(BB)

Yo La Tengo No Shit!

I really doubt it. I think that mass market-driven musical trends are about played out. I agree with Joe. I was thinking about this yesterday while shoveling snow. When I was in highschool (mid 80's) music was one of the main delineators of a social group (pop/metal/new wave/punk/rap). I was thinking when my daughter will be in highschool (10 year's from now) I doubt that will be the case.

Sorry to hear about loss. It sounds like he was a man that loved his community and he was loved in return. And as you mentioned, sometimes it is good to be reminded to appreciate what you have when you have it. Bill

Morris the Cat The Three Little Kittens Eartha Kitt

Niko Case Bags Kit Carson

Joseph Smith Jimmy Smith The Smithereens

It's hard to believe that Green Eggs and Ham is not actually a Dylan tune

The Wailers Capt. Ahab Ahab the Arab

Riot Grrls Bikini Kill L7

Barney Rubble Barney Fife Barney

Bishop Desmond Tutu Desmond Dekker Paul Desmond

The Tall Blond Man with One Black Shoe The Man Who Came To Dinner The Man Who Fell to Earth

Santa Satan Santana

Tom & Jerry Ben & Jerry Jerry & Sky

According to GoodCooking.Com This is very rare.

Proteus Joseph Merrick The Elephant Man

Not a great find from the $ers point of view, but some great music on some crappy plastic. Nina Simone on Spin-O-Rama Side A is what you would expect tons of noise and a fuzzy piano. But side B is 5 cuts from "Leonard Feather Presents Bop" with Wallington (p) Phil Woods (as) Idrees Sulieman/Thad Jones (t) Curley Russell (b) Art Taylor/Denzel Best (d) The vinyl is quiet and imho these guys are just on, Woods in particular. I also picked up a crown lp with NAT KING COLE in 3" type and then at the bottom in little type it says something about Lester Young. It is really a Young lp with the two cuts on side A being with Cole and Red Callender and then the back are three cuts from various Aladdin sessions. I doubt this thing was ever played more than a few times and sounds great. Usually when I see the Crown's, Spin-O-Rama's and other crap labels I don't even stop to look, glad I did today.

Now I'd like to see if someone could slide that sentiment into some casual conversation today.

Hey that is cheap, compared with a MINT Blue Note from Italy. And, hey they might actually deliver your chair.

I have had my HP officejet 7110 for 4 years. It is the fax/copy/print/scan set up. I work out of the home and I can't imagine how much paper has run through that thing without any problems to speak of. Also having a copier in the house is one of those things that would be hard to go without once you get use to it.

The Dead Kennedys The Circle Jerks Black Flag

J.R. Monterose Jack Monterose Jack Montrose

I picked up The House of Bradley up a little while back. Sort of a listen to once and file in the basement for me. The Junior Bradley cuts are nice is a 50's swingin' kind of way the Will Bradley with Strings is a little too easy listening for my taste. But the cover does in fact say Jack Montrose on Saxophone.

From the link provided above. DVD Review By Joe Lang Jazz on the West Coast: The Lighthouse A Film by Ken Koenig 78 Minutes, $25.00 Rose King Productions, 2006 "Over the years, many of the greats players of jazz graced the Lighthouse stage. Initially, Rumsey was able to present racially mixed groups with players like Teddy Edwards, Sonny Criss and Hampton Hawes sharing the stage with their white contemporaries. In fact, during a short period when Rumsey ended up incarcerated for a minor drug offense, Edwards filled his position as musical director of the Lighthouse. Within a few years, it became apparent that the black musicians were no longer welcome in Hermosa Beach. This was not a situation that set well with Rumsey and Levine, but they were realistic enough to understand that, in this case, it was best not to fight City Hall. There followed a ten-year period when black players were rarely among the players at the Lighthouse. There was a brief period of about six months, starting in September 1953 when this situation was eased. Max Roach was hired to replace Shelly Manne in the drum chair, and during Roach’s tenure players like Miles Davis suddenly started to appear at the Lighthouse. Max was like a magnet for the greatest stars in jazz, players who wanted to sit in with one of the masters of modern jazz drumming. Following the end of Roach’s contract with the club, Stan Levey was in on drums, and things returned to the way they were before Roach’s arrival, although this was not a reflection on Levey as a player or a person. There were still occasional players like saxophonist/flutist Buddy Collette and pianist Sonny Clark who broke the color line, but they were few and far between until the early 1960’s when the tensions eased, and racially mixed groups once again became the norm." an quote from the review.

Chic Cher Charo