king ubu

Alright, I have my disc in front of me, now (the Iturralde/Hawes, taht is), and it remains misterious: the Blue Note logo, as you can see on the jpg above, is clearly there, on the spine it says BN, too, the CD has the usual BN design (black/silver, in this case)... but: nowhere is any connection to Blue Note or EMI noted. Here's the info from the CD (same in booklet, on traycard, and on CD itself): No idea if Hispavox is part of EMI or what's the deal here. Very same blurb on the Blue Note edition of "Jazz Flamenco Vols. 1 & 2" (what a marvellous disc that on!), btw. ubu

Thanks ← Jason, drop me a PM if you need help with the other cuts...

Larry Bunker: drums, vibes, accordion, percussion

This one may have been forgotten so far since everybody replaced it with the RVG (that had the other colour scheme used as front cover): (Btw: am I the only one with non-functioning buttons??? No links, images, bold type etc. works, can only do it by entering the codes by hand!)

This one? If so, could you put that and the Gator "Bar Wars" aside? I'll drop you an email tomorrow!

I have heard a live programme of this group - fine stuff! In the hard-blowing and driving style of the "Full Metal" band, only, of course, with different musicians. And let me add: Marguet is a great drummer!

Can't tell you for sure, up for couw!!! (I included the Favre cut on my BFT, btw!) EDIT: here's the tracklist from the Intakt site: CD 1 01 Eddie Brunner and His Original Teddies 02 Elsie und Siro Bianchi-Brunner 03 Hans Kennel Quintet 04 Dollar Brand. African Piano 05 Alex Rohr Quartet 06 Charly Antolini 07 Jazz Rock Experience J.R.E. 08 Metronome Quintet 09 Benny Bailey und Jazz Live Trio 10 DRS-Big Band 11 Remo Rau Memorial Quintet 12 Buddhas Gamblers 13 Robi Weber Quartet (Total Time 75¹17) CD 2 01 Irène Schweizer-Louis Moholo 02 Pierre Favre 03 Harald Haerter 04 Karl ein Karl 05 Nathanael Su - Fredi Lüscher 06 Lucas Niggli Zoom Ensemble 07 Saadet Türköz 08 Chris Wiesendanger Quartet 09 Christoph Gallio 10 Urs Voerkel 11 Noisy Minority 12 Priska Walss - Gabriela Friedli 13 Marianne Racine Quartet 14 Markus Eichenberger - Ivano Torre 15 Peggy Chew - Adrian Frey 16 Co Streiff Sextet 17 Stephan Wittwer 18 Luigi Archetti - Jan Schlegel 19 Nik Bärtsch¹s Mobile Aer (Total Time 77¹25) ********** no Schweizer there, just Schweizer/Moholo - so the question is if the Favre and Rohr cuts are the same as on the Jazz in Switzerland box - my guess is yes, but I can't tell for sure, but Mr. couw may help you!

Hey, David, drop a hint on #5! No one has gotten close to identifying that one so far!

These are two Lacys to add to my list, it seems! I have Watson's "Full Metal Quartet" (on Owl, too), with Bennie Wallace, and I love that one! ← And Ed Thigpen, isn't it? I have that one too ... ← YEAH to Thigpen! He's the best! Seriously: I was astonished to find him in this company - at the time I picked that CD up I only knew Thigpen from OP and a late Teddy Wilson date... would have never imagined him to do this kind of stuff! But he definitely is a terrific drummer, capable of fitting in with almost any situation.

These are two Lacys to add to my list, it seems! I have Watson's "Full Metal Quartet" (on Owl, too), with Bennie Wallace, and I love that one!

Jim, I listened to "Salt Peanuts" again, and then the chatter (hilarious indeed!) and then "Hot House" - definitely Max on Peanuts, definitely Sid on Hot House. Max is da shit on Peanuts, wow! I guess I was still sleepy on the way to work this morning, otherwise I would have never even considered it the slightest possibility that Sid was on Peanuts! Hey everybody, just wanted to tell you (rats included): this disc, in my terminology, rates definitely as da shit!

Ok, already one track that I have and did not recognize - #7. Will have to spin that disc again soon, I rememeber it as being really good, but it has been a long time since I gave it a listen. John: spontaneous idea: Claudio Puntin playing the licorice stick anywhere?

I rather thought about this kind of limbus

what if ubu refuses (or forgets)? then the thread will be in limbo, forever?

Hey, in exchange for a night's stay at the Hotel des Balances in Lucerne plus a fish dinner at the Rotes Gatter, I'd give you 20 Jimmy Smith boxes plus every Jimmy Smith JRVG & TOCJ in existence.....believe it!!!! ← You rather ask your bushims to come up for that, please! No way a poor student could come up for that... also, Lucerne is too tiny and too much of a dollhouse for my likings...

Weizen, you may be right, but I remember the days when I missed out on a few sets because by the time I got the catalogue and mailed in my order they were gone... times before I had *any* internet connection available - that's not so very long ago, prob. ten years... and that sucked big time! Feel free to send me your Jimmy Smith set, any day!

And if you want to know how to listen to a catalogue (seems you never did this before, so I explain): put a catalogue on a table, open it randomly. Make sure there is some draught, then just sit in the room, most quietly, and listen to the wind changing pages of tha catalogue. You will, after doing this for some time, easily be able to distinguish an old Mosaic catalogue from a more recent one, or from a Fantasy catalogue, or from a Trueblue catalogue... You will, from a totally different angle, be able to appreciate the quality and thickness of paper, the size of the catalogue, the weight etc. A whole new aera of experience will open up, you shall see! ← Yo, funny man! I just wanted to add to my explanation that, depending on how strong the wind blows, you can hear several different tunes coming from just one catalogue. Also you can freely combine catalogues, of course, which allows endless creative creationism (as opposed to evolution, that is) Now it's time for to go back into my cage...

Blute Note / EMI it is, for sure, but I'll have to look up from what country it came from - I strongly think from Spain, though!

I see! Well, time to build up even more suspense! It's well worth a wait, I tell you!

That post *so* just bumps back at you, you know You're talking to a wall, thus all your arguments will fall back on your own head, you lunatic! And if you want to know how to listen to a catalogue (seems you never did this before, so I explain): put a catalogue on a table, open it randomly. Make sure there is some draught, then just sit in the room, most quietly, and listen to the wind changing pages of tha catalogue. You will, after doing this for some time, easily be able to distinguish an old Mosaic catalogue from a more recent one, or from a Fantasy catalogue, or from a Trueblue catalogue... You will, from a totally different angle, be able to appreciate the quality and thickness of paper, the size of the catalogue, the weight etc. A whole new aera of experience will open up, you shall see!

You can hear him talking, too, before "Hot House" - he asks Dizzy what the name of that Tadd Dameron tune was that they recorded... cool stuff! And you see, Switzerland is less far away than Texas

I think it's Max on "Salt Peanuts". My guess is Sid came out for "Hot House" & got such a big hand that he stayed on to finsih the set w/the brief "52nd Street Theme". The crowd wouldn't let him go, he needed to go, the set was probably about over anyway, so somebody probably said, "Just finish up, it's just a few more minutes", and he agreed. That still gives him two tunes as per the tray card, just not the two it says. ← Thanks for weighing in! Sid (Big Sid, that is) would have been a bad mo-fo to pull all the stuff on "Peanuts" - but then "Hot House" is proof enough that he *was* a bad mo-fo... From what Symphony Sid says, though, I rather think Sid was gone before 52nd Street Theme was played - but we'll probably never know...

such as: Lunch for Sale Lunch Letters My One And Only Lunch Beautiful Lunch All You Need Is Lunch but what to make of: I Lunch You I Lunch America Lunch Me Or Leave Me I Lunch L.A. and My Fair Chipette