Rabshakeh

Mama Rose, by Archie Shepp and a Dutch keyboardist called Jasper van 't Hof, from 1982, on Steeplechase. I don't know much about Shepp's eighties work, but it's a definite departure from his fire music or gospel days in tone.

That's a great cover. It must look fantastic as a full size LP.

Interesting. It has a nice cover: I can imagine it would great on LP. On the list and many thanks.

Thanks. I hadn’t realised that all three of them had actually recorded together. I will track it down, CD-r or no. Thank you. I randomly bought a scuzzy vinyl copy of Jazz Exchange Vol 1 a few weeks ago, and it’s absolutely great. I’ll check out the other (two?) volumes. Warne Out and How Deep are going on the list too. Thanks for the Kanan / Su recommendation, which sounds intriguing. There are a few references in the original thread to other, then current, players in this sort of vein, like Connie Crothers or Jimmy Halperin. If anyone has any views on them or others or any albums that they’d recommend, those would be very welcome too.

Sorry to bump up a very old thread, but, since Lee Konitz's death earlier this year, I have been listening to a lot of his music from the 60s and 70s (e.g., Satori, Lone-Lee and Motion) along with wonderful albums like Ne Plus Ultra and All Music by Warne Marsh. This had not been an area of jazz that I had explored or really thought about previously. I am very impressed at how neither of them is willing to play to expectations at all, whilst producing such strongly idiomatic work. I wondered if there are any other "Tristano-esque" (taking that term in the very loosest way possible) LPs or CDs (as opposed to box sets) that others on this board really love and would recommend.

Nice piece. Thanks for flagging it. Very sad news.

Basically just those two for me. I used to live round there so went into those a lot. They're really nice shopping experiences and basically next door to each other. WoE has a link to Treader of some sort. The Mare Street market one is I think only new stuff.

Last time that I checked HJ was still closed but shipping, although that may have changed this week. Which Hackney shops do you go to?

It's been fairly low key, but Monoceros has just had a nice vinyl reissue on Treader, one of the smaller London labels.

Done it. I found it in a shop on a post-COVID shopping trip and decided that it was so important to support struggling small businesses that I really needed to buy it on the spot (or something like that...). I haven’t played it yet, but I’m looking forward to it as it is one of my favourites from the early French scene.

I am going to start checking those more regularly. It’s been nice to catch up a little. Increasingly I’m finding that Bandcamp and Twitter are some of the best sources for finding out about this music (although more for reissues with the latter).

ECM like Sunday morning (sorry!).

A big thank you for linking to these, by the way. These are some great recommendations and it makes a difference to have the mini reviews with each of the recs. I am following them up gradually. Are you planning on posting on any more labels?

No Try No Fail by Its Leimgruber, Joëlle Leãndre and Fritz Hauser

Sorry to resurrect an old thread, but what was the view on this? I am thinking of taking the plunge.

One Too Many Salty Swift and Not Goodbye by Cecil Taylor

I liked Zorn a fair bit at the time, but I’ve gone off him as a jazz performer and I’m not sure how I rate even the “hits” like the Big Gundown anymore (although I agree withndanasgoodstuff that News for Lulu is a good record). The article did remind me that Guts of a Virgin is a good crossover grindcore record though. i found it interesting hearing the stories of all the metal drummers having their tastebuds wet. Many of those guys were childhood heroes of mine, but I’d never read anything about their time with or thoughts on Zorn. what I don’t understand is why Rolling Stone is suddenly publishing an article of this length. I couldn’t see any upcoming release or retrospective that it is meant to tie into.

There's a big Zorn feature in the new Rolling Stone. It goes on and on. The link, for anyone interested is: https://www.google.com/amp/s/www.rollingstone.com/v/s/www.rollingstone.com/music/music-features/john-zorn-jazz-metal-interview-naked-city-1015329/amp/%3famp_js_v=0.1&usqp=mq331AQFKAGwASA%253D#ampf=

His solo on Bee Vamp is one of my favourite Mal moments.

I’ve been listening to this one too. A fantastic album. I like how Jones’ saxophone stays consistently in the uncomfortable higher range. The rhythm section is great too - so fluid. Thank you both for this recommendation.

Warne Marsh, with Lee Konitz: Jazz Exchange Vol. 1 on Storyville

They are a bit, although I find that there is a step up when they think something’s really saleable (e.g., the stuff on the website). The rest is more reasonable. Overall, a bit cheaper than e.g. Discogs, with postage, and they do get good stuff in, rather than just stocking the same old.

Yep! This is one of the haul. On to Booker Ervin now.

They just started opening record shops in London, and I went for it: Yo-Yo on Hackney Road, for anyone who knows it. The experience was fun - I had to book ahead, and got one on one service (no one else was allowed in). I felt like I was at some sort of upmarket Tokyo sushi bar that only allows one table at a time. Anyway, I went a bit nuts after three months of restraint.

Grupo Folklorico y Experimental Neuvoyorquino (a real autocorrect hazard).