It was through his recordings that I got turned on to Joseph Spence, Blind Willie Johnson, Sleepy John Estes, Arsenio Rodriguez, and so many other greats. I love the way he transformed Johnny Cash's Hey Porter and Woody Guthrie's Vigilante Man into country blues tour-de-forces, and no one could interpret Blind Blake any better. His version of Ditty Wa Ditty with Earl Hines is a blast. I still revel in his supernaturally beautiful version of Maria Elena on Boomers Story and his haunting version of Dark Was The Night. Music just doesn't get any better than that. If you like Ry (I usually hate using first names, like I know him personally or something -- but I've been a fan for so long, WTF), be sure and check out his recordings with guitarists Manuel Galban, Ali Farke Toure, and the Indian dude (someone help me out here). And my God, Across the Borderline on The Border soundtrack (with Freddie Fender on vocals and Flaco Jimenez on button accordion) ---- not to mention (although I'm doing it anyway) Roosevelt in Trinidad on Into the Purple Valley! Simply spectacular guitar playing! I may never have discovered calypso, Norteno, Hawaiian slack key guitar, and several other genres of music without him. OK, he's made some duds (particularly on some of his later Warner Bros. records, which is why I might avoid the box and instead pick and choose his best), but where he succeeded, he's been amazing. (Yes, I may have indulged in a little hyperbole here-- as William Blake wrote "Exuberance s beauty" or something like that -- but not by much.)
The Indian guitarist is Vishwa Mohan Bhatt. A very interesting player.