Wow. 1972, baby!
I am listening as I write....
Such an intriguing line up of horns, and as it turns out, a very eager,varied, roiling percussion landscape from Keno Duke. The "Reasons in Tonality" track is fantastic - searching, probing, brimming with ideas. The live setting gives this an off-hand, impromptu sound scape overall. It all evolves, of course, but the horns push and halt, bubble, stop, and pulse with intensity. Mabern's piano is by turns bluesy and starkly staccato, at points reminding me of McCoy Tyner. Now searching out the second side of the original album, consisting of Keno Duke's composition "3-M.B."