king ubu

Difficult question I think ... maybe a simple "yes" would be good enough, but there's a "but", too, which is linked to what's looked at or has grown to be looked at as the "canon", and obviously these fairly recent discoveries are obvsiouly not canonical in that respect. If you want to check out Lester Young (you really should if you haven't done so!) the two Mosaic sets plus the Decca Basie set would be essential listening (or at least parts of them), there are other essential recordings as well that may be more difficult to locate (the amazing Famous Door broadcast that Sony packaged into their 2004 100th anniversary set that would also make a very good introduction to Basie and to some extent to Young as well, though if you want to really dig into Young, you need more than you get there). I guess it's similar for most of the musicians featured in there, i.e. Coleman Hawkins ... there's a terrific new version of "Body and Soul" that probably would be canonical if it had been out for a few decades, in an era where people still cared ... somehow speaking of this "canon" crap at this point in time hardly adds up to much as I guess there aren't many people around anymore that would really care. But what I'm sure, from knowing Vols. 1-3 as Downloads is: it's excellent Music in good sound, and it will bring many hours of pleasure to me! The PDFs coming with the DL's, btw, are worthy of Mosaic, too, so that part of the work is already done I guess, and the music should be ready, too - so let's hope February is indeed when it's happening, and not when the usual series of delays Begins ...) For more on the "discovery" and the background of the collection, you could read this article here, for instance: http://www.nytimes.com/2010/08/17/arts/music/17jazz.html

But the DLs, I suppose, are included entirely? No time yet to compare, and was just about to buy Vol. 4 ... Either way, this is terrific news!

BACK TO THE SWING ERA, LIVE & IN INCREDIBLE PERIOD SOUND. The National Jazz Museum in Harleminvites you into the golden age of jazz with live, inspired, and previously unissued recordings by Bobby Hackett, Glenn Miller, Teddy Wilson, Joe Marsala, and more, all in superior fidelity. As WBGO's Nate Chinen writes, "The time-release astonishment machine that is The Savory Collection, has released another batch of incredible music from the 1930s." Available for pre-order December 8, exclusively on Apple Music andiTunes. Officially released on December 15. ABOUT “To be able to share never-before-heard music created by great American artists such as Teddy Wilson and Bobby Hackett is such a thrill,” says Loren Schoenberg, producer and Founding Director of the National Jazz Museum. “Just like an old wine, they improve with age! So much of the music of the Era was played in the musical equivalent of capital letters. These performances are such a joy to hear from bands that played with the lower-case letters too, so relaxed and flowing.” As the title emphasizes, the outstanding cornetist Bobby Hackett is prominently featured – on three tracks with his own ensembles and four as a participant in joyous jams led by the fine clarinetist Joe Marsala. Admired by trumpet giants from Louis Armstrong to Miles Davis, Bobby was already leading his own ensembles by the time of the recordings that open this album after gaining notoriety through his performance with Benny Goodman in his legendary 1938 Carnegie Hall concert. Here he joins Marsala for a quartet of rollicking, extended pieces filled with dynamic ensemble work and inspired solos on California, Here I Come and The Sheik of Araby, as well as blues classics Jazz Me Blues and When Did You Leave Heaven. A Hackett ensemble’s participation on a 1938 Paul Whiteman radio broadcast bring us the beautiful Gershwin ballad Embraceable You and a stomping take on Kid Ory’s Muskrat Ramble, with Bobby joined by the brilliant Pee Wee Russell on clarinet and legendary guitarist Eddie Condon. A major find are three extremely rare recordings by the immortal pianist Teddy Wilson’s 13-piece orchestra, virtually unrecorded in live performances. Recently discovered and to this point the only excellent high audio quality (superb, at that) recordings of this group, these 1939 items feature such masters as tenorman Ben Webster and trumpeters Doc Cheatham and Shorty Baker. With Wilson’s majestic virtuosity front and center, the band is structured for smooth transitions and elegant voicings, employing the rare – for its time – two trumpet/two trombone brass section creating a uniquely singing dynamic that is as graceful as its leader’s singular artistry and presence. Martin Block, famed for hosting terrific jam sessions (including those Joe Marsala excursions) also hosted the two loosely structured, but highly energetic 1939 jams here, led by the spectacular trombone titan Jack Teagarden and featuring Charlie Shavers on trumpet and the drummer and wildman scat-singer Leo Watson. Johnny Mercer also makes an unusual appearance alongside Teagarden and Watson for a highly spirited vocal trio on Jeepers Creepers. This delightful album closes with three pieces by one of the most popular of the Swing-era big bands, the Glenn Miller Orchestra – all featuring the leader’s right-hand man, Tex Beneke on tenor sax and vocals. The exuberant sense of swing and joy that made the Miller orchestra so wildly popular is fully apparent throughout. PERSONNEL JOE MARSALA JAM December 7, 1938 Bobby Hackett (cnt), Joe Marsala (cl), Ernie Caceres (bar), Joe Bushkin (p), Carmen Mastren (g), Sam Shoobe (b), George Wettling (d) 1. California, Here I Come 2. Jazz Me Blues 3. When Did You Leave Heaven 4. The Sheik of Araby August 17, 1938 Bobby Hackett (cnt), Brad Gowans (vtb), Pee Wee Russell (cl), Dave Bowman (p), Eddie Condon (g), Clyde Newcombe (b), Andy Picard (d) 5. Embraceable You 6. Muskrat Ramble Bobby Hackett June 23, 1940 Bobby Hackett (cnt), Henry Levine (tp), Jack Epstein (tb), Alfie Evans (cl,as), Rudolph Adler (ts), Mario Janarro (p), Tony Colucci (g), Harry Patent (b), Nat Levine (d) 7. Body and Soul Teddy Wilson December 9, 1939 Karl George, Harold “Shorty” Baker, Doc Cheatham (tp), Floyd Brady, Jake Wiley (tb), Pete Clarke (cl,as,bar) Rudy Powell (cl,as), Ben Webster, George Irish (cl, ts), Teddy Wilson (p,arr) Al Casey (g), Al Hall (b), J.C. Heard (d) 8. Cocoanut Groove 9. Sweet Lorraine 10. Jitterbug Jump Jack Teagarden JAM January 11, 1939 Charlie Shavers (tp), Jack Teagarden (tb), Kenneth Hollon (ts) on Honey- suckle Rose only, Bill Miller (p), Teddy Bunn (g), Johnny Williams (b), Leo Watson (vo, d), Johnny Mercer (vo) 11. Jeepers Creepers 12. Honeysuckle Rose GLENN MILLER July 7, 1938 Johnny Austin, Bob Price, Louis Mucci (tp), Glenn Miller, Brad Jenny, Al Mastren (tb), Hal McIntyre, Wilbur Schwartz (cl,as), Bill Stegmeyer (cl,as), Stanley Aronson (ts,cl), Tex Beneke (ts,vo), Chummy MacGregor (p), Rollie Bundock (b), Bob Spangler (d) 13. By The Waters of the Minnetonka February 3, 1940 Leigh Knowles, Clyde Hurley, Dale “Mickey” McMickle, John Best (tp), Glenn Miller (tb,arr), Paul Tanner, Jimmy Priddy, Frank D’Annolfo (tb), Hal McIntyre, Wilbur Schwartz (cl,as), Jimmy Abato (as, cl), Tex Beneke (ts,vo), Al Klink (ts), Chummy MacGregor (p), Dick Fisher (g), Rollie Bundock (b), Maurice Purtill (d) 14. Tuxedo Junction 15. In The Mood -- From the above link. Sounds great! But pre-order on downloads? Gets somewhat ridiculous ...

Yes, that's the one! Was pretty good, but Woods was really hard to take. What a ... what's the word, there's no good one in english for "selbstgerecht" - self-righteous, holier-than-thou ... And Gibbs is another hilarious storyteller (don't know his autobiography, must be a hoot!), so I guess the same - minor - doubts about all details being told as they happened apply. But in general, I'm sure it's mostly very true.

On the other hand, Mr. Woods was so full of himself, how would there even be room for any accurate memories? The interview snippet I saw (in some tv documentary on that tour or more generally on US propaganda by musicians in the USSR, can't quite remember) was one of the worst I've ever seen ... full of it is putting it very mildly. But musically, this is excellet stuff indeed! And Bill Crow's story about it is a hilarious read - se non è vero ...

Absolutely ... but the Paris, Stockholm (and Zurich and Amsterdam) concerts are out in what I think are official editions. Also Düsseldorf (the one sans Miles, fake live). Scheveningen (much better than A'dam) and some other sets only on bootlegs would have been more inspired choices, at least than Stockholm (Paris is so hot, I see why it *has* to be included)

Yup ... now if anyone has it

Yeah .... will buy, too - if only just for Copenhagen. Still think they should have gone for the *other* half of the tour that has not yet been (semi-)officially documented. Lamest in the series, but then the Lost Quintet set was already somewhat flawed.

It's indeed excellent ... three spins in, it has started to really grow on me. You do have to pay attention, it's intense and at least myself, I can't make too much sense of what Elaine Mitchener does when I'm just having this on in the background ... the Jeanne Lee reference does make sense in lots of ways, I think, although the singing voice is quite different at least to my ears. With the upcoming Taktlos gig in Zurich, I hope you'll get to do more Intakt projects eventually, Alex! Way to go! -- Btw, can't make Brescia, I know that much now ... not sure about Stuttgart yet, but a duo with Surman and free improv could work wonders, I think (saw Surman in trio with Helias and Favre doing free improv, actually right across the road from my new working place - and that was terrific! I think it was Favre who was asked to invite whoever he wished and that was the bill) ... with Sons of Kemet on the bill and Lee Konitz the next night, it would be interesting, but I have a hunch I'll just make it in Zurich this time. Looking forward a lot to that, too!

International shipping is available, too - but quite costly (for Canada, there's yet another link): http://www.thadmelvjobook.com/most-other-countries http://www.thadmelvjobook.com/canada

Ordered one, too - thanks @grooveyard!

Back in Zurich by now ... starting a new job tomorrow ... I know most of Antonioni's films, have some gaps in the early ones. Anyway, maybe my favourite director if I had to pick just one. So yeah, fits well

They played a concert at Jazzfest Berlin 2016 ... Off topic, sorry.

Nice reading - keep it comin'! @chewy-chew-chew-bean-benitez which Brian are you talking of the one from "Life of ..."?

That. And Tyrone Washington ferchrissakes!

Okay, great! After reading the review above I kinda lowered my expectations, but seems that was unnecessary then - all the better! And yes, it's cheap. 7€ in the store I think. No wonder majors don't do jaz reissues any more when they're practicality giving them away from day one (Miles' "Bitches Brew Live" was another sich case, Sony as well).

Monk's first and arguably finest solo record has been reissued recently with some intriguing (but probably not very good) bonus tracks from the concerts he was brought over for (the album was a by-product only I assume). His French accompanists (Jean-Marie Ingrand on bass and Jean-Louis Viale on drums, the later replaced prob. by Gérard "Dave" Pochonet on the last incomplete track) had a hard time it seems to figure out what was happening ... Have bought the CD in Milan on Sunday (was there to hear the new Sciarrino opera at La Scala) and will only be able to listen once back home (Wednesday evening earliest, still in Ferrara now, the most beautiful city on the planet ) Found this review though: http://www.londonjazznews.com/2017/09/cd-review-thelonious-monk-centennial.html?m=1

Not sure I care in this case ... hardly any of Solal's records made/owned by the majors have been in circulation ... where's all the brilliant stuff from the sixties and early seventies (three RCA albums are notable exceptions of course: At Newport, En Solo, Sans tambour ni trompette)? All those with access to MPS (until revently for two decades Universal) ignored Solal (see the brilliant bunch of albums above ... "Suite for Trio" and the one with Hans Koller and Attila Zoller were on CD, other than that they reissued bland silly fusion by Germans but none of those great Solal albums!) Probably none of those were involved in the productions in question, but with the current state of record business, Fresh Sound has advanced to be one of the best, no matter some shady aspects.

Thanks Jim - on vacation till Wednesday. Let me check after my return (btw. my order did include another disc, just in case). Not sure I was initially entitled to get the bonus material from the option I'd chosen, but as I'm a CD listener putting in a new order was fine either way!

Somewhat annoying news, me having shelved out too much for that overpriced Japanese disc ...

Oh, cool! Got the mail and wondered why they announced the large ensemble companion disc to the recent box once again ... now I understand

Okay, will try at home on my computer then. The app on the pad is just called "Music" (more of that disguise nonsense - though Samsung does that generic naming too) - it however allowed me to locally save the files (but not to put them into my dropbox or anything). What a nuisance it is, dealing with apple - doing it exclusively for the Savory compilations. At least the music makes up for the pain!

The Solal/Liebman is nice, if somwhat understated. But this here looks mighty good: ---- Martial Solal SOLO PIANO: UNRELEASED 1966 LOS ANGELES SESSION · VOLUME 1 Fresh Sound Records In June 1966, invited by the shrewd American producer and author Ross Russell, Martial Solal traveled to Los Angeles to record these forgotten and unreleased solo piano sessions. Russell, who had launched the legendary label Dial Records back in 1946 to record Charlie Parker, had spent several years away from the jazz scene after shutting Dial down in 1949. When he decided to return to the jazz record business, he organized a series of recordings at Glendale’s Whitney Studio, which had a wonderful Steinway. Unfortunately, Russell’s new project didn’t come to fruition, and so Solal’s recordings never saw the light.Now we can finally hear them in two CD volumes. They show Martial Solal at his best, his incontestable talent, dazzling virtuosity and invention, but also his good taste and sense of humor in the execution. The originality of his conception, paired with his elegant control and technique, put him on a par with the great American pianists.Tracklisting:01. Groovin' High (Dizzy Gillespie) 4:0202. Scrapple from the Apple (Charlie Parker) 5:5403. I Can't Get Started (Duke-Gershwin) 3:4404. Night in Tunisia (Dizzy Gillespie) 8:5305. Ornithology (Charlie Parker) 5:4306. Yardbird Suite (Charlie Parker) 4:3107. Embraceable You (G. & I. Gershwin) 4:1708. Now's the Time (Charlie Parker) 4:3609. Lover Man (Davis-Ramirez-Sherman) 6:1010. Blue Monk (Thelonious Monk) 4:3811. Billie's Bounce (Charlie Parker) 5:0112. 'Round Midnight (Thelonious Monk) 5:2813. Un Poco Loco (Bud Powell) 3:20Martial Solal, Solo PianoRecorded at Whitney Studios, Glendale, California, June 18, 19 (#10 & 13) & 21 (#3,9 & 12), 1966Original recordings produced by Ross RussellProduced for CD release by Jordi PujolStereo · 24-Bit Digitally Remastered

That´s the problem: it was there when I bought the album, but is not listed in Apple Music (the pre-installed music player ... do I need to install another, although it is all Apple, just to read the pdf?)

Finally remembered to buy this (have my unuses ipad with me on vacation ...). Listening now ... needless to say it´s great fun! But where the fegh can I read te booklet on this silly secty locked mystery device?