Pim

The only jazz record my local store sold! Still has a special place in my heart

Very curious how everybody liked this one. I was so excited when I heard about the release but to be honest I am a little disappointed. It’s not bad but none of the musicians sound really inspired. It sounds like an ordinary jamsession and I miss interaction. Anyone else who feels the same way or am I just very wrong?

I am very careful with my vinyl. I’ve got Charles Tolliver’s Music Inc. Reissue on Pure Pleasure Records (Strata East). It’s one of my favorite records and with 30 euros a pop they aren’t really cheap. So there I was, taking the record very carefully of my player and in just a second... I dropped it, tried to catch in scratch it all across the wall. Now I won’t repeat the swearing words I used but boy did I hate myself that very moment.... still hoping for a miracle I took a good look at the record hoping it was ok but there were scratches all over unfortunately. there is no protection against human stupidity unfortunately

Yes there is: Voice of Africa Blues for a Hip King African Sun Tintinyana The Mountain All music taken from these LP’s: Mannenberg is Where It’s Happening Abdullah Ibrahim & Ekaya Black Lightning Natural Rythm African Herbs Bra From Kilimanjaro Peace Underground In Africa Blues for a Hip King Dollar Brand Plays Sphere Jazz Dollar Brand + 3 This is highly recommended music from one of his best era’s. A great look into the South African jazz scene of those days. Quite a lot of it is OOP and sometimes quite rare.

Excellent choice. I’ve got the whole series on Kaz. A good way to collect most of the fantastic ‘African recordings’ with Kippie, Robbie and other African talents.

Thanks!

You are the kindest!

Jeez I wish I had the budget to have blind picking as a hobby. Unfortunately for me it is a very serious consideration in what to buy and what to let go. A possibility to try the album first is very helpful to me. oh and Erwbol: just pass them to me 😜 just let me know when you throw them away and I will stand aside your trashbin 👍😉

Which is why I think Rooster's idea wasn't bad at all.

I can see Roosters point. As I stated before it is a common way to decide if you are going to buy a record or not. When you are able to listen to one whole song it says so much more than a sample of 30 seconds. It has convinced me a lot of times to buy a record when I was doubting first. After all: in a record store you sometimes try a few complete songs first too

Let me say this first: I fully understand you Chuck and you have every right to be mad about all these copyright violations and especially about the difficulty to get them removed (removing a fake account on Twitter is at least as difficult!) But there is one upside on this: to me these YouTube ‘videos’ are a great way to listen to samples. And they have influenced my decisions in what to buy a lot. In fact: quite a lot of them made me want to buy the real product. So in some way in some cases: it’s a way of advertising too

I will get this.

Nah that was 50 for the both incl shipping. Not bad eh?

OOP, very expansive used and there for very much wanted by people who do not yet own this music? Someone like me?

Hemphills Dogon AD will be released on the same label in november

That sound awesome!

Yes it is indeed that all star group with the Uptempo version of Round Midnight. The interaction within the group is just stunning. I also can’t believe this music hasn’t been issued more. Ordered my copies for about 50 dollars incl shipping from Japan. I like these two even better than The Loadstar as the sound quality is way better.

Stunning music....

Ouch that hurts!

Haha well these are Two very different Hannibal’s. Not sound wise but style wise. I am looking forward to hear about your feelings about the rest!

Glad you guys enjoyed the music!

Thanks felser it was a pleasure. Very nice to hear you found some new music to explore! And great these albums have another listener. 3.99? That is one hell of a steal! The median price on Discogs is around 30 euros! Enjoy!

Well here we go, the big BFT reveal! Pardon my English in advance please, I’ll do my best to make sense 1. Andrew Cyrille – South of The Border Serenade (My Friend Louis, DIW, 1991) With: Marvin ‘Hannibal’ Peterson (trumpet), Oliver Lake (alto sax), Steve Colson (piano), Reggie Workman (bass), Andrew Cyrille (drums) God I love this album, one of my very freebop favorites. Really dig the soulful but oh so loud playing by Hannibal here: the format seems to suit him very well. I also like his ‘70’s stuff but I am not a big fan of the vocal parts on those albums. In a quintet format he really ‘shines’ and the interaction with the rest of the band is lovely. What is there left to say? Rhythm section is tight as a motherfucker. Lake sounds inspired. The compositions are lovely: especially the Malcolm X tribute written by Hannibal. 2. Robert Ruff – Ruff’s Blues (Shaza-Ra, Baystate, 1978) With: Raqib Hassan, William Mathews (tenor sax), Mwalim Atif (piano), Robert Ruff (bass), Syd Smart (drums) A band fully unknown to me, and Robert Ruff was also till I found this record. Ruff is also the bassist in the Worlds Experience Orchestra. Most of the other musicians are only known for this one record. I found this one exploring the Baystate Spiritual series Japanese reissues. Typical ‘70’s spiritual freejazz stuff with a fine groove and a clear structure. Love it. Wish there was more to explore by Ruff but there is not unfortunately. I once opened a topic about him called ‘What about Robert Ruff’. Clifford_Thornton had some info about the guy. 3. Kora Jazz Trio – N’Dyabe (Kora Jazz Trio, Melodie, 2003) With: Djeli Moussa Diawara (kora), Abdoulaye Diabaté (bass), Moussa Cissoko (percussion) Three gifted musicians from Mali and Guinea: this is worldjazz crossover as I like it the most. It’s great to hear how well the West-African Kora blends with traditional jazz. The music swings, it grooves and most of all: it makes me very happy. This first album by them, is my very favorite. Far from cliché and quite original: this is music I love! Try to your feet tight while listening this. 4. Wardell Gray – The Man I Love (One for Prez, Black Lion, 1988) With: Wardell Gray (tenor saxophone), Dodo Marmarosa (piano), Red Callender (bass), Chuck Thompson (drums) Not a lot of jazz from before the 1950’s in my BFT: not because I don’t like it because most of my collection is jazz from between 1945 and 1970. But I ain’t no expert and I couldn’t really find a lot of records that were hard to guess as I am sure other users know this period way better than me. So I tried to find someone less known than the usual suspects. Good old Wardell, I love his style. In fact he is one of my favorites from the ‘40s on tenor. I like his swinging bop. To me this whole recording is made out of underestimated musicians: Dodo Marmarosa never got the credit he deserved and Red Callender is one of the finest accompanists on bass I know. This interpretation of this jazz classic is wonderful. Never get enough of Gray. 5. The Thing – Drop The Gun! (Bag It!, Smalltown Superjazz, 2009) With: Mats Gustafsson (baritone saxophone), Ingebrigt Haker Flaten (bass), Paal Nilssen-Love (drums) To be honest: I am not a noise fan, nor a fan of crossovers with rock music. But there are exceptions. The Thing is one of those exceptions. I like the concept, love the energy. It is the kind of music I listen to in the gym. I like Gustafsson here more than in other projects. Nice, different and complicated stuff. 6. Mal Waldron – The Call (The Call, JAPO, 1971) With: Mal Waldron (electric piano), Jimmy Jackson (organ), Eberhard Weber (bass), Fred Braceful (drums) Waldron is the only artist, with Coltrane, that I am obsessed about to have his complete discography. Not a day passes without listening at least one song by him. But Waldron also is very easy to identify so I had to make it a bit harder to guess. Then there is this: a real psychedelic fusion album by Mal Waldron, so much different from his usual stuff, and still so good. Waldron plays electric piano and although he still sounds like himself, the music is really something else. It’s freaky stuff but not to freaky and still got that typical Mal Waldron groove. Unique music but most of all: very underrated stuff. Fred Braceful is killing on this album. 7. Hamid Drake & Joe McPhee – Emancipation Proclemation (Emancipation Proclemation, Okka, 2000) I have loved sax/drums duo’s from the very first time I heard Coltrane’s Interstellar Space. To me, in freejazz there aint no other drummer anymore like Hamid Drake. Happy to have seen him live a couple of times and every time he just stuns me with his mindblowing technique and energy. McPhee is one of my favorite horn blowers in the current freejazz scéne. His the kind of player that goes far but never too far out. 8. J.F. Jenny Clark – Ozone (Unison, CMP, 1987) With: J.F. Jenny Clark (solo bass on this track), Walter Quintes (electronics also on this track), Joachim Kuhn (piano on other tracks), Christof Lauer (tenor saxophone on other tracks) I know Clark mainly from his works with Steve Lacy. One of the finest bassists in Europe. The music on the whole album goes from freejazz to near classical music, the avant-garde into ambient kind of stuff. Interesting music that keeps your attention the whole duration of the album. Kuhn is in ridiculously good form on some of the tracks. But it is also the sound quality that is truly stunning. I use this track Ozone always to test speakers. The heavy bass sounds almost make your glasses break ☺ 9. Hannibal & The Sunrise Orchestra – The Light (The Light, Baystate, 1978) With: Hannibal Marvin Peterson (trumpet, koto and bells), Frank Wright (bass clarinet), Michael Cochrane (piano), Diedre Murray (cello), Cecil McBee (bass), David Lee (drums, percussion) Marcella Allen (vocals) Another one from the vaults of Baystate. Spiritual freebop from the ‘70’s… it is one of my favorite genres within jazz. And Hannibal was a leader in that field of course. On this track specifically he is accompanied by the great Frank Wright. I love this kind of music, don’t have really much to say about it. Only very big downside: I hate the vocals on these kind of records. God they are afwul. Mrs. Allen: I am sorry to say but you just can’t sing. Fortunately: the music itself makes up for it ! 10. Hal Galper – Stelly By Starlight (Art-Work, Origin, 2009) With: Hal Galper (piano), Reggie Workman (bass), Rashied Ali (drums) I have chosen this one because it’s quite unknown. Nothing very special but a nice trio outing by a very nice band. Love the interaction between Workman and Ali but Galper does not make a very lasting impression on me on this record. 11. Erkan Ogur – Mor Daglar (Bir Ömurlük Misafir, Kalan, 2000) With: Erkan Ogur (guitar, vocals), Francis (keyboards), Melik Yermibir (bass), Arto Tuncboyaciyan (percussion) Almost classical Turkish music… Ogur’s music goes right trough your soul. I have always been fond Middle-Eastern: the modal elements from these styles were a big influence on lots of jazz I like. Jazz is also a prominent element in Ogur’s music. The music is floating, softly meandering. It’s the kind of music you put on when youre in a bus deep in the Turkish mountains. That is what I did at least. And then just dream away. 12. Elina Duni Quartet - Kur Të Kujtosh (Matane Malit, ECM, 2012) With: Elina Duni (vocals), Colin Vallon (piano), Patrice Moret (bass), Norbert Pfammatter (drums) I am not necessarily an ECM freak but there is certainly nice stuff to pick up. This Albanese-Swiss singer has got a beautiful voice and so is the music: beautiful. The Albanese language mixes perfectly with the soft touches of Vallon’s piano. Dreamy music with lots of depth. Music for a perfect start up Sunday morning. But certainly not boring. ECM at it’s best. 13. Billy Harper – Soran Bushi B.H. (Soran Bushi B.T., Denon, 1978) With: Billy Harper (tenor saxophone), Everett Hollins (trumpet), Harold Mabern (piano), Greg Maker (bass), Billy Hart, Horacee Arnold (drums) Speaking of musicians that didn’t got the credits they deserved: hello mr. Harper! His loud, passionate roaring tenor is one of my very favorite sounds in jazz. He always find the perfect balance between the free and the structured, the out and the in. He gives me the same feeling as Coltrane: like your in his horn, feel every step he takes. I do like the solo track on this album by the way. Very unfortunate that such a lot of stuff is long OOP. I’ll buy me some more overpriced second hand vinyl because Harper almost never disappoints me. 14. Atomic – Boom Boom (The Bikini Tapes, Jazzland, 2005) With: Magnus Broo (trumpet), Fredrik Ljunkvist (tenor saxophone), Havard Wilk (piano), Ingebrigt Haker Flaten (bass), Paal Nilssen-Love (drums) I think it’s strange that the European freejazz scene remains much unspoken on this forum. At least the younger generations. A shame I think because there is quite a lot of talent to be found. Atomic is one of those groups, Hera is another. This particular 3cd received a crown in the Penguin Guide and I can fully understand why. The music is playful, inventive, creative and moving within and outside the lines of contemporary jazz. I feel the spirit of Ornette and Steve Lacy in this music. These guys are talented and you can hear it al trough the music. I never had any connection with the older scene like Evan Parker, Barry Guy, Fred van Hove or Derek Bailey. Those are the guys that are to abstract for me, like someone mentioned here before: Anthony Braxton for example. I see what theyre doing, appreciate their contributions to the music but I just don’t feel it. Atomic is not abstract to me, it is feeling. This 3cd set is highly recommended! So is the music by the Polish formation Hera by the way. I really enjoyed to contribute to this topic. A pity not a lot attended as it is quite a bit of work, for me but also for Tom Keith of course. I hope those attended enjoyed the music ☺ Next time I will choose short songs haha!

The reveal will be tomorrow