Joe

Sad to hear this. Most familiar with his work with Don Friedman; always an intriguing player whose name I'm happy to see pop up on a session.

It is possible that this release does contain Maggie's Dial recordings. That is the most likely source / origin of the four tracks Dan linked to on this Fresh Sounds release. I have these tracks in the collection of Dial recordings issued as TRUMPET AT TEMPO by the Jazz Classics label. I presume it was a legitimate release (I am also assuming it is OOP, as is their Dodo Marmarosa collection), as it contains a slew of alternate takes. http://www.allmusic.com/album/trumpet-at-tempo-mw0000091020

Makes a certain amount of sense to me. Trane knew Heath from his Philly days, and Heath was among the first tenors (Bill Barron being another) to really understand Trane's music. Oh, and Miles had recorded with Jimmy and Percy Heath at his April 20, 1953 session for Blue Note ("C.T.A.").

I wasn't there, but, based on other evidence*, it seems like the big buzz at the time was more focused on Miles' collaborations with Gil Evans. *Like, the the CBS television broadcast of April 1959.

Toni Basil and Davy Jones; her choreography as well. http://www.youtube.com/watch?v=6PNfnNBDatY Bob Rafelson must have really liked her, as he also gave her a part in EASY RIDER (she's one of the girls who does acid with our heroes in the NO graveyard).

ICMC also used to put on concert at the DMA (Horchow Auditorium). Was lucky enough to see guitarist Debashish Bhattacharya there in the early aughts. Glad to know they are still active; seems like they had to curtail their activities significantly after 9/11, partly as a result of it becoming more difficult for individuals from "that part of the world" (specifically, Pakistan) to gain entry into the US.

Whoa...

Perhaps some of you know author Fred Moten for his wonderful study IN THE BREAK: THE AESTHETICS OF THE BLACK RADICAL TRADITION? Mr. Moten is also a poet of some accomplishment, and his latest, THE FEEL TRIO, is just out from Letter Machine Editions. While not quite an ekphrasis on Cecil Taylor's music, it is a book indebted that draws ideas of rhythm and "cellular organization" from Taylor (IMO at least). But there's a lot more going on here as well. Please allow me to recommend. http://www.lettermachine.org/feeltrio.html An excerpt:

Same reservations as Jim, but also fully prepared to carpe on this one.

Bradford's Quartet will feature Ingebrigt Haker Flaten, Frode Gjerstad & Frank Rosaly.

Monday, March 24, 8pm Beefhaus, 885 Exposition Ave. 75226 Bobby Bradford 4 & Yells At Eels http://yellsateels.blogspot.com/2013/09/c-o-m-i-n-g-p-tuesday-october-1-730-pm.html !

Another vote for this one; the most interesting of his big band dates (at least as far as I have heard).

You are probably referring to the 5CD JSP set Legends of Country Blues. John R.T. Davies had nothing to do with it. Thanks. Do you have any other information of the sources used for this set?

JSP also reissued James' 1930s recordings in a big, budget-priced box back in the early aughts... also included are sides by Son House, Bukka White, Tommy Johson and Ishman Bracey. Looks like Amazon still stocks this, and at an affordable price (5 discs for about $30 USD). My recollection is that the transfers for this set were done by John R. T. Davies, but I cannot confirm that... perhaps another board member can? In any event, you can listen to samples via Allmusic.

Flanagan is one of reasons Booker Little's quartet date on Time is one of my desert-island discs. And here's another good one:

Another vote for INVITATION. Also:

Thanks all. I wonder what KC audiences made of Bird's "return" with this particular band, and how much being home again was a factor in what one hears in Bird's performance from that evening. I've also seen shared versions of the Bird - Woody stuff online, with claims of pitch correction, for those who care to do some searching...

How do the thread participants feel about the Bird - Woody Herman material from Kansas City, 1951?

Both Uptowns for sure, the live shots with Fats Navarro and the material (the McShann Octet etc.) originally issued by Onyx as FIRST RECORDINGS.

Stefan's and Aaron's "thrash duet" goes by the name of Akkolyte. They also appear every now and then with a rotating cast of improvisers and noise-makers under the moniker Unconscious Collective. Aaron plays less these days than his younger brother, or so it seems... perhaps a function of his now being a dad. Stefan all over the place. I've lost count of the number of bands with which he's involved. For instance, The Young Mothers: http://www.hallwalls.org/music/5451.html. Stefan is a powerful and creative drummer indeed, and his work on vibraphone impresses more and more.

Good stuff, a little "fussy" IIRC... some of his best work for Prestige can be found on dates led by Melvin Sparks and Leon Spencer, IMO. But, by all means, don't sleep on this wonderful recording.

W.H.O.A.!

Helped to shape whatever understanding I have of this music and its makers. Only came to his poetry and dramatic writing later. THE SYSTEM OF DANTE'S HELL, people... still incredibly powerful... Rest now, Mr. Baraka. Rest.

I did not know he had a filmography. Sad to hear of his passing, but glad to know there is more of his work to explore.