JSngry

They were all dressed as men. Even the men. They were riding the rail. But it didn't stop one of the girls from getting raped by Ward Bond...who was soon pushed to his death by the rest of the crew. I was not prepared for this movie. Strong stuff.

Anybody hear this? Is it an edit of a Strata-East cut, or is it a unique take? https://www.discogs.com/release/2362995-Babs-Gonzales-CBA-Ensemble-Music-Inc-And-The-CBA-Ensemble-Ali-Is-The-Champ-For-Me-Abscretions

If I wanted to, I couldn't afford it.

Takes a quick turn to darkness and never really turns back. Pre-Code, so... We Do Our Part indeed... https://pre-code.com/wild-boys-of-the-road-1933/

Wow...he played Quartet Out on the air in Australia. Wondering what had become of him... RIP and big thanks.

Those background vocals are credible!

And "Cut The Cake" went to #10. Their Soul Searchin'" album went platinum as well, and they made a not-bad album with Ben E. King They actually crossed over a bit to Black audiences as well, for a while. So...in the air there for a while.

Tickle Toe

It's a quick read, actually. Again, Bley tells more by saying less...

Season's greetings!

His autobiography...he wrote like he played...he says everything by keeping a lot unsaid. But there it is anyway

I don't know that he "floats over" the time as much as he does play in it at different spots than most people find. The only way to do that is to have complete awareness of the time internally. Same thing with totality. He can slip in and out of it at will. At will. His Steeplechase albums usually focus on standard repertoire and more traditional rhythm sections, so it might be easier to hear how that all plays out (no pun intended) there.

What is "vibe coding"?

Not to become totally disinterested.

Hopefully not another pipe.

Yeah!