Stompin at the Savoy

Playing the 1996 Connoisseur after reading another thread about Jutta Hipp documentary.

Ooh I got a tracking number!

Thanks for mentioning Dan Burley's Jive. I managed to find a copy just now that wasn't too dear. Also thank you Steve for the link to the Calloway pdf. Fun!

That's kind of a strange release. I looked on Amazon and it had a pic of the contents, which despite the tacky packaging were pretty good mainstream jazz stuff from Blue Note, Roulette, Pacific Jazz. Apparently this Battleguard-Twilight label is some sort of Capitol subsidiary.

Maybe advise them it's available any time they want to pick it up!

👍

Website still says 'processing' on my order. Goody! I'm looking forward to this set. Basie! All kinds of goodies.

Thanks Steve, I will check that out! Another fun source is the glossary in Bernard Wolfe's bio of Mezz Mezzrow, Really the Blues. ( https://archive.org/details/reallyblues0000mezz/page/370/mode/2up )

https://archive.org/details/hepcats-jive-talk-dictionary-1945.-t.-w.-o.-charles-d-m-ia/mode/2up

Last night I listened to all the Bill Holman portions of this: Kenton Presents, Great Big Band, and some unissued stuff. Following that I listened to Terry Gibbs Dream Band, vol 1. Basically the same band as Great Big. Then Vol 2 today.

You should not be responsible or have to pay extra for an item they shipped by mistake. How to resolve it depends partially on the amount. Big amount I guess be a mensch and try to figure out some equitable way to send it back without you being out of pocket. Less than $50 or something - in my opinion they should just eat it.

Most contemporary releases are CDs or downloads, which by the nature of the packaging means you are unable to read the liner notes until you purchase the item (and in the case of downloads there are typically no liner notes). If their purpose is to sell albums I'm not sure how that's supposed to work. Oops, I guess by contemporary you meant liner notes on the original older albums. Even then I find it hard to agree. Liner notes are often interesting, imo.

Some of Sauter's work is swinging, such as the Goodman stuff. But it seems when he is given free rein he goes toward a kind of neo-classical orchestral style of writing which strays pretty far from the jazz tradition. I guess I'm an old fogey but I like a fair amount of toe tapping kind of thing in the music I listen to. I am going to give Sauter some more chances. My first impression is maybe not my cup of tea...

Interesting program. I've been curious and don't know much about about him.