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Posts posted by Joe
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Saw this while passing through a local Borders today... thought it might be of interest to the board populace at large...
STOPSMILING: THE MAGAZINE FOR HIGH-MINDED LOWLIFES
Issue #34: The Jazz Issue
COVER STORIES
ORNETTE COLEMAN + BOBBY HUTCHERSON + A TRIBUTE TO ERIC DOLPHY
INTERVIEWS
Ron Carter + Joe Chambers + Ira Gitler + Olu Dara + Lawrence Lucie + George Wein + Jeff Parker + Michael Cuscuna + Lorraine Gordon, owner of the Village Vanguard
INTERVIEW & PHOTO ESSAY
William Claxton on Jazz Life
TRIBUTES
Patricia Barber on NINA SIMONE + John Corbett on PETER BROTZMANN +
Jim Dempsey on KEN VANDERMARK + Dick Buckley on TOMMY DORSEY
EXCERPTS
Ben Ratliff on JOHN COLTRANE (From Coltrane: The Story of a Sound)
Arthur Taylor talks to MILES DAVIS (From Notes and Tones)
Gary Giddins on THELONIOUS MONK (From Visions of Jazz)
ESSAYS
"Empty Forest Blues" by Phil Schaap
"Letter From New Orleans: The Story of the Hot 8 Brass Band" by Richmond Eustis
"Costuming the Super Anti-Hero: Sun Ra & Moondog" by Jamie Hayes
"Keith Jarrett, Cross-Referencer" by Jonathan Rosenbaum
VISUAL RESPONSE
Art director and critic Steven Heller offers his impressions on the designs of classic jazz record sleeves
FILM
Seymour Cassel and Al Ruban on JOHN CASSAVETES + Edward Bland on
The Cry of Jazz + Essential jazz DVDs
LIMITED EDITION 7” SINGLE
Two rare recordings from 1965 by German saxophonist Peter Brötzmann
& MORE
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More solo piano literature... Federico Mompou. Perhaps ultimately more Satie-like than Debussy-esque. Then again, you might not paint landscapes in Catalonia the way you would in a landscape in Le Havre.
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I prefer the Noel Lee recordings on Nonesuch, but I do not know how readily available they are.
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Ornette and Prime Time were featured one night during the ill-fated 1980 season (I believe). I thought there was evidence of this on Youtube, but I cannot locate it at the moment.
Captain Beefheart was also a musical guest in 1980, IIRC.
The most memorable of these "I watched it live" performances? For me, Neil Young in 1989, doing a killer version of "No More" from FREEDOM.
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Larry -- thanks for the reply.
Get your slings and arrows ready... I happened to hear the Orion Quartet's recording on Wynton Marsalis' "At The Octoroon Balls" on local radio here (KCSN) yesterday. Definitely a pastiche, but a pretty enjoyable pastiche overall.
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Rochberg. And I used to own them all, or all that were recorded. What a feeling of enlightment/liberation when I realized they needed to be dumped.
Larry -- I'd be interested to know more about your experience with the Rochberg quartets. While I like the few of his early chamber works that I've encountered ("Serenata d'estate"), I'm sitting on the fence with respect to much of his other work.
Not essential, and not easy to track down, but I have a mid-50s Columbia recording that pairs Lukas Foss' String Quartet No.1 with William Bergsma's String Quartet No. 3. Both interesting examples of how American composers at mid-century were trying to work around the overwhelming influence exerted by serialism. Glorious mono to boot.
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Wasn't the session later issued as SUNG HEROES similarly self-produced?
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There's a recent-ish (well, its from 1987) Anderson solo recording available on the Mapleshade label:
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So, does the (pre-Concord) Fantasy JAZZ SOUNDS OF AFRICA CD 2-fer contain all of the material from THE MUSIC OF and SOUNDS OF AFRICA?
Track Listing:
1) Nights On Saturn
2) The Hustlers
3) Oud Blues
4) LA Ibkey
5) Don't Blame Me
6) Hannibal's Carnivals
7) Wakida Hena
8) African Bossa Nova
9) Nadusilima
10) Out Of Nowhere
11) Communication
12) Suffering
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Does one consider Old England / Old York (what was that about a house divided against itself?) to be West of the European mainland, or East of North America? If the former, does that mean that we great TIVO-less unwashed will have to stay up until past 1 AM just to see the end of the contest? If the latter, should I get ready to endure another network-sponsored blast of East Coast Media Bias?
Looks like a lose / lose proposition to me no matter which way you spin the electrons.
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I'm very partial to ESKIMO, THIRD REICH 'N ROLL and THE COMMERCIAL ALBUM. Alas, I think their best work -- the double-sided single that paired their version of The Beatles' "Flying" with a brilliant, pre-digital-sampling phantasy / satire of where those Liverpudlians went after SGT. PEPPER, "Beyond The Valley Of A Day In The Life" -- is not currently available on CD.
Santa Dog '07?
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I can hang with most announcers, even the Waltons and Crosses (Irv AND Randy) of the world, as I can always just snap on the radio and listen to my local guys (Brad Sham, Eric Nadel, etc.)
But what I cannot abide is the "guy / gal in the stands" beating administered by the likes of Ahmad Rashad, Jim Gray (human offal) and, the grandaddy of them all, from my pov, the absolutely execrable Pat O'Brien, the man who almost single-handedly ruined every NBA Finals viewing experience I had in late 80's / early 90's.
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Thanks Larry.
Fascinating to me how much effort seems to have been expended to keep this hoax going.
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Clem -- I've searched the tubes for info on the Alan Watkins scenario, but I can't seem to locate anything. Would you mind giving us a quick refresher?
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Just spun MANHATTAN TUESDAY, ummm, this past Tuesday. It is indeed very strong, and quite unlike any other Jandek recording I've heard. More shading and nuance here that I had expected; strong overtones of Miles' "He Loved Him Madly" in the pairing of Loren Connors' effects-laden guitar and The Representative's Korg synths. Typically bleak lyrics, nearly nihilistic, and yet the tone in which they are delivered is often oddly... gracious.
And, for North Texas residents...Jandek In Fort Worth (with Susan Alcorn, Ralph White, et al.)
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Sharpe is showcased on Freddie Redd's LONELY CITY (Uptown). Fine performances; slightly dated-sounding (mid-80s) production; still in-print.
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I've always liked this Paul Bacon design -- simple, sort of punning, and yet almost elegiac.
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A Reid Miles/Esmond Edwards classic cover...
Same building, yes?
Who do you think Joe's looking at? That lady, of course.
Maybe they should have called Joe's debut WANDERING EYE.
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A Reid Miles/Esmond Edwards classic cover...
Same building, yes?
William S. Burroughs
in Miscellaneous - Non-Political
Posted
Though I don't read him much (or at all) any more, WSB is, after Twain, probably the most important satirist America has ever produced.
http://vispo.com/cgi-bin/wonder/cutup/cutup.cgi