Hello,
I'm new to this forum and would to share someinpressions about the topic.
Everybody here talks about Blue Note madness, how high are now NM original press especially Lex, NY 23, and W63. And fifty more albums that are very expensive ( Colossus, Overseas, Jaro, Ad Lib Transition etc...). I've been collecting for ten years, an believe it or not, i eventually got tired of Blue Note ! I have many BN originals, including some of the most sought after (i don't say : Rare), i spent a lot of money buying them, and i realized that, altghough Blue Note albums are wonderful there are many non-BN album that are as hip, as groovy, as funky, as interesting as Blue Note ! Here are some of my favourite :
Tony Fruscella ! Don Sleet (this one is worth 50 $ ! imagine with a BN number : 500 or +), Tommy Turrentine on Time ! Warne Marsh ! Many Epics (Chartlie Rouse, Dave Bailey), Rocky Boyd, Rene Thomas (Guitar Groove : worth 50 $ ! one of the greatest guitar albums ! ) Rolf Kuhn (Streamline : worth 120 $) Sonny Criss on Imperial etc, many Prestige, Riverside, Savoy
I think that it is still possible to build an interesting collection (of course, far from the 75000 records fantasm ! ), with rare and desirable records. in fact, only Blue Note prices are growing senselessly. For many records, prices are stable. And -, you can still find them for a bargain. I paid 160 $ for a NM copy of Warm Woods on Ebay, 275 for Rocky Boyd etc... Most of the time, 1000+ prices are commanded by 1) the reputation of the dealer, 2) the "i-want-this-record- no matter-what price" state of mind, and the competition between two bidders. Remember the Monk RLP 242 that sold 3000 $ at Atomic ! if i try to sell my copy, it will probably reach 250. Period.
Here's one i've never seen (in fact : one time on Anthony Pearson auction ) : Will Davis Trio "have mood, will call", on Sue LP 1011. I'd really like to catch this one.
Thanks for comments !
Michel