quincy Jones" on the cover, but it is clear that most of the music has been adapted from Riddle's, May's and Jenkins's originals (and what else could he do, really?). Friedwald's book says that the new stuff ("Where or When", "The Shadow of Your Smile", "Get me to the Church on Time") is all by Byers -- interestingly, Sinatra never recorded those in the studio, but since then opted for Byers's "Where or When" instead of the earlier, more somber version for Capitol. FWIW, Friedwald carries this quote by Byers: “Quincy was an excellent arranger, but he doesn’t write anymore. He found an easier and better way to go. Quincy is highly motivated and finds it tough to sit down long enough to write a whole chart. You have to be a recluse like Nelson [Riddle] was, to do orchestrations. Quincy would much rather be up front with the clients, doing what I call his ‘floor show’.” F

A singer that tends to always sing the verse is Tony Bennett. Another rarely sung, but IMHO beautiful, is "How High the Moon"'s F

A song that has quite a bit of unused material is "Autumn Leaves". Two verses, I'd say, that were dismissed in Something Else. Yves Montand sings the whole thing in his earliest recordings of "Les Feuilles Mortes", and recites the first bit in later versions. In the video below, the "second" verse would start at 0:38 ("Et le vent du Nord les emporte"), and the song as is commonly known, at 1:12 ("C'est une chanson..."). F