soulpope

For it`s sheer brilliance of playing (and quite in the contrary to his rather clinical 70`s Liszt performances for DGG) try this Lazar Berman late 50`s/early 60`s Liszt recordings http://www.amazon.de/Russian-Piano-School-Lazar-Berman/dp/B000001HBZ/ref=sr_1_58?s=music&ie=UTF8&qid=1361391603&sr=1-58

No. Performances are different years, venues and personnel (different drummer and WV set has pianist.) Mark, thnx for the correction - could you pls shed more light regarding date, venue and musicians featured in subject Youtube-Video ?

I believe that`s the same recording you can also see via Youtube - the rhythm section looks like a bunch of "college boys" at the first glance, but their performance ist powerfull and captivating at the same time - great solos by guitarist ross traut and bassist ratzo harris.

thnx for your feedback !!

John, thnx. As I assume you do have this CD, so I will send you an PM reg further infos. Regards Emil

Yes, you`re right. I do have the LP(s) too, but as three rather long tracks each (aprox 25 minutes) were squeezed lp`s sides, I wondered wether the CD edition would feature a more dynamic transfer (espec. jimmy woode`s bass !!)....don`t get me wrong, it`s a great session and getting this cd would be just an added bonus to me.... Speaking of running times, subject discography http://www.jazzdisco...rsonTed-ldr.php features substantially longer tracks 3&4 Date: May 13, 1966 Location: Baarn, Netherlands Label: Fontana Ted Curson (ldr), Booker Ervin (ts), Ted Curson (t), Jimmy Woode (b), Edgar Bateman (d) a. 01 Roy's Boys - 15:31 (Ted Curson) b. 02 You Don't Know What Love Is - 8:21 (Don Raye, Gene DePaul) c. 03 Cinq Quatre - 12:10 (Ted Curson) d. 04 Musis Sacrum - 12:19 (Ted Curson) e. 05 The Leopard - 7:57 (Ted Curson) f. 06 Latino - 10:35 (Ted Curson Is this an error or are these mastertape infos and the released tracks are edited ?? Just wondering..... Thnx for your feedback, regards Emil

Looking for this CD is best possible condition !!

Indeed. The guitar is a high point. Someone I'd like to hear more of. here you go - another recording from this group via a performance @Edmonton Festival 1976 http://www.allmusic.com/album/edmonton-festival-1976-mw0001649234

Paul Desmond Live 1975 A&M feat. Bickert-Thompson-Fuller......wonderfull !!!!!!!

paul bley trio - blood 18.43 (from touching - fontana) randy weston+vishnu wood - african cookbook 15.10 (from perspective - denon) and all the live stuff from rollins trio late 50`s/earla 60`s, mal waldron trio/quartet in the 70`s/80`s, cedar walton 4tet, hampton hawes trio in the 70`s.................

Very saddening news. Will always be one of my faves, especially due to his Artist House duo outing with Hampton Hawes aptly titled "As long there is Music".

RIP Also loved his co-operation with Rahsaan, but he was also nicely featured on Beaver Harri`s outing "Beautifull Africa" on Soulnote (from the late 70`s)

Dear all, found subject clip on Youtube : "Flowers" (Gordon Beck) Phil Woods,alto sax Gordon Beck,piano Ron Mathewson,bass Daniel Humair,drums 1969 Could pls somebody knowledgeable englighten me regarding 1) When/where was this exactly recorded 2) As this looks like TV-footage, is "Flowers" the only titel existing 3) any other infos on this Any help would come highly appreciated Emil

always loved his colaboration with Mal Waldron Soul Note (It) SN 1118 Mal Waldron - The Git-Go: Live At The Village Vanguard Soul Note (It) SN 1148 Mal Waldron - The Seagulls Of Kristiansund Both of these plus Waldron`s remaining Soulnote output can be found rather cheaply on subject 4CD Box-Set ;-) http://www.amazon.de/Quintets-Waldron-Mal/dp/B0065HDLJE/ref=sr_1_2?s=music&ie=UTF8&qid=1355823511&sr=1-2

available+definitely worth a listen..... http://www.amazon.de/Die-Tote-Stadt-Sony-Opera-House/dp/B001UJSW7S/ref=sr_1_1?ie=UTF8&qid=1355736945&sr=8-1

Try the Freiburger Barockorchester efforts....spirited performances worth listening to me http://www.amazon.de/Sinfonien-91-Berenice-Freiburger-Barockorchester/dp/B001ONSWDO/ref=sr_1_6?ie=UTF8&qid=1354614578&sr=8-6 http://www.amazon.de/Violinkonzert-1-Sinfonien-49-80/dp/B002AHJTE4/ref=sr_1_3?ie=UTF8&qid=1354614578&sr=8-3 http://www.amazon.de/Sinfonien-6-8-Freiburger-Barockorchester/dp/B00005V21E/ref=sr_1_8?ie=UTF8&qid=1354614578&sr=8-8

Pepe Romero btw Los Romeros Bought this as new release in the late seventies http://www.peperomero.com/shop/images/discography/large/Front_Telemann-Bach-D.Scarlatti-Loeillet-Dowland.jpg Unfortunately not reissued as CD - still there are CD`s availble from that era mainly with spanish or italian Baroque Music (esp the recordings with Neville Marrnier & the Academy St. Martin-in-the-Fields are worth to be obtained !!)

Second that, especially bassist Don Thompson is outstanding

Janacek No. 1+2 performed by the Janacek Quartet (at that time Jiří Trávníček/Adolf Sýkora/Jiří Kratochvíl/Karel Krafka) and recorded in the mid 60`s. To my knowledge currently only available as japanese Import. http://www.hmv.co.jp/en/artist_Janacek-Leos-1854-1928_000000000020866/item_String-Quartets-Nos-1-2-Janacek-Quartet_3929674

Bach Partitas performed by Alexis Weissenberg (recorded in the late 60`s for EMI) http://www.amazon.de/Bach-Partitas-No-1-3-5-6/dp/B000CSUY06/ref=sr_1_17?s=music&ie=UTF8&qid=1352283455&sr=1-17 Piotr Anderszewski http://www.amazon.com/Bach-Partitas-Nos-Johann-Sebastian/dp/B00005UV9B/ref=sr_1_1?ie=UTF8&qid=1352284029&sr=8-1&keywords=Piotr+Anderszewski+bach Regarding sensitively played and beautifully recorded Sonatas for Viola da Gamba and Cembalo, give a try to Lorenz Duftschmid + Andrea Marcon This CD can be obtained via their website http://www.armonicotributo.com/Shop/Shop.html

Regarding Haydn Sonatas, I strongly recommend to (I`m tempted to say urge)you austrian pianist Roland Batik. Being a scholar of Fritz Gulda, he made a worthy effort to record the complete cycle in the mid to late 90`s. His Sonata performances are anchored on precise articulation, but at the same time being playfull and mirroring Haydn`s gentle wit.Unfortunately he made subject recording for the japanese Camerata label, resulting in not too extensive distribution abroad. For a first taste/try, get Haydn: Klaviersonaten Hob. XVI/ 34, 45, 47, 48 und 51; Roland Batik; Camerata CM-546 http://www.amazon.com/Complete-Piano-Sonatas-6-Haydn/dp/B00005ABOA/ref=sr_1_4?ie=UTF8&qid=1352281472&sr=8-4&keywords=batik+roland

After being out of print for some time (btw only available via Japan), the complete Beethoven Sonatas performed by Maria Grinberg recorded 1964-1967 and released by Melodyia is available again. Her style is probably not for the fainthearted, but to me very interesting nevertheless - admire her interpretation of Sonatas 109-111, which should not be missed !! For another fascinating view on Beethoven Sonatas, try Arturo Benedetti Michelangeli(although he recorded only a couple of these - 3,4,11,12 and 111).

Really interesting thread, thnx to ep1str0phy - I really do love bass :-) ad Jimmy Garrison ) It took me rather long to appreciate him via his "classic" Impulse recordings with Coltrane (the fact mentioned before from another poster, that Impulse recording engineers in general didn`t do a lot of favors to bassists by keeping them low in the mix was not too helpfull either). Revelation came via a Nathan Davis date from december 1967 bringing to light "Rules of freedom" (released on Polydor) and featuring H. Hawes, J. Garrison and Art Taylor. The rhythm section has some effortless interplay and gives a the same time each of the players "room to breath".....listen to J. Garisson.... Another "enlightening" came via the John Coltrane 4 Live at the Liederhalle Stuttgart from 1963 (formely bootleg LP, now sort of bootleg CD), which features inter alias some breathtaking playing by J. Garrison on "Impressions"..... and from then onwards... ad Ron Carter) Wouldn`t like to comment reg his pun on J. Garrison. I don`t really dig his bass playing overall - for me it often seems to be sort of "lightweight" and it`s his playing on the 60`S M. Davis 5 recordings which injects them a "bottomless" touch....to which extent this is only due R. Carter`s individual contribution or to the concept of Miles Davis........ Another poster - "AllanLowe" mentioned Ronnie Boykins and the great Wilbur Ware beings his faves beside Jimmy Garrison - I would like to second his opinion and add another one - the great (late) Jimmy Woode and his playing from the mid sixties onwards.

Good spot! I wonder if this is the start of a new series of releases...or not? Look at the "source"......if they would reissue a series, this would become more "traceable" abd therefore the question of legitimity could pop up faster....with a "limited series of 300" the issuer in question is on the "safer" side anyway...just my 5 cent worth...

another small chapter of the (in)famous horo reissuing story....... http://www.jazzmessengers.com/jazz-messengers-picks/george-adams-don-pullen-quartet-first-recordings-2lps-on-1cd-