king ubu

Not following this thread regularly these days ... but so glad to hear you enjoy Weissenberg! My entrance point was the EMI Icon box (which bears the utterly stoopid subtitle "The Champagne Pianist"), which is full of good stuff. I can very much relate to how you describe the Scarlatti, and I found it unexpectedly good (I was on the fence about buying this DG set for a long while, but I've been glad to have it for quite a while now! Of the three easy-to-obtain sets, I think I still prefer the ICON over the others (RCA and DG), but they're all worthwhile for sure. Speaking of Scarlatti, do you happen to have the big Aldo Ciccolini box @Alexander Hawkins? Not much Scarlatti in there, but the few sonatas I enjoyed a lot. Same in fact for Marcelle Meyer, who is a great champion of French repertoire, but some of the other stuff in the box containing her recordings (EMI, 17 discs - by now there's a rip-off on Documents/Membran) was surprisingly good I found - Scarlatti, and also some of the (limited) German repertoire (there's some Mozart I think, haven't played any from that box for quite a while).

René Thomas: http://thomasia.free.fr/discography.php Swedish Jazz Disography: http://old.visarkiv.se/jazzdisk_en.htm jazzdocumentation.ch has a few other items of interest, in addition to the Milt Buckner discography: http://jazzdocumentation.ch/index.html

Dick Hafer is on the Impulse! albums by Mingus - and makes good use of his spots to shine! Agreed on the Braff - nice one.

Skipped the EP twofer disc for custom/taxes/fees reasons only ... but looking forward to checking out your music! To me, it still makes a huge difference if I'm listening a cut or two on youtube or bandcamp to listening an album on the (very modest) home set.

It better be

Ordered the new 2-CD-set by now ... curious to hear it. The combination of all (so far) 16 takes plus the 10 with reverb was standard around here (= yurp) ... the 1988 or 1989 edition was around in shops for almost as long as they existed (the Jazz in Paris edition was around for a short time, and later on also the Originals edition - both only have the reverb tracks/master takes I think).

ordering ... and throwing in a couple of earlier physical releases - wanted to check out your music for a long time, if only based on the often thought-provoking posts of yours!

that was me

Interesting, thanks for chiming in with some details @Chuck Nessa!

It's off topic here, but Wiki doesn't have a very clear entry, alas: Although the Apollo records catalog has seen few releases in the digital era, several doo-wop compilations have been released through Relic Records since the 1980s. Some of Apollo's jazz has appeared on Delmark Records. Bess Berman died in 1997. Cash Box said in 1954 that Berman "was the only woman ever to break through with outstanding success in the male-dominated recording industry."[11] Apollo Records and its affiliated publishing company, Bess Music, was purchased by George Hocutt on May 4, 1989. Shortly after that purchase in January 1990, Hocutt sold fifty percent of his interest to Couch and Madison Partners of the Malaco Music Group located in Jackson, Mississippi. https://en.wikipedia.org/wiki/Apollo_Records_(1944

Hm, for me, it usually takes a week or more. Always registered (though when a parcel was lost last winter, oddly enough they told me they cannot track), and always sent via Dutch post (delivery by Swiss post, tracking, from Barcelona on, via Dutch post). Weird things to happen, but I reckon we get what little we're willing to pay for. (But I'm still and hope to remain, a happy customer of jazzmessengers, I just fail to understand all of this ... and I miss local stores to browse through stuff.)

My understanding is that the situation got more and more difficult ... Mosaic did a few "mixed" sets in earlier (the Illinois Jacquet comes to mind, the final CD there is from RCA, now Sony/BMG/whatever, the rest included material from EMI/Capitol (Aladdin), Savoy and others (no idea where ARA belongs ... and not sure of the Apollo/Delmark connection - does Delmark own the Apollo catalogue? License? Own parts of it?) Also maybe the fact that it was a "record club" issue did help in making things easier? Those seemed to disappear quickly as the 90s came along, similar siutation with books, I think, but there the demise is running at a slower speed it seems?

Oh, and I see your avatar is the other recent solo album ... based on the strenght of the old "Piano" and the new one on Hat, I'll have to order that one, sooner or later!

Got the new solo album Starcross Bridge (hatOLOGY) a few days ago and have given in several (some partial) spins by now ... introspective music, most beautiful indeed! Official release seems to be mid August (amazon.de and co.uk say 17th, amazon.fr says 24th - the later may be relevant as Outhere is distributing Hat by now ... which is why I have it already - buying plenty of stuff right from the local distributor of Outhere, mostly classical, but their carrying Hat is most welcome of course!)

Yup, possibly ... and I guess true for many, but not for yours truly Got Vol. 15 and it's a proper CD. Still waiting for some lower volumes that I expect to be all CD-R: Vol. 3-4, 7-9, 11 - I've got Vol. 5 for real, I think thanks to @brownie, and already got that darn CD-R of Vol. 6, Vols. 12-18 are all here, hopefully none of the later ones will be CD-R ... of those I'm missing Vols. 19, 20, 23-25. So far the line runs somewhere between Vol. 6 and Vol. 15, Vol. 11 is the one I'm curious about. -- Other thing: where has the used CD online market gone? (Most likely answer: Amazon killed it with their exalted fees and stopid "service" and shipping restrictions and all that ...)

None left that I'd frequent at this place ... I love to browse, but that's restricted to vacation and - locally as well - book stores.

He he ... I might go for it again sooner or later, guess it'll be around for a while (the CD version at least).

I stopped buying "new" CDs of older releases from such vendors alltogether, because of that (stuff like OJCCDs - will be CDRs most likely). I just wish labels selling CDRs for lack of means to re-press CDs would openly communicate that. In one case I even reached out to a label (a small one run by a classical music ensemble) and they flat-out denied that they're selling CDRs. That was about the weirdest thing. Others (Chiaroscuro, VAI) will openly discuss/admit/explain - but the usual vendors will still label their stuff as "audio CD", and obviously no one seems to care.

Well, I know about manufacturing and storage cots and all that ... what I don't agree with is that everybody (amazon, JPC, whomever) keeps selling these as "Audio CDs", which they are not. The only people caring about this is the one still buying a physical product, and it's those they're giving the finger with this practice. That's what bothers me. And of course initially they were all proper CDs - but the series started at a t ime when I had neither the budget nor any intention of buying so much Duke Ellington. That, luckily, has changed ... born too late, got smart too late, whatever, but I don't like being looked at as the stoopid consumer that will not notice the difference.

Does the box include very stable geniuses only, or others as well ?

Sounds good! What's your previous edition of this? I bought the Heritage Edition series (those also quite classy-looking French Universal digipacks from around 10-15 years ago) - took me a while to find it (and I wasn't quite sure the vendor would really sell that version, but he was ...) - not sure I want to buy it once more, but I am tempted! Lê Xuân was either involved with the "Jazz in Paris" series or with the compilations on SagaJazz that followed shortly after the initial run of 100-something JiPs in the original digipack design ended.

Ordering the missing ones now ... they will arrive within the next days/weeks. Vol. 6 got here today - CD-R. I still want the music and will make sure to back-up all the CD-R ones, just in case. Sucks bigtime that exactly those labels that would deserve support lie to those still willing to pay good money for their stuff and sell CD-Rs as CDs. I really hate it, but in this case I just want to have all the music, so in the end the will outweigh the I guess.

I'd say the ratio very good, it's the masterpieces that are quite rare, but the pace of good stuff they're churning out is totally nuts ...

I love it ... had less than half of it when it was announced and stopped buying more, but waited several years before actually buying it ...