[tongue-in-cheek mode]But with the Fresh Sound reissues we exactly DON'T KNOW how these albums DID SOUND back in their day![/tongue-in-cheek mode]
Seriously: Fresh Sound did a few hundred reissues - fine. If you don't count the Prestige, Riverside, Pacific Jazz, Verve, Mode and other reissues that were also reissued in recent years by the proper owners of the recordings, there's still plenty left, I assume. That's fair enough to point out.
"Frankly, I can't think of a single jazz musician who has ever complained to me about their earlier works being re-issued by Fresh Sound. Most have told me they're happy that the label has kept their names and music alive when American record labels have failed to do so."
Fair enough, of course... that is, if they've given up all hopes of earning a penny with their old recordings (and I guess most have given up, due to criminal practices being just as wide-spread among majors and non-thief-labels in the US and everywhere).
Oh, and believe me, when I'm making some snide or sarcastic remarks on such topics, it's never about exclusivity... I don't own more than three or four semi-rare LPs, I assume, and I couldn't care less.
And I would - of course! - fully endorse the majors doing regular reissues, keeping their back-lists alive etc. etc.
You might know that many times I've voiced my disdain of reissues such as the "Verve Originals" (taking a step back from previous reissues by omitting bonus tracks etc.). I'm no friend of the majors, I buy my music where I can find it (often used or on some marketplace sites) and I'm not feeling the least holier-than-thou.