Spontooneous

Freddie "Invoice" Purchase and His Outtasight Organ -- Major Purchase

I have the Russian reissue that mhatta speaks of. It was a Half Price Books purchase. Greatly enjoy this album. Teddy Edwards is indeed an asset, but so is Ray Crawford.

Rennie DeCart -- You're Somebody Till Nobody Loves You

Hello all, I'm back for a minute. I'm SO happy to see the shoutout to my KC ally Hot Ptah. Bill put a LOT of effort into this forum for a long, long time. He worried that the game wasn't sustainable -- yet here we are. His ashes rest a few hundred feet from my grandparents' graves, and I drop by sometimes, hoping to bask in his wisdom again. Next time, I'll bring him the news of good vibes from the BFT forum. And a partial attempt: @Big Al I'm thinking it's some mostly-forgotten Billy Taylor project. I confess to not liking the sound of clarinets traveling in packs, but doggone it, this is strangely tasty. @Eric At first I thought Han Bennink was in there, but don't think so now. But the alto might be Michael Moore or Sean Bergin. I'll take a dozen. @mjazzg How many cellos here? One plucking, one bowing? Love the sound of the drum set. And the general groove, which never loses its way or lets up. Yeah! @Dub Modal "After You've Gone" changes, then an alto that really sounds like early '50s Art Pepper, and then a trumpet who begins by quoting Art Pepper's contrafact on "After You've Gone." Nifty out chorus. Maybe a Marty Paich project? Someone who knows the writing styles of the time better than I do (that isn't hard) may find the suggestion laughable. Must recuse myself on Rooster's. Y'all are good guessers, though.

There's so few sources of info online. How does that one compare with "Snout Out"?

Matthew Shipp, The Piano Equation

Elfred "Snackbar" Burris: Relax With My Music Or Clowns Will Eat You

Arrived in Kansas City today. USPS media mail from Albuquerque.

Given that the interest RCA showed in forward-looking jazz by 1966 was minimal (not zilch, but very close), and given that by the time of the second letter in Porter's post the unrealized project has migrated to Impulse -- Is it unreasonable to think that the mention of RCA in the first letter is a misstatement on Miles' part, if not a fabrication to press Columbia for more money? Or a misstatement or memory lapse on Townsend's part?

The goose was flattered and came back for more.

The Lord disco offers no help other than "c. 1966."

A life well played.

My significant other, her mother, a cousin of mine and a dear friend were all killed by COVID. I support what Bresna is saying. The political pressure to undercount deaths in USA is real.

Somehow, Byard and Dawson in a studio in Bismarck, N.D.: https://www.discogs.com/release/10203472-Chuck-Florence-Quartet-Featuring-Jaki-Byard-With-Alan-Dawson-And-Clipper-Anderson-Home-On-The-Range

I started an alphabetized-by-artist catalog of my jazz LPs and CDs in Microsoft Works on a DOS computer in the summer of 1992. The job has since been taken over by a couple of other programs -- exporting the files was easy -- but the text-only catalog continues to grow and to serve me well. There's no database functionality, so I can't tell you how many Paul Chambers sideman appearances I've collected, but that isn't bothering me. I can carry a copy of the whole thing on my phone and it stops me from buying duplicate copies, which was the main purpose in the first place.